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marabar caves in passage to india
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The Important Role of the Marabar Caves in A Passage to India
During the fourteen years that followed the publication of Howards
End, Edward Morgan Forster underwent a harsh mood change that culminated in
the publication of A Passage to India, Forster's bitterest book (Shusterman
159). Forster was not alone in his transition to a harsher tone in his
fiction. A Passage to India was written in the era that followed the First
World War. George Thomson writes that the novel "may be viewed as a reaction
to the disappearance of God in the nineteenth century.... Twentieth century
writers have symbolized this world without God as a wasteland" (293). Post-
war writers were appalled by the atrocities brought about by war and,
therefore, concluded that Earth is not overseen by a God. Rather, they
believed that the world was, in a sense, empty. Nowhere can this
emptiness be seen better than in the second of the novel's three major
sections, "Caves." Thomson writes that this section is "a great wasteland
image in which...the Marabar expresses the nonexistence of God" (293).
"Caves" begins as the story's major characters make a journey to the
mystifying Marabar Caves. In the monotony, hollowness, and evanescent
beauty of the Marabar Caves is revealed a truth about the universe that
Mrs. Moore and Adela are unable to accept, but by which both characters
are affected, as well as Aziz, who may have suffered the most severe
consequences of the three.
Forster foreshadows the important role that the Marabar Caves
will play in A Passage to India in the novel's first line. Forster writes,
"Ex...
... middle of paper ...
... Works Cited
Brown, E.K. "Rhythm in E.M. Forster's A Passage to India." Forster. Ed. Malcolm Bradbury. New Jersey: Prentice, 1966. 144-59.
Forster, E.M. A Passage to India. New York: Harcourt, 1924.
Kelvin, Norman. "A Passage to India." E.M. Forster. Carbondale: Southern Illinois UP, 1967. 126-42.
MacAulay, Rose. "A Passage to India." The Writings of E.M. Forster. New York: Barnes, 1970. 176-203.
Shusterman, David. "A Passage to India: Synthesis Broken, or No One is India." The Quest for Certitude in E.M. Forster's Fiction. Bloomington: Indiana UP,
1965, 158-204.
Thomson, G.H. The Fiction of E.M. Forster. Detroit: Wayne State UP, 1967.
201-72.
Wilde, Alan. "A Passage to India." Art and Order. New York: New York UP, 1964. 123-58.
Beowulf, physically and emotionally, is representative of the Germanic ideal hero. Beowulf is ?brave? (688), honest, and strong. One of the first scenes in the poem describes Beowulf?s arrival on the beach of a foreign land. Instead of fearing the large warrior that has arrived and summoning for help, the ?watchman? (229) is in awe of Beowulf. Before even getting to know Beowulf, the watchman thinks that this warrior is one of the strongest and noblest men he has ever seen: ?Nor have I seen/a mightier man-at-arms on this earth/than the one standing here: unless I am mistaken,/he is truly noble? (247-250). Therefore, Beowulf?s towering height and stature convince others that he is a hero. Like the typical hero, Beowulf gives boasts. While in Hrothgar?s kingdom, Beowulf defends himself against the kin-killer Unferth; Beowulf brags that he will kill Gren...
Initially, Oedipus is a confident leader who believes he is educated and knows the truth about himself and the land he presides over, Thebes. This is because he was proclaimed the most famous man alive as a result of his answering the Sphinx’s riddle to save Thebes from a tragic epidemic. However, at the beginning of the play there is another plague causing grief to the members of Thebes, and Oedipus goes so far as to say that he will stop at nothing to rid Thebes of this pollution. He states, "Each of you grieves for himself alone, while my heart must bear the strain of sorrow for all--myself and you and all our city’s people. No I am not blind to it," (p.4). Yet in essence he is blind to it because he is the indirect cause for the epidemic in Thebes. Oedipus finds out that the cause for the Epidemic is that nobody came forth as an avenger in the murder of King Laius. Oedipus then states, "I shall not cease until I bring the truth to light. Apollo has shown, and you have shown, the duty which we owe the dead," (p.5). This is ironic in that Oedipus vows to make the truth come to light so that everybody can see it, including himself. Moreover, th...
In Oedipus the King, Sophocles suggests that the impact of seeing the truth is harmful rather than enlightening. Whenever Oedipus strives to discover more to strengthen Thebes’ perspective of him, it leads him closer to his fate as determined by prophesy. Tiresias stands as a model in the play for the individual who is able to see the meaning beyond plot of events although his is blind, and Oedipus represents the oblivious arrogant individual who is never content because they need to be the unsurpassed individual. In the play, Sophocles illustrates the downside of a personality like Oedipus who desires to see the truth by ending the play with the brutality of gouging out his own eyes. Ultimately, the play reinforces that seeing the truth is harmful and being content with what you have, without greedily striving for more, can help avoid fate and a related deposition.
The clear definition of a hero is often open to interpretation and has never been clearly defined. In the translation of the epic poem Beowulf by Seamus Heaney, it is often debated whether the main character Beowulf is actually a hero or not. Beowulf displays hero-like characteristics through his bravery, loyalty, brute strength, confidence and protective nature. He is a crystal clear example of an Anglo-Saxon hero in his time period. In the present day he should be considered a hero as well. He displays heroism through his fights with Grendel, Grendel’s mother and the dragon while managing to protect his people and eventually sacrifice himself.
...mately, Beowulf’s traits of loyalty, strength, and bravery were what an Anglo-Saxon warrior strived for to win glory for himself and his lord. Beowulf is the heroic prototype for future warriors, and his character has set the stage as one of the most influential classical heroes in literature.
There has only been one hero in Anglo-Saxon history, only one man can meet every requirement one needs to be classified as hero. Only one man's honor, loyalty, courage, generosity, and wisdom, fits the true definition of a hero. That man is Beowulf. With these leading traits, Beowulf's rise to heroism was not just by chance. He filled each of the five characteristics perfectly, as if it was his destiny to be admired.
This recognition that Beowulf receives proves his place as the quintessential hero in Anglo-Saxon society. The unknown author recognizes Beowulf as a warrior who “behaved with honor and took no advantage” (149). This quality is important to Beowulf’s image as a hero. The author also days that Beowulf “bore himself with valor” and names Beowulf “Heroic Beowulf” when describing the hero (135, 149). The author’s recognition of Beowulf as having these qualities and as being heroic shows that Beowulf was regarded as a hero during the authors’ own time. This is also confirmed by the several times people in the epic recognize Beowulf’s heroic qualities. Wiglaf, who was with Beowulf during the final battle, is one of the people to recognize Beowulf’s glory-seeking heroics, saying that Beowulf is “a man unequalled in the quest for glory” (179). This statement speaks much of Beowulf’s willingness to search for and his success in finding glory. Beowulf is also recognized by a thane of Hrothgar’s court during his earlier days. This thane recognizes Beowulf’s heroics and begins “rehearsing Beowulf’s triumphs and feats” by comparing him to Sigmund, an old Anglo-Saxon hero (59). The recognition Beowulf receives from the characters in the epic shows that Beowulf was impressive and heroic to Anglo-Saxons who told his
Ancient Greeks cared deeply about the pursuit of knowledge. Although the truth was often a terrifying concept, they still saw it as a critical virtue. One of the main underlying themes in Oedipus the King is the struggle of sight vs. blindness. Oedipus’ blindness is not just physical blindness, but intellectual blindness as well. Sophocles has broken blindness into two distinct components. The first component, Oedipus's ability to "see" (ignorance or lack thereof), is a physical characteristic. The second component is Oedipus's willingness to "see", his ability to accept and understand his fate. Throughout the play, Sophocles demonstrates to us how these components.
par. 1). With clever poetic purpose, Frost‘s poems meld the ebb and flow of nature to convey
The vivid imagery, symbolism, metaphors make his poetry elusive, through these elements Frost is able to give nature its dark side. It is these elements that must be analyzed to discover the hidden dark meaning within Roberts Frost’s poems. Lines that seemed simple at first become more complex after the reader analyzes the poem using elements of poetry. For example, in the poem Mending Wall it appears that Robert frost is talking about two man arguing about a wall but at a closer look the reader realizes that the poem is about the things that separate man from man, which can be viewed as destructive. In After Apple Picking, the darkness of nature is present through the man wanting sleep, which is symbolic of death. It might seem that the poem is about apple picking and hard work but it is actually about the nature of death.
There are people bustling, merchants selling, Anglo-Indians watching, and birds flying overhead. How many perspectives are there in this one snippet of life? They are uncountable, and that is the reality. Modernist writers strive to emulate this type of reality into their own work as well. In such novels, there is a tendency to lack a chronological or even logical narrative and there are also frequent breaks in narratives where the perspectives jump from one to another without warning. Because there are many points of view and not all of them are explained, therefore, modernist novels often tend to have narrative perspectives that suddenly shift or cause confusion. This is because modernism has always been an experimental form of literature that lacks a traditional narrative or a set, rigid structure. Therefore, E. M. Forster, author of A Passage to India, uses such techniques to portray the true nature of reality. The conflict between Adela, a young British girl, and Aziz, an Indian doctor, at the Marabar Caves is one that implements multiple modernist ideals and is placed in British-India. In this novel, Forster shows the relations and tension between the British and the Indians through a series of events that were all caused by the confusing effects of modernism. E.M. Forster implements such literary techniques to express the importance or insignificance of a situation and to emphasize an impression of realism and enigma in Chandrapore, India, in which Forster’s novel, A Passage to India, takes place.
Nature is an important theme in every frost poem. Nature usually symbolizes age or other things throughout Frost’s poems. In lines 5-10 it says, “Often you must have seen them loaded with ice a sunny winter morning after a rain. They click upon themselves as the breeze rises, and turn many-colored as the stir cracks and crazes their enamel. Soon the sun’s warmth makes them shed crystal shells.” This demonstrates how nature can sometimes symbolize something. Also in lines 29-33 it says, “ By riding them down over and over again until he took the stiffness out of them, and not one but hung limp, not one was left for him to conquer. He learned all there was to learn about not launching too soon.” In lines 44-48 it says, And life is too much like a pathless wood where your face burns and tickles with the cobwebs broken across it, and one eye is weeping from a twig’s having lashed across it open. I’d like to get away from earth for a while.”
Frost was a rural Yankee whose writings reflect everyday experiences-his own experiences, but was one who saw metaphorical dimensions in the everyday things he encountered. These everyday encounters held ground as his subject manner, combined with the rural setting of New England nature, seasons, weather and times of day. Frost’s goal was to write his poetry in such a way that it would cover familiar ground, but in an unfamiliar way or uncommon in expression.
Robert Frost is an amazing poet that many admire today. He is an inspiration to many poets today. His themes and ideas are wonderful and are valued by many. His themes are plentiful however a main one used is the theme of nature. Frost uses nature to express his views as well as to make his poetry interesting and easy to imagine in your mind through the detail he supplies.
Mishra, Vijay. "The Texts of Mother India." After Europe.Ed. Stephen Slemon and Helen Tiffin. Sydney: Dangaroo Press, 1989. 119-37.