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Realism and impressionism essay
Chapter 15 realism, impressionism, and beyond
Realism Impressionism and Beyond
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Throughout the known history the artists have been striving to capture the world around them in an attempt to document the contemporary events and their surroundings or present their own or their client’s vision or an interpretation of a concept that would illustrate, describe or help visualize an idea. The description of the resulting art is often classifies the work as belonging to a specific style thus illustrating a set of common traits between the artifacts belonging to the same period. Two of these classifications are the Realist and the Impressionist movements.
Realism, in the 1850’s, rose as a reaction to the Romanticism which, through its works, elicited a strong emotional response from the observer by allowing the artist’s creativity and imagination become more important that a compliance to traditional rules and conventions of the preceding period. (Romanticism, 2014) In an attempt to escape the emotionality of the Romantics, the Realists depicted their subject matter truthfully, without artificial embellishments and concentrated on the everyday life. (Realism, 2014) It is important, however, to mention that the Realists didn’t necessary try to replicate the depicted subject with a photographic precision as did the Naturalists. General Realists tried to create an accurate and objective illustrations of the people’s routine, and, in their own way, critiqued the established order, both the social and the political.(Neoclassicism, Romanticism, Realism, and Photography, 2014) This depiction of the ordinary and the mundane grew in popularity with the emergence of photography as the new source of visual artifacts spurred the artists’ desire to create representations that looked “real”. (Realism, 2014)
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Impressionism. (2014). In Wikipedia. Retrieved from http://en.wikipedia.org/wiki/Impressionism
Monet, C., (1891). Haystacks(Sunset)[image]. Retrieved from http://www.mfa.org/collections/object/grainstack-sunset-32189
Neoclassicism, Romanticism, Realism, and Photography. (2014). In Literature, Arts, and the Humanities, ch. 3.18. Retreived from http://wgu.mindedgeonline.com/content.php?cid=19780
Realism. (2014). In Wikipedia. Retrieved from http://en.wikipedia.org/wiki/Realism_(arts)
Rewald, S.(10/2004) Fauvism. Retreived from http://www.metmuseum.org/toah/hd/fauv/hd_fauv.htm
Romanticism. (2014). In Encyclopædia Britannica. Retrieved from http://www.britannica.com/EBchecked/topic/508675/Romanticism
Voorhies, J. (10/2004) Post-Impressionism. Retreived from http://www.metmuseum.org/toah/hd/poim/hd_poim.htm
Realism was an offshoot of Romanticism, too, but was a much larger movement. It occurred around the 1840s to the 1890s. This mov...
During Vincent Van Gogh’s childhood years, and even before he was born, impressionism was the most common form of art. Impressionism was a very limiting type of art, with certain colors and scenes one must paint with. A few artists had grown tired of impressionism, however, and wanted to create their own genre of art. These artists, including Paul Gaugin, Vincent Van Gogh, Henri de Toulouse-Lautrec, and Paul Cezanne, hoped to better express themselves by painting ...
Beyond what they painted, Impressionists conveyed the modern city through their style of painting. They used techniques that emphasized that the scene was a moment in time. Many of their paintings were sketch-like, using thin but visible brushstrokes. They depicted light and shadows accurately, which often set the painting at a certain time of day. Also, they conveyed a sense of movement in their paintings, especially in human figures. These factors allow viewers to believe that the subjects of a painting w...
The culture of the Romantic Period marks an era shrouded in astonishing and rapid change, socially and economically. In Europe, between the years 1825 and 1900, enormous technological developments occurred. With the Industrial Revolution full force, the inventions of railroads and steamboats satisfied an insatiable desire for speedy travel and transportation of goods. Photography was changing the way in which history was...
It appears to me that pictures have been over-valued; held up by a blind admiration as ideal things, and almost as standards by which nature is to be judged rather than the reverse; and this false estimate has been sanctioned by the extravagant epithets that have been applied to painters, and "the divine," "the inspired," and so forth. Yet in reality, what are the most sublime productions of the pencil but selections of some of the forms of nature, and copies of a few of her evanescent effects, and this is the result, not of inspiration, but of long and patient study, under the instruction of much good sense…
In the beginning, Surrealism was primarily a literary movement, but it gave artists an access to new subject matter and a process for conjuring it. As Surrealist paintings began to emerge, it divi...
Abstract Expressionism is making its comeback within the art world. Coined as an artist movement in the 1940’s and 1950’s, at the New York School, American Abstract Expressionist began to express many ideas relevant to humanity and the world around human civilization. However, the subject matters, contributing to artists, were not meant to represent the ever-changing world around them. Rather, how the world around them affected the artist themselves. The works swayed by such worldly influences, become an important article within the artists’ pieces. Subjectively, looking inward to express the artist psyche, artists within the Abstract Expressionism movement became a part of their paintings. Making the paintings more of a representation of one’s self.
In the book “Ways of Seeing,” John Berger explains several essential aspects of art through influence of the Marxism and art history that relates to social history and the sense of sight. Berger examines the dominance of ideologies in the history of traditional art and reflects on the history, class, and ideology as a field of cultural discourse, cultural consumption and cultural practice. Berger argues, “Realism is a powerful link to ownership and money through the dominance of power.”(p.90)[1] The aesthetics of art and present historical methodology lack focus in comparison to the pictorial essay. In chapter six of the book, the pictorial imagery demonstrates a variety of art forms connoting its realism and diversity of the power of connecting to wealth in contradiction to the deprived in the western culture. The images used in this chapter relate to one another and state in the analogy the connection of realism that is depicted in social statues, landscapes, and portraiture, also present in the state of medium that was used to create this work of art.
From the creation of art to its modern understanding, artists have strived to perform and perfect a photo realistic painting with the use of complex lines, blend of colors, and captivating subjects. This is not the case anymore due to the invention of the camera in 1827, since it will always be the ultimate form of realism. Due to this, artists had the opportunities to branch away from the classical formation of realism, and venture into new forms such as what is known today as modern art. In the examination of two well known artists, Pablo Picasso and Jackson Pollock, we can see that the artist doesn’t only intend for the painting to be just a painting, but more of a form of telling a scene through challenging thoughts, and expressing of the artists emotion in their creation.
In this essay, I shall try to examine how great a role colour played in the evolution of Impressionism. Impressionism in itself can be seen as a linkage in a long chain of procedures, which led the art to the point it is today. In order to do so, colour in Impressionism needs to be placed within an art-historical context for us to see more clearly the role it has played in the evolution of modern painting. In the late eighteenth century, for example, ancient Greek and Roman examples provided the classical sources in art. At the same time, there was a revolt against the formalism of Neo-Classicism. The accepted style was characterised by appeal to reason and intellect, with a demand for a well-disciplined order and restraint in the work. The decisive Romantic movement emphasized the individual’s right in self-expression, in which imagination and emotion were given free reign and stressed colour rather than line; colour can be seen as the expression for emotion, whereas line is the expression of rationality. Their style was painterly rather than linear; colour offered a freedom that line denied. Among the Romanticists who had a strong influence on Impressionism were Joseph Mallord William Turner and Eugéne Delacroix. In Turner’s works, colour took precedence over the realistic portrayal of form; Delacroix led the way for the Impressionists to use unmixed hues. The transition between Romanticism and Impressionism was provided by a small group of artists who lived and worked at the village of Barbizon. Their naturalistic style was based entirely on their observation and painting of nature in the open air. In their natural landscape subjects, they paid careful attention to the colourful expression of light and atmosphere. For them, colour was as important as composition, and this visual approach, with its appeal to emotion, gradually displaced the more studied and forma, with its appeal to reason.
Scheidenhelm, Carol. "Romanticism, Realism and Naturalism." Romanticism, Realism and Naturalism. Loyola University Chicago, 14 Aug. 2007. Web. 05 May 2014.
In this essay, I will contrast and compare the two art movements, Impressionism, and Post-Impressionism. I will be concentrating on the works of the two leading artists of these styles Claude Monet and Vincent van Gogh.
Realism started in France in the 1830s. It was very popular there for a long time. A man named Friedrich Schiller came up with the word “realism.” Realism is based on contemporary life. There is a very accurate and honest representation of characters in this style of art. Realism tries to combine romanticism and the enlightenment. Life isn’t just about mind and not just about feelings either, it’s about both feelings and reason together. As said in the na...
Holt, Elizabeth G. From the Classicist to the Impressionists: Art and Architecture in the 19th Century. New Haven, CT: Yale University Press, 1966.
In order to explore new venues of creativity Modernists tinkered with the perception of reality. During the Renaissance, the depiction of a subject was very straight forward. A painting had to look like what it represented. The truth was absolute and right and wrong were clearly defined. For Modernists, the world is much more obscure. In Impressionist paintings, lines are not definite and things tend to blur together. Faces usually do not differentiate one person from another.