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Shakespeare once wrote that “we know what we are, but not what we may be.” What Shakespeare is saying is that other forces along the path of life can change who one can become. In the Shakespearean play Hamlet, the protagonist Hamlet finds himself in the presence of what appears to be his father’s ghost. Is this ghost the devil in disguise trying to make Hamlet do his bidding, or did newly appointed king Claudius actually do devil 's work by killing Hamlet 's father? The word devil illuminates the true meaning of the play, which is men may believe they know who one is, however the devil can change who they will become. Such as Hamlet who sets out to avenge his father’s murder became a murderer himself.
The word ‘devil’ comes from the Greek word ‘diabolos’ which is the spirit or power of evil. The devil is found in almost all religions and is thought to
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For example, Hamlet says the word devil in the second and third acts, while Laertes says it in the fourth and fifth acts. The last person to say the word devil is Polonius in the second act. In all these cases these men are describing the devil as someone evil or bad. A reason for Shakespeare only having the male characters say this vulgar word is, it was unbecoming for women to say such foul language. Even when describing how Hamlet’s mother Gertrude is blinded by the devil in the third act, Gertrude does not say the word devil in their conversation, only Hamlet speaks of it. This shows that though it is thought Gertrude is blinded by the devil, she is not influenced by it, her actions are not that of the devil, but those of someone who cannot see past her wrongdoings. How this relates to the meaning of the play is that only men could potentially be influenced by the devil, or be the devil themselves. Though Gertrude was thought to be blinded by the devil, she is never thought to be one herself or to have done the devil’s
Hamlet grants himself the opportunity to momentarily direct himself, yet it remains unknown as to whether he directs a representation of truth or a falsity. He exemplifies madness so well, as the sight of "a damned ghost" (77) insanely induces his imagination and comfortably transforms his identity to one of lunacy. This role he acquires is one he portrays so explicitly well as an actor that he easily utilizes it as the foundation for his players. He instructs the players:
Hamlet's poisoned drink, and when Hamlet realized he is not going to live to see
The main character, Hamlet, is a character that is not true to others, nor to himself. When the Ghost of his father tells him he was murdered by Claudius, Hamlet doubts the truth. He does not trust the ghost of his father, so has to find a way to prove it. Deciding on how to prove or disprove the Ghost, Hamlet predicts: “The play’s the thing / Wherein I’ll catch the conscience of the King” (2.2, 616-17). Because he distrusts the Ghost, Hamlet is not true to his father. However, when his plan proves to him that the Ghost’s words are true, Hamlet still does not act; he still cannot avenge his father’s murder. Hamlet decides not to kill Claudius, using the fact that he is praying as an excuse. Hamlet does not want Claudius’s soul to go to heaven, therefore he decides not to kill him, explaining: “A villain kills my father, and for that, I, his sole son, do the same villain send to heaven” (3.3, 76-78). However, after trying to pray, the King claims that his prayers were not heard: “My words fly up, my thoughts remain below. / Words without thoughts never to heaven go” (3.3, 97-8). Therefore, had Hamlet chosen to kill Claudius at that time, his soul would have gone to Hell. Hamlet uses God as an excuse for not acting. He is not true and is lying to himself, because he wants to kill Claudius, yet does not.
Originally titled The Tragicall Historie of Hamlet, Prince of Denmarke, this tragedy has been reproduced more times than any other play written by William Shakespeare (en.wikipedia.org 1 of 9). Prince Hamlet also has the lengthiest appearance of any character in all of Shakespeare's plays (en.wikpedia.org 6 of 9). In the play, Prince Hamlet is caught between balancing his need to avenge his father's death, dealing with the disgust he felt for Gertrude and Claudius' love affair, and maintaining the relationship he has with Ophelia without exposing his plans to kill his uncle Claudius for the murder of King Hamlet.
The question of why Hamlet delays in taking revenge on Claudius for so long has puzzled readers and audience members alike. Immediately following Hamlet's conversation with the Ghost, he seems determined to fulfill the Ghost's wishes and swears his companions to secrecy about what has occurred. The next appearance of Hamlet in the play reveals that he has not yet revenged his father's murder. In Scene two, act two, Hamlet gives a possible reason for his hesitation. "The spirit that I have seen / May be a devil, and the devil hath power / T' assume a pleasing shape" (2.2.627-629). With this doubt clouding his mind, Hamlet seems completely unable to act. This indecision is somewhat resolved in the form of the play. Hamlet comes up with the idea of the play that is similar to the events recounted by the ghost about his murder to prove Claudius guilty or innocent. Due to the king's reaction to the play, Hamlet attains the belief that the Ghost was telling the truth the night of the apparition.
Fear plays an important role in Shakespeare's tragic play, Hamlet. Within the play, the main character, Hamlet, attempts to overcome his fear and fulfill his father's revenge. Hamlet's apprehension toward death prevents him from carrying out the murder of Claudius. Although confrontation with death is avoided for as long as possible, Hamlet comes to recognize his weakness, and faces this anxiety.
Throughout the play Hamlet is in constant conflict with himself. An appearance of a ghost claiming to be his father, “I am thy father’s spirit”(I.v.14) aggravates his grief, nearly causing him to commit suicide and leaving him deeply disgusted and angered. Upon speaking with his ghost-father, Hamlet learns that his uncle-stepfather killed Hamlet the King. “The serpent that did sting thy father’s life Now wears his crown”(I.v.45-46) Hamlet is beside himself and becomes obsessed with plotting and planning revenge for the death of his father.
Nemesis is defined as being a deserved fate; just punishment for wrong-doing. Nemesis plays a tremendous role in Hamlet. The majority of characters in the tragedy of Hamlet deserved what happened to them in the end. Nemesis and its role in Hamlet create ironic endings for the characters of this tragedy.
When first confronted with the ghost that has taken the form of his father, he questions whether he can trust his senses and the ghost stating the possibility it may be the devil in disguise trying to fool him as he says: “May be the devil, and the devil hath power T ' assume a pleasing shape” (II, ii, 611-12). In Plato’s Allegory of the Cave, Plato makes the same argument that what perceive is not always what it seems, and can in fact be an illusion created by our senses, tricking our minds and our sense of perceptions. To overcome this he says we must “unshackle” ourselves, become philosophers, and seek the truth and reality beyond our caves. Hamlet does just that and uncovers the truth by cleverly having the players reenact a play similar to the murder to evoke some kind of “guilty” reaction out of the suspected murderer, his uncle Claudius. During these scenes, Hamlet’s moral unconscious, according to Carl Jung and his repression theories, is preventing him from making any rash actions without evidence because if he were to do so he would have to suffer the consequences. We see his unconscious at work a second time when Hamlet is given a clear opportunity to finish the task, but withdraws on the reason of religion. He states if he was to kill Claudius while he is praying and repenting, Claudius would rise to heaven and he would be condemned
In Hamlet, the protagonist Hamlet faced many dilemmas that led to his transformation throughout the play. The people around him and the ghost of his father dramatically affect him. Seeing his father’s ghost had changed his fate and the person he had become. The path he chose after his encounter with his father’s ghost led to his death.
Hamlet is considered a tragedy, but it is also quite similar to a modern-day murder mystery. As such the most crucial plot element is Claudius' guilt, or, rather, the extent of Hamlet's knowledge of this guilt. One does not know if the ghost is the doomed spirit of Hamlet's father or a vision sent from Hell. It is impossible to determine how much Hamlet is aware of, how much can he guess, and how much is he deluding himself.
Throughout the play Hamlet, evil thoughts and actions can be seen. The characters Hamlet, King Claudius, and Queen Gertrude consistently are influenced by the forces of evil. Evil becomes the controlling factor of the play and causes the characters thoughts and actions to be blurred.
Although some people do not believe in ghosts, Hamlet did, and he thought the ghost might be the devil trying to get him to commit an evil act. In the play, Hamlet believed in the ghost, but then started doubting himself and thought it might be the devil. Hamlet declares, “The spirit I have seen may be the devil, and the devil hath power to assume a pleasing shape, yea, and perhaps out of my weakness and my melancholy, as he is very potent with such spirits, abuses me to damn me” (2.2.562-567). Hamlet wanted to kill Claudius because the ghost told him to, but then he began to think the ghost could be the devil trying to deceive him. Hamlet did not want to ...
In 350 B.C.E., a great philosopher wrote out what he thought was the definition of a tragedy. As translated by S.H. Butcher, Aristotle wrote; “Tragedy, then, is an imitation of an action that is serious, complete, and of a certain magnitude; in language embellished with each kind of artistic ornament, the several kinds being found in separate parts of the play; in the form of action, not of narrative; with incidents arousing pity and fear, wherewith to accomplish its catharsis of such emotions. . . . Every Tragedy, therefore, must have six parts, which parts determine its quality—namely, Plot, Characters, Thought, Diction, Spectacle, Melody. (http://www.cnr.edu/home/bmcmanus/poetics.html)” Later in history, William Shakespeare wrote tragedies that epitomized Aristotle’s outline of a tragedy. Shakespeare’s Hamlet is one such tragedy.
A common motif in Shakespeare’s many plays is the supernatural element, to which Hamlet , with the presence of a ghost, is no exception. The story of Hamlet, the young prince of Denmark, is one of tragedy, revenge, deception, and ghosts. Shakespeare’s use of the supernatural element helps give a definition to the play by being the catalyst of the tragedy that brings upon Hamlet’s untimely demise. The ghost that appears at the beginning of the play could possibly be a satanic figure that causes Hamlet to engage in the terrible acts and endanger his soul. The supernatural element incorporated into the play is used as an instigator, a mentor, as well as mediation for the actions of the protagonist that ultimately end in tragedy, with the loss of multiple lives, as well as suscept Hamlet’s soul to hell. Shakespeare’s portrayal of the ghostly apparition causes a reader to question whether the ghost is a demonic force on the basis of its diction, conduct towards others as well as Hamlet, and it’s motive to kill.