Mankind has constantly struggled with the decision of right and wrong. Throughout history men and women have constantly fought for what they believe to be right. This popular mindset has resulted in many literary works. One for example is the epic poem Beowulf. It tells the story of a brave hero who fights for what he believes by battling terrifying creatures. The author or authors of Beowulf is unknown and historians say the epic poem was written over a long period of time. During this time, the religion of Scandinavia changed from Paganism to Christianity. The shift in the beliefs of the Anglo-Saxon people from Pagan to Christian becomes apparent when describing the monsters, the battles between good and evil, and even when Beowulf dies. Literary works such as the Inferno and …show more content…
These stories both use monsters to contrast good and evil. At the beginning of the Inferno three beasts halted Dante. Each of the beasts symbolized a different sin. Dante described one of them as a she-wolf that personified avarice. Avarice means extreme greed for wealth or material gain. In Beowulf the author described Grendel's mother as a “greedy she-wolf”. Once Dante turned around the poet Virgil greeted him. Virgil prophesied that a greyhound would come to drive the she-wolf back to hell. The greyhound represented a savior figure who would come to redirect the world to the path of truth and virtue. Beowulf shares many character traits with this savior figure and he also killed the she-wolf. Finally, in both epic poems the main characters descended into some type of underworld. In Beowulf, he spent hours sinking under the water in order to battle the sea witch. In the Inferno Dante spent the entire epic descending further into the nine circles of hell. These stories share clear resemblances because the theme of good battling evil is and always will be
To further interpret The Inferno, the Italian poet, Dante Allegheri, created a method called The Fourfold Analysis. This method involves analyzing the historical, moral, political, and spiritual effects of the topic. For example, Dante’s fourfold method helps the reader to further understand the thieves and their allegorical symbolism. The Thieves are found in the Seventh Pouch of the Eighth Circle of Hell in Dante’s Inferno, guarded by Cacus, a centaur. They are found with their hands tied up, being punished by snakes and lizards. The Thieves played a significant role in The Inferno, as they take up two entire cantos. The sight of the thieves in hell makes Dante’s “blood run cold with fright.” (Ciardi 197) At first glance, the actions of a thief seem to only affect 2 groups of people-the thief and the victim(s)-however, the effects include damage of community trust, personal costs, and continued separation between good and evil.
Fantastic elements occur in both Dante’s Inferno and The Tales of Sinbad but it is obvious that Inferno uses a lot more of the fantastic than Sinbad. In Dante’s Inferno, there are several fictional creatures (Cereberus, the Furies, Geryon) in the realms of hell, which all serve a specific purpose in hell and in Dante’s journey through the depths of hell. Through Sinbad’s journey, we see a lesser quantity of fantastic creatures, but, similar to Dante’s Inferno, the creatures that appear in Sinbad’s voyages all serve a purpose to the plot of the story. The main connection that both Dante and Sinbad have in relation to the use of the fantastic in their journeys is the purpose of the fantastic creatures themselves—they serve to cause death among others, but oftentimes are the sources that help advance the plot of the poem forward.
The brawl experienced by the epics central character Beowulf test his ethics his aptitude to prevail over sinister forces. All the way through its authoritative use of metaphors and illustration, Beowulf sketches a transparent difference between good and evil. Moreover good always prevails over evil. The ...
Beowulf is an interesting story in that it has a meaning that is firmly rooted in fantasy creatures based in mythical origins while providing insight into religious ideals and practices of the time. It also speaks of tradition and the struggle of man against things perceived as evil. In this tradition especially, Beowulf is an incredible allegory regarding the struggle of good and evil in the Christian tradition.
The epic and oral poem Beowulf illustrates a loss of community, cultural values, and tradition. Beowulf, the main character, is an ideal king and archetypal warrior. History is relevant to Beowulf; this Germanic society was being taken over by Christian missionaries who were seeking to convert this culture. The character of Beowulf is a reflection of the Germanic culture's virtues; heroism is emphasized in the text's multiple references and constant focus on heroes and what it is to be a hero. Beowulf, who is reflective of an older generation of heroes, strives for community. In contrast, Christianity's focus is on the individual. This conflict is ended once Beowulf, a figure of the past and the old world, passes on. With Beowulf, the hero dies. Hence, Beowulf's efforts to keep his culture and his ethics alive are impossible as war and Christianity conquer the Germanic land.
Beowulf is one of those stories that make the reader think. Although the unknown author of Beowulf develops the main protagonist to represent both paganism and Christianity, the ideals conflict and create a unique epic poem. Throughout the story, the reader sees a mix of Christian and pagan ideals telling a story of an epic hero. Because the reader cannot decipher whether he is pagan or Christian, it is only logical to assume he represents both. The author develops Beowulf to speak as if the two religions work together to create one. Although it is hard for the reader to understand, Beowulf seems to understand exactly what he believes in. The author clearly knew what he was doing when he wrote Beowulf into life. Beowulf's beliefs made him into the great epic hero that he is.
Dante’s work Inferno is a vivid walkthrough the depths of hell and invokes much imagery, contemplation and feeling. Dante’s work beautifully constructs a full sensory depiction of hell and the souls he encounters along the journey. In many instances within the work the reader arrives at a crossroads for interpretation and discussion. Canto XI offers one such crux in which Dante asks the question of why there is a separation between the upper levels of hell and the lower levels of hell. By discussing the text, examining its implications and interpretations, conclusions can be drawn about why there is delineation between the upper and lower levels and the rationale behind the separation.
“In my youth I engaged in many wars”, Beowulf boasts to his warriors, which is certainly true. Throughout his life, he faces many deadly foes, all of which he handily defeats, save one. His story focuses on the most challenging, as well as morally significant of foes, Grendel and the dragon. These creatures reveal much about society as well as Christian virtue at the time. Even after Grendel and the dragon are defeated physically, the two monsters pose a new threat to the hero on a higher plane. Beowulf is not only at risk of losing his life, but his humanity, virtue, and even spirituality.
In his first article of The Inferno, Dante Alighieri starts to present a vivid view of Hell by taking a journey through many levels of it with his master Virgil. This voyage constitutes the main plot of the poem. The opening Canto mainly shows that, on halfway through his life, the poet Dante finds himself lost in a dark forest by wandering into a tangled valley. Being totally scared and disoriented, Dante sees the sunshine coming down from a hilltop, so he attempts to climb toward the light. However, he encounters three wild beasts on the way up to the mountain—a leopard, a lion, and a she-wolf—which force him to turn back. Then Dante sees a human figure, which is soon revealed to be the great Roman poet Virgil. He shows a different path to reach the hill and volunteers to be Dante’s guide, leading Dante to the journey towards Hell but also the journey seeking for light and virtue.
In Dante’s Inferno, Dante is taken on a journey through hell. On this journey, Dane sees the many different forms of sins, and each with its own unique contrapasso, or counter-suffering. Each of these punishments reflects the sin of a person, usually offering some ironic way of suffering as a sort of revenge for breaking God’s law. As Dante wrote this work and developed the contrapassos, he allows himself to play God, deciding who is in hell and why they are there. He uses this opportunity to strike at his foes, placing them in the bowels of hell, saying that they have nothing to look forward to but the agony of suffering and the separation from God.
Dante’s The Divine Comedy illustrates one man’s quest for the knowledge of how to avoid the repercussions of his actions in life so that he may seek salvation in the afterlife. The Divine Comedy establishes a set of moral principles that one must live by in order to reach paradiso. Dante presents these principles in Inferno where each level of Hell has people suffering for the sins they committed during their life. As Dante gets deeper into Hell the degrees of sin get progressively worse as do the severity of punishment. With that in mind, one can look at Inferno as a handbook on what not to do during a lifetime in order to avoid Hell. In the book, Dante creates a moral lifestyle that one must follow in order to live a morally good, Catholic
In the epic poem Beowulf, the struggle between good and evil reveals its omnipresence in even the oldest of tales. The many allusions and symbols throughout the story relate to Christianity and other Pagan beliefs. By looking at them, it becomes apparent that the author of Beowulf believed that the constant war between good and evil is not only fought by the common man but also in the ranks of their highest esteemed rulers and warriors, and even in their dreaded nightmares where monsters lurk and wait for the death of man. Beowulf was written during the budding of Christianity in England, when it was newly forming. In the story there are obvious references to Christian rituals.
The poem Beowulf is a renowned story that displays many different surroundings and religious beliefs. Some may believe the story of Beowulf portrays pagan beliefs or customs and others believe that the poem is more in agreement with Christian ethnicity. The author of Beowulf uses both Christian and pagan elements in the poem to define the heroic warrior, Beowulf, and the evil dragons. After reading Beowulf the author clearly shows how Beowulf is a man who is filled with Christian customs and is willing to die and defend the world against evil using the help of God.
Beowulf has been estimated to have been written over twelve hundred years ago. According to The Norton Anthology Of English Literature, “It is now widely believed that Beowulf is the work of a single poet who was a Christian and that his poem reflects a well-established Christian tradition,” (37). This conclusion was likely drawn by accounting for the time at which Beowulf was written and factoring in most people in the area of where it was believed to be written had already been converted to Christianity. In a way, this provides the best explanation for why Beowulf contains a high level of Christian influences for the story to have taken place when it did. Dr. J. Michael Stitt of the University of Nevada, Las Vegas says that, “Much of this epic poem is dedicated to conveying and exemplifying the heroic code which values such attributes as strength, courage and honor. Conflicting with this ideology are other factors such as Christianity, and these tensions affect the lives and decisions of the narrative's characters.” If the one of the main focuses in Beowulf is the heroic code and the heroic code convicts with the authors beliefs than why did he write it? This is not to say that authors do not write about things that they ...
Beowulf was written in the time when the society was in the process of converting from Paganism to Christianity. In this epic poem, these two religions come through the actions of its characters. The acceptance of feuds and the courage of war are just a few examples of the Pagan tradition, while the Christian mortalities refrain from the two.