In the mid-17th century, the Puritan faith very much revolved around punishment and public humiliation. The scaffold was a popular means of punishment. It was a place where sinners were ordered to stand, for hours at a time, in front of the entire town. It was a place where executions occurred, as well as many other forms of public humiliation and cruelty. In Nathaniel Hawthorne’s The Scarlet Letter, the scaffold serves to illustrate the dynamic change of Arthur Dimmesdale as he progresses from a coward to a Christ-figure. From the first scaffold scene to the last, Dimmesdale’s character evolves from being too feeble and full of guilt to confess his sin into not only keeping his secret in order to bring others to the faith, but also revealing his shameful fault in front of the whole town. The scaffold scenes assist in displaying the points in the novel when Dimmesdale’s character has significantly changed. The first scaffold scene comprises of Hester Prynne being publicly judged and shamed for her adultery. It is here that Dimmesdale is looking down on Hester from a higher platform, staying silent. Dimmesdale will not confess his sins because he is too worried about tarnishing his reputation. He is in a higher position than Hester, and he sees that if he were to reveal his sin, he would have to step down from his position both physically and socially. When he speaks to Hester, he
Through much anguish and guilt, Dimmesdale goes from a coward in the first scaffold scene to a Christ-figure in the last. The scaffold was initially used for public shame and humiliation, but concluded with it being a symbol of sacrifice. The message from Dimmesdale’s transformation serves to point out not only the hypocrisy of the Puritan faith, but the bigotry and duplicity in all members of society. But, as Dimmesdale illustrates, dishonesty always brings with it the opportunity for
The town is all out to witness the punishment of Hester Prynne some of the women are suggesting other punishments and the women are telling us about Hester and Dimmesdale. People say," said another, "that the Reverend Master Dimmesdale, her godly pastor, takes it very grievously to heart that such a scandal should have come upon his congregation." (Page 49) Reverend Dimmesdale is seen as a godly man. A man who does not commit sin and in his own mind at this point he feels fine and does not have any guilt. Dimmesdale at this point in the novel is seen as godly and throughout the novel is seen as godly even at the end after the last scaffold scene. Consequently enough, Dimmesdale is trying to convince Hester to reveal the man who has sinned along with her , so the man can be relieved of his guilt, some what ironic because he is the man who has sinned along side with her. "What can thy silence do for him, except it tempt him--yea, compel him, as it were--to add hypocrisy to sin? Heaven hath granted thee an open ignominy, that thereby thou mayest work out an open triumph over the evil within thee and the sorrow without. Take heed how thou deniest to him--who, perchance, hath not the courage to grasp it for himself--the bitter, but wholesome, cup that is now presented to thy lips!" (Page 65) This is the first scaffold scene Reverend Arthur Dimmesdale is not showing any signs of guilt at this point, he is still fairly the same and has not began to inflict punishment on himself or so it appears. Dimmesdale in the first scaffold scene seems fairly normal and has not begun to transform himself but by the next time we see him at the scaffold he is taken a turn for the worst.
Before Dimmesdale’s untimely death in Nathaniel Hawthorne’s The Scarlet Letter, Dimmesdale committed the sins of adultery and lying. In order to keep his sins a secret, Dimmesdale spoke nothing of his involvement in the affair until it tore him apart from the inside out.When Dimmesdale tried to confess his sin to his congregation, they saw the confession as if it were part of his sermon. “He had spoken the very truth, and transformed it into the veriest falsehood”. (Hawthorne 171) Instead of correcting their assumption, Dimmesdale went along with it, once more hiding his sinfulness. When Dimmesdale finally confessed his sin openly...
In Nathaniel Hawthorne's "The Scarlet Letter," there are three very important scenes that all take place at the town scaffold, a place of great shame in their strict Puritan society. These scenes represent the progression of Reverend Arthur Dimmesdale over the course of the story. Each scene involves him in some way and one can easily see that he has changed dramatically in all three.
Arthur Miller’s The Crucible and Nathanial Hawthorne’s The Scarlet Letter share remarkable parallels not only in their examination of early Puritan America, but also in the dilemma of the two main male characters, John Proctor and Arthur Dimmesdale. Both these men had sinful relations with another member of the town, and must deal with the adversity that resulted from their sin. Although both John Proctor and Reverend Dimmesdale become hypocrites in their society, Proctor overcomes his sin and is able to redeem himself, while Dimmesdale’s pride and untimely death prevent him from fully experiencing redemption.
To the town, Dimmesdale appears to be perfectly righteous and is respected highly; while in reality, he is just as guilty as Hester. The hypocrisy of his character first begins to develop as he denies his own sinfulness
Since the beginning of time humans have had to confront their sinfulness. Some rely on religious faith to help with the struggle against sin while others add to their sins by lying to hide other sins. In the end, man must stand alone – as a sinful creature before God. In Nathaniel Hawthorne’s The Scarlet Letter, Dimmesdale struggles with his sin until he discovers the scaffold as a place to find peace with himself.
The Scarlet Letter involves many characters that go through several changes during the course of the story. In particular, the young minister Dimmesdale, who commits adultery with Hester, greatly changes. He is the moral blossom of the book, the character that makes the most progress for the better. It is true that Dimmesdale, being a minister, should be the role model of the townspeople. He is the last person who should commit such an awful crime and lie about it, but in the end, he confesses to the town. Besides, everybody, including ministers, sin, and the fact that he confesses illustrates his courage and morality.
Hawthorne manages to create many metaphors within his novel The Scarlet Letter. The rose bush outside the prison door, the black man, and the scaffold are three metaphors. Perhaps the most important metaphor would be the scaffold, which plays a great role throughout the entire story. The three scaffold scenes which Hawthorne incorporated into The Scarlet Letter contain a great deal of significance and importance the plot. Each scene brings a different aspect of the main characters, the crowd or more minor characters, and what truth or punishment is being brought forth.
“To the untrue man, the whole universe is false,--it is impalpable,--it shrinks to nothing within his grasp. And he himself, in so far as he shows himself in a false light, becomes a shadow, or, indeed, ceases to exist.” (Hawthorne 115) Throughout the hostile novel The Scarlet Letter, author Nathaniel Hawthorne used contrasting settings to represent opposed ideas that were central to the meaning of the work. Some have argued that when it came to the theme that secrets have a destructive effect on the secret-keeper and truth, by contrast, was natural, a character evaluation would best advocate these differences. However, two settings, Dimmesdale’s house and the secrets that lie within, and the scaffold representing the truth, better embody the adverse ideas posed by the point at issue.
...scourse” (77). Dimmesdale as well, was greatly affected by the environment and by what was going on around him. Dimmesdale was accepted by society, but because he was greatly praised for being a “miracle of holiness” (125) he became greatly burdened and guilty. He was in a dilemma of wanting to tell all the townspeople about what he had done, yet he could not due to the fear that was inside of him. This pushed him to punishments in which he inflicted upon himself and always thinking about the incident pushed him to his limits mentally-seeing visions of his dead parents and Hester as they point a condemning finger at him along with judgmental looks in their eyes (127).
In Nathaniel Hawthorne’s The Scarlet Letter, the guilt bestowed upon two passionate lovers committing adultery reveals the corrupt and over-radical beliefs of a strict Puritanical society. Hester Prynne and Arthur Dimmesdale face life-changing consequences after submitting to their emotions and committing sin. The narrator’s forgiving tone presents the society as being very strict in living by their social and religious codes. The administrative, or authoritarian, imagery conjured up by various scenarios with the scaffold, magistrates, and the mayor in hid castle supports the tense mood as Hester and Dimmesdale try to mysteriously elude the laws of their community. Hawthorne employs allegory to the names of many characters in the novel to suggest their vulnerable personalities as they, in many cases, become shaped by the Puritanical views. Most importantly, the abundance of symbolism, such as the scarlet letter “A” itself, hammers home the effects of the Puritanical moral values on the characters in the novel.
With his family at his side, Dimmesdale finally confesses his sin and shows the scarlet "A" on his chest. He then died peacefully. Hawthorne has perfectly structured The Scarlet Letter around three scaffold scenes. At the first one, located in the very beginning of the novel, Hester openly confesses her sin of adultery in the light of day while Dimmesdale and Chillingworth look on from the crowd that has gathered.
As soon as Hester stands on the stocks with Pearl for a day without him, Dimmesdale becomes forever haunted from his guilty conscience. He self-inflicts a great deal of harm upon himself both physically and mentally. “And thus, while standing on the scaffold, in this vain show of expiation, Mr. Dimmesdale was overcome with a great horror of mind, as if the universe were gazing at a scarlet token on his naked breast, right over his heart. On that spot, in very truth, there was, and there had long been, the gnawing and poisonous tooth of bodily pain. Without any effort of his will, or power to restrain himself, he shrieked aloud; an outcry that went pealing through the night, and was beaten back from one house to another, and reverberated from the hills in the background; as if a company of devils detecting so much misery and terror in it, had made a plaything of the sound, and were bandying it to and fro” (Hawthorne 128). Dimmesdale comes close to confession many times, but cowardice and self-preservation come into play, affecting his decision. He is unable to summon the power to confess, but instead tortures himself and engraves an “A” by his heart. He quickly realizes that he will not survive long in his current situation.
In Nathaniel Hawthorne’s The Scarlet Letter, Mr. Dimmesdale’s greatest fear is that the townspeople will find out about his sin of adultery with Hester Prynne. Mr. Dimmesdale fears that his soul could not take the shame of such a disclosure, as he is an important moral figure in society. However, in not confessing his sin to the public, he suffers through the guilt of his sin, a pain which is exacerbated by the tortures of Roger Chillingworth. Though he consistently chooses guilt over shame, Mr. Dimmesdale goes through a much more painful experience than Hester, who endured the public shame of the scarlet letter. Mr. Dimmesdale’s guilt is much more damaging to his soul than any shame that he might have endured.
Arthur Dimmesdale was involved in the adulterous act along with Hester Prynne. One fact that makes this event more criminal for him is that Dimmesdale is a minister. Another reason for Dimmesdale's acts to be more shameful than Hester's is that she confessed and served the punishment for her crime. While Hester was on the scaffold, Dimmesdale expresses that he does not have the courage to admit his sin and sacrifice his good name. However, when Dimmesdale says "who, perchance, hath not the courage to grasp it for himself--the bitter, but wholesome, cup that is now presented to thy lips" he is inviting Hester to confess Dimmesdale's involvement with her to the townspeople with the explanation that it will be a bitter but wholesome relief to the both of them. Although Dimmesdale was tortured by his conscience for his wrongdoings, he did not publicly admit his guilt until seven years later on.