The Intuitionist, a novel written by Colson Whitehead, illustrates many aspects of society through the parody of a detective novel. Since elevator inspectors have no detective talents, the idea is just a cover, underneath which lies a myriad of the author's opinions on society. The book, published only in the year nineteen-ninety-nine, is filled with miniscule clues that pilot one toward substantial metaphors. Among these are racism, politics, one's place in society, and so on and so forth. This novel is an ocean of allegories in its youth, its depths waiting to be explored.
Whitehead (1969 - present) began writing this manuscript with the idea that he could incorporate an elevator inspector into a mystery novel. In an interview with Dave Weich, he admitted:
[...] I wanted to see if I could write a plot, and a detective story has a lot of real backbone to work with. I thought it would be a parody of a detective novel, having an escalator inspector solve a crime. I'd seen a bit on TV about escalator inspectors and thought, what a weird job. Being in New York, I turned it into elevators instead. (Weich)
Unlike most people that have perambulated this earth, Whitehead decided to actualize his bizarre idea in hopes that it would become a work of art. He declared that he did not expect the novel to acquire this much fame. "It's strange, really," he says of the rate at which his novel gained popularity, "it was a first book, you know? Any notice whatsoever I thought was great" (Weich). Through a great deal of research, Whitehead created a culture of elevator inspectors. This elevator community got so intricate that it included a school, which encompassed two opposing philosophies - Empiricism and Intuitionism, on...
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...hancre attempts to buy votes from his workers at this annual night of smoking by providing cheap cigars, hors d'oeuvres, harlots, and free liquor for all. Although not many United States presidents and other politicians have gone to such extremes with the mere public, they are often known to have very extravagant dinners and such wild nights with their sponsors. In general, politicians buy votes by sweet talking the public, pulling stunts like going into war, and riding the coattails of high income companies.
Within the passages of Colson Whitehead's novel lie the countless melancholy verities about society today and through the ages. Ranging from politics to social issues such as racism to philosophy, this novel meanders through the depths of Whitehead's mind, resulting in a book involving a mysterious elevator crash, entitled The Intuitionist...going up?
In Ken Kesey’s novel One Flew Over the Cuckoo’s Nest and the film Girl, Interrupted directed by James Mangold authors both look at American psychiatric institutions of the 1960s and explore the idea that the hospitals act as microcosms for society. A microcosm is a small universe representative of a larger one thus suffers the same problems of conformity and rebellion, prejudice against minorities and authority figures ruling absolutely. Both authors use stylistic techniques to position the audience to respond to ideas common in both texts.
Christopher Paul Curtis wrote The Watsons Go to Birmingham—1963 throughout the course of 1995. The novel follows the Watsons, a black family living in Flint, Michigan during the Civil Rights Era. In a historical context, 1963 and the early 1990s have far more in common than one would expect. The Civil Rights Act was passed in 1964 following the church bombing in Birmingham, and yet race-based discrimination remains a problem even in our modern society via passive racism. This paper will analyze the ways in which Curtis’ The Watsons Go to Birmingham—1963 draws parallels between the time in which his is writing during and the time in which he is writing about. This analysis will also shed light on what can be called the “white standard,” wherein all things white are “good” or “better” and anything not-white is “bad.”
the subway, we get a sense of the way the Whitehead sees the world. He describes
Ken Kesey presents his masterpiece, One Flew Over The Cuckoo's Nest, with popular culture symbolism of the 1960s. This strategy helps paint a vivid picture in the reader's mind. Music and cartoons of the times are often referred to in the novel. These help to exaggerate the characters and the state of the mental institution.
Hunt, John W. "Flying the Cuckoo's Nest: Kesey's Narrator as Norm." Lex et Scientia 13 (1977): 27-32. Rpt. in A Casebook on Ken Kesey's One Flew Over the Cuckoo's Nest. Ed. George J. Searles. Albuquerque: Univ. of New Mexico Press, 1992. 13-23.
“Every moment is enormous, and it is all we have” (Goldberg xii). Natalie Goldberg offers her readers the opportunity to recognize the delicate nature of life and the importance of slowing down one’s life. In her autobiography, Long Quiet Highway: Waking Up in America, she invites readers to journey along her path to awakening in an effort as an author to “pass on her breath” (22). By capturing her message and holding it close to one’s heart, the reader grasps the essence of Goldberg’s message. It becomes clear that awakening can take on many forms and can be reached by different roads, but it is all centered on one goal: to go within oneself and find inner peace and understanding. Through her exploration of America, teaching, spirituality, impermanence, and writing, and through her writing style and language, Goldberg sends her readers along their own long, quiet highway.
Woolrich reinforced the detective fictions of yesterday, introducing to the American audience new detectives, who not only wheels a gun but also uses their knowledge of psychoanalysis to catch the perpetrator and solve the crime. Though Woolrich extends his knowledge of the human mind, he, just like MacDonald, Chandler and Hammett gives reference to 18th-century authors which include Sir Arthur Conan Doyle and Edgar Allan Poe.
In Bierce’s “One of the Missing”, the protagonist, Jerome Searing, is expose to fear when he is trap under a building that has collapse on him. His evolution, from perfectly sane to completely crazy, is clearly visible.
The author of One Flew over the Cuckoo 's Nest, allows the reader to explore different psychoanalytic issues in literature. The ability to use works literature to learn about real world conflicts allows us to use prior knowledge to interact with these problems in reality. Ken Kesey, the author of the above novel and Carl Jung, author of “The Archetype and the Collective Unconscious” wrote how the mind can be easily overtaken by many outside factors from the past or present. The novel takes place in an asylum that is aimed to contain individuals that have a mental issue or problem. The doctors and care takers are seen as tyrants and barriers that inhibit the patients to improve their health, while the patients are limited by their initial conditions
She states that, “In many instances, anti-immigrant racism today camouflages itself and goes mainline in self-presentation, which is precisely my point about Ethan Frome.” Ammon’s strongly advocates the stance that it is vital for racism in Ethan Frome and similar works to be revealed and thoroughly examined as it is this literature that unmasks the extent of white anxieties in the United States. Bernard, in a stark contrast, proposes that the heart of the novel is the weakness of Frome’s character as well as his “negation of life.” He argues that the language usage in Ethan Frome is unparalleled and allows the reader to closely read and understand the point of Wharton’s work. In order to make this understanding easier on the audience, Bernard breaks down the complex ideas and symbols represented in Ethan Frome into simple, easy to digest concepts. Step-by-step, he goes through Wharton’s integration of symbolism and imagery, two elements of fiction, and the motives behind their usage. Through his breakdown of symbolism and imagery into three components, he provides a clearer insight into the mind of Wharton and the purpose of her work, while Ammons solely focuses on the racism in Ethan Frome. Although she dissects the novel as well, she also supports her analysis using previous works authored by Wharton to prove the racist perspective of Ethan Frome. This is evident as it is present in
The birth of classic detective fiction was originated just in the mid nineteenth century, and was producing its own genre. Classical detective fiction follows a set of rules called the ‘Ten commandments of detective fiction’. The genre is so popular it can bee seen by the number of sales in any good book stores. Many of these books have been created a long time ago and there is still a demand for these types of books. The popularity is still ongoing because it provides constant entertainment, and also the reader can also have a role of detective trying to solve the crime/case committed. Classical detective fiction has a formula, the detective story starts with a seemingly irresolvable mystery, typically a murder, features the astute, often unconventional detective, a wrongly accused suspect to whom the circumstantial evidence points, and concludes with a startling or unexpected solution to the mystery, during which the detective explains how he or she solved the mystery. Formula that includes certain elements such as, a closed location to keep the number of suspects down, red hearings spread around the stories to keep the reader entertained yet interacted.
The disturbing description of the serial killer is recited without any waver whatsoever away from the intent only to divulge information. The narrator makes no personal comment and expresses no opinion about Howard. After the narrator has given the information to the listener, the narrator leads the train of thought right back to the work environment. The idea of a horrible mass murderer is interrupted by his typing ability. This continued contrast now goes past unstable and borders on psychotic.
Ken Kesey’s novel “One Flew Over the Cuckoo’s Nest” is a story about a band of patients in a mental ward who struggle to find their identity and get away from the wretched Nurse. As audiences read about the tale, many common events and items seen throughout the story actually represent symbols for the bigger themes of the story. Symbols like the fishing trip, Nurse, and electroshock therapy all emphasize the bigger themes of the story.
To most the detective fiction genre is considered to be “new.” Marking its inception with Edgar Allan Poe’s short story The Murders in the Rue Morgue in 1841, classifying Poe as the “undisputed father” of crime fiction (Butler). However, Poe is not the creator of the detective fiction genre, and in fact this type of literature can be seen centuries before in Old Testament writings. These writings include “Susanna and the Elders” and “Bel and the Priests,” as well as Greek writings like “Hercules and Cacus” and “King Rhampsinitus and The Thief”(Scaggs 19). Together, these literary pieces have had an ever-lasting influence on crime fiction, and substantiate the fact that Poe was in no way the originator of this genre.
The detective story is a tale that features a mystery and/or the commission of a crime, emphasizing the search for a solution. It distinguishes itself from other forms of fiction by the fact that it is a puzzle. The detective story did not just spring into being in its current form, but rather, evolved over time. The first true detective stories were written by Edgar Allan Poe. Many writers and critics have plainly stated that he is the inventor of detective fiction. Poe introduces one of the most basic elements of the detective story, which is the presentation of clues for his readers. This idea becomes very important in all subsequent works of detective fiction. That is, in all such fiction, all of the clues are available for the reader and the detective to solve the crime (usually murder), and at the end of the story, the reader should be able to look back on the clues and realize that he could have solved the mystery. A detective story in which the solution is suddenly revealed to the reader in considered bad form.