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Canadian culture is being influenced by America
Canadian culture is being influenced by America
Canadian culture is being influenced by America
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People like CANCON because it helps display our Canadian identity. CANCON not only helps us develop and realise our Canadian identity but also to promote that same identity all around the world. As we know, Canadian content isn’t just about Mounties or maple syrup shows, it is about expressing our identity and recognizing our culture which is one of the reasons why it is so widely accepted by Canadians, with many online distributors all are very if not more culturally uniform than the last. This means that we as Canadians have to work harder to make sure our voice is heard and that we are being accurately represented. People nowadays are also not quite as aware of what is happening with Canadian culture. Theater and popular culture requires
As its own state Quebec would have the capacity to act, consolidate and further create their own cultural identity (Heard, 2013). For example, Quebec could foster the national language to be French. By gaining independence from Canada, Quebec can then create their own laws, own immigration rules and levy taxes (Heard, 2013). This would allow Quebec to be completely independent from the rest of Canada, but they would have connecting boarders like the United States and Canada do.
Much has been written about the ways in which Canada's state as a nation is, as Peter Harcourt writes, "described" and hence, "imagined" (Harcourt, "The Canadian Nation -- An Unfinished Text", 6) through the cultural products that it produces. Harcourt's terms are justifiably elusive. The familiar concept of "Canadian culture", and hence Canadian cinema, within critical terminology is essentially based on the principle that the ideology of a national identity, supposedly limited by such tangible parameters as lines on a map, emerges from a common geographical and mythological experience among its people. The concept that cultural products produced in Canada will be somehow innately "Canadian" in form and content first presupposes the existence of such things as inherently Canadian qualities that can be observed. Second, it presupposes a certain commonality to all Canadian artists and posits them as vessels through which these said "inherently Canadian qualities" can naturally flow. Third, it also assumes the loosely Lacanian principle that Canadian consumers of culture are predisposed to identify and enjoy the semiotic and mythological systems of their nation, and further connotes that Canadians have fair access to their own cultural products. Since these assumptions are indeed flawed but not altogether false, this paper will deal with the general relationship between the concept of Canada, its cultural texts, and its mythological and critical discourse as an unresolved problematic that should be left "open" in order to maximize the "meaning potential" of films as cultural texts within the context of "national identity," an ideological construct that remains constantly in flux.
Source I is a quote from the Paris Peace Talks by British Prime Minister; Lloyd George, where he states a desire for Germany to suffer. This line was said after the end of World War I, where nations met up to discuss the Treaty of Versailles or the treaty to end World War I. In that treaty, it claimed that Germany was responsible for the war and included all the punishments for Germany. Britain and France wanted to make Germany hurt, in return from all the losses it’s caused them, like death of loved ones and damaged property. Squeezing an orange until its pips squeak, means to apply intense pressure on one, until it suffers or in Germany’s case, becomes economically and militarily weak. The Treaty of Versailles harshly punished
Is Canada a nation or has its control just switched empirical hands? As Professor Hutcheson asked, did Canada go from "Colony to Nation or Empire to Empire?" This question has greatly influenced Canada's changing identity since her birth as a British colony with Confederation in 1867 to the present day. The purpose of this essay is to critically analyse the shifting Canadian identities between the years 1890 to 1960. The objective is to illustrate Canada's transforming identity by using the novels The Imperialist by Sara Jeanette Duncan, Barometer Rising by Hugh MacLennan, and Fifth Business by Robertson Davies and to connect the stories of each of these works of fiction to the varying political, economic, and social issues of their times. Each book is written by a prominent author, and portrays an accurate reflection of the demanding political, economic, and social concerns throughout the late nineteen and first half of the twentieth century of Canadian history. All of the novels reflect Canada's peripheral view of the world, as opposed to a central point of view, because throughout its history Canada has always been perceived as a secondary player. As George Grant says in his literary piece Lament for a Nation, Canada is "a branch plant society" , meaning Canada is controlled by another power. The essential question is where has Canada's loyalties traditionally lay and how has this shaped the Canadian identity. The Imperialist by Sara Jeanette Duncan, written in 1904 reflects a very British influenced Canada. At this time, Canada is still a British colony under British rule, and the people of Canada are very content to consider themselves British. The novel predominately ill...
For nearly two centuries the inhabitants of New France lived their day to day lives
The Indian Residential schools and the assimilating of First Nations people are more than a dark spot in Canada’s history. It was a time of racist leaders, bigoted white men who saw no point in working towards a lasting relationship with ingenious people. Recognition of these past mistakes, denunciation, and prevention steps must be taking intensively. They must be held to the same standard that we hold our current government to today. Without that standard, there is no moving forward. There is no bright future for Canada if we allow these injustices to be swept aside, leaving room for similar mistakes to be made again. We must apply our standards whatever century it was, is, or will be to rebuild trust between peoples, to never allow the abuse to be repeated, and to become the great nation we dream ourselves to be,
CanCon regulations not only help define Canada as a unity but help the creative Canadians that express themselves through musical expression. David Young states, “According to the CRTC, the higher requirements would expand the exposure given to Canadian artists and provide increased support to the Canadian music industry.” (Young, 2004) Therefore, in order for the Canadian music industry to expand and become successful there must be government intervention of content regulations. This is reinforced in the article The government steps in, “Without government support, the number of Canadian films, records and television shows would be much lower than it already is.”(1995) If CanCon regulations are not in place the amount of Canadian works will contract until one day there are none left. Hence, Canadian culture being lost within many other cultures. Shedd et al. state that having CanCon regulations in place “Could promote greater national unity. Similarly, it could promote a distinct Canadian culture, and as a result, a greater national identity or pride.”(Shedd et al. 1990) This helps to enforce that with CanCon regulations put in place the Canadian culture can be truly identified through television, films and music.
Signs and symbols are two very important parts of a society because a society is deeply rooted on the various signs and symbols that people come across on daily basis.
payment for our country, free trade. All in all we have our own government, our
Scholars largely debate cultural diversity as a cause of decentralization. “The provincial governments are strong in Canada because Canadians have distinctive needs and interests that cannot be accommodated within a single national government, and also because of Canadians actually want strong provincial governments and a relatively weak federal one” (Stevenson, “Federalism and Intergovernmental Relations” 90). This argument was strategically counter argued by sociologist John Porter in The Vertical Mosaic. “Even if it were true, it would not necessarily explain the power exercised by provincial governments” (Stevenson, “Federalism and Intergovernmental Relations, 91).
The Silent Partner: A Canadianization Dilemma Works Cited Missing As a student of Canadian film, I find great appreciation in films that work to culturally enrich Canada's movie screens. I feel that an honest portrayal of Canadian values and culture is beneficial not only by enhancing the credibility of Canada's film industry, but also by maintaining a voice for the customs held by the Canadian people. For these reasons, among others, it had become very easy for me to dislike Daryl Duke's 1978 film The Silent Partner. Based on the knowledge I had before sitting through numerous screenings of the film, I found a challenge in making any concretely positive statements about it, or the state of Canada's film industry at the time. I asked myself about the effect this film had on Canada's film industry, wondering primarily if the film's success in Canada - it won a total of 6 Canadian Film Awards including best feature and best director - came not from a poignant portrayal of Canadian culture, but rather from a "Canadianization" of the typical American thriller.
Tremblay tackles this issue by comparing the broadcasting policies by authorities in Canada , Quebec and United States . The policies in Canada clearly exist to maintain their national identity and cultural sovereignty. It is encouraged to use the “Canadian ways” to carry out functions which would be Canadian a...
In the last 20 years the penetration of the Canadian market by American cultural industries is still extremely strong. The United States is still the main source of culture products. American products represent 81% of all culture commodity imports. Canadians watch American TV shows, listen to American music, love American sports teams, drive American cars and buy American goods at American stores like Walmart. They eat American food, drink American beer (sometimes).
What does it mean to be a Canadian? What are the common values shared by the Canadian citizens? Denise Chong, who was an economic advisor to the Canadian Prime Minister, delivered the speech “Being Canadian” during the Canadian citizenship week, 1995. She explains in this speech the importance of Canadian citizenship, the values shared by the Canadians and how to strengthen the Canadian values.
Canada as a nation has been striving to characterize itself as more ?Canadian? for decades. This has included numerous struggles and events such as protests, bans, and the creation of the Massey Commission, to encourage national development in the arts, and support major companies like the Canadian Broadcasting Corporation (CBC) and National Film Board (NFB). However, this has not been an easy task for the Canadian government, as major influences from below the border (the United States) have been captivating the Canadian audiences by large. American media has had a momentous revolutionizing effect on Canada, even through efforts made to define Canada with its own cultural identity.