Establishing a popular culture or becoming a celebrity has been a desire of many. The rewards in this life are the admiration and esteem of others, and the punishments in this life are contempt and neglect. In fact, the desire for the esteem of others is as real a want of nature as hunger, while the contempt and neglect of the world are as severe as a pain.
The story of how Apple invented the wireless business has been told by many people, numerous times. The first iPhone that was shown off by Steve Jobs back in 2007 during the annual Macworld convention was a barely working prototype (Sorensen). In reality, this device was so buggy and glitch-prone that Apple’s engineers did not believe Steve could make it through his onstage demonstration without suffering an embarrassing crash (Sorensen). The demonstration iPhone that Steve carried in his pocket was almost incapable of holding a wireless signal to the extent that engineers preprogrammed the indicator to always show 5 bars (full strength) and also established a portable cell tower backstage (Sorensen). Steve, of course, made it through the unveiling with characteristic aplomb (Sorensen). Subsequently, the device went on to become a yardstick by which every other mobile device is measured (Sorensen).
The iPhone is now considered as a popular culture, in which it affected a lot of people inside and outside the place of its origin. Not only the iPhone as a product that became a popular culture, but also the founder, Steve Jobs. A popular culture, also referred to as a celebrity, can be defined as the manner in which individuals have sought to bring themselves to the attention of others and, not incidentally, have gained power over them. The desire to accomplish recognition is bot...
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...e press were essential for Steve to become a celebrity and for the iPhone to become a pop culture.
What is more, the birth of fame is, of course, tied to the mass media industry, and it is embraced by a public eager to be entertained. It is also worth to note that fame and pop culture has ceased to be the possession of particular individuals or classes and has become, instead, a potential attribute of every human being that needed only to be brought out in the open for all to applaud its presence. The case of Steve Jobs is a good example. Prior to the invention of the iPhone, Steve was not popular as he is today, and he never came from a particular class that commanded fame. However, his outstanding invention of the iPhone, which turned to become a game changer in the industry, turned him to become a celebrity world over, and his invention to become a pop culture.
Uhls, Yalda T., and Patricia M. Greenfield. "The Rise of Fame: A Historical Content Analysis." Cyberpsychology: Journal of Psychosocial Research on Cyberspace 5.1 (2011). Print.
Vogelstein, Fred. "The Untold Story: How the iPhone Blew Up the Wireless Industry Read More http://www.wired.com/gadgets/wireless/magazine/16-02/ff_iphone#ixzz0ic3Qh8jx." Wired - Wireless. Condé Nast Digital, 09 Jan 2008. Web. 12 Mar 2010.
In a world where billionaires and celebrities can have more influence over the public than government, the word power has become interchangeable with success. Although many of us have fantasized of our lives if we were famous, the majority of the population have given up on the notion of becoming famous, and have become more realistic towards future dreams and desires. However, what qualities drive people of fame to do things that keep their name out in the eye of the public? People desire power. Genuine power is the ability to influence.
“Posts.” Fame is a dangerous Drug: A Phenomenological Glimpse of Celebrity.” N.p. ,n.d. Web 15. Feb 2014
In all quarters of the globe, you can see some form of popular (pop) culture shape an individual's behavior, sensibility, and perspective on life. Every culture, religion, and ethnicity has changed over time under the influence of pop culture whether it is based on food, clothing items, or simple values and beliefs. Dr. Lawrence Rubin describes popular culture as a, “...banality, it certainly seems meaningless...even potentially destructive. However, if instead we recognize that it is simply an expression of our collective experiences, its importance becomes more clear” ( Popular Culture: We are what we consume,2009). Yet, current pop culture can be seen as a heterogeneous social conception. Particularly, it is always changing and what’s new today will be old by tomorrow. Famous celebrities and latest trends of designs and
A celebrity is not a person known for his/her talent or achievement, but an individual recognized for his/her reputation created by the media. The phase of stardom is slippery, and media may choose to represent celebrities varying from exaggerated admiration to mockery. The three texts chosen, movie "Sunset Boulevard", feature article "Over the Hilton" and television show "Celebrity Uncensored Six" are texts presenting different perception of celebrities than their usual images - either corrupted by the encircling media, overloads oneself with self-indulgence, or just mocks celebrity in a broad spectrum. Such media items empower and impresses the audience by perceiving celebrities as people who pay the price of privacy to gain well knowness, signifying the vanity of stardom from the commonly accepted images.
Another key point, is how a pop star is perceived through the media and the public’s
The condition of being known or talked about by many people, this is what we commonly consider to be what fame means. Emily Dickinson’s poem “I’m Nobody! Who are you?” and Naomi Shihab Nye’s “Famous” dance around the subject and idea of what the views of fame are. One bases the idea of fame on a close relationship from one object to another. While the other abhors the idea of fame in its entirety. But between the two poems there is a balance and equality that they both reach. In both poems the idea of fame is placed on two scales, one being that fame is to be avoided and the other is that fame is the goal for all life.
We are part of a generation that is obsessed with celebrity culture. Celebrities are distinctive. Media and consumers alike invented them to be a different race of super beings: flawless, divine and above all the real moral world. In a 1995 New York Times article “In contrast, 9 out of 10 of those polled could think of something
To fully discuss these topics, it is best to define what a celebrity and a psuedo-event is. The term ‘celebrity’ is often linked to ‘fame’, ‘stardom’, and ‘renown’. Development of mass media, during the twentieth century, including newpapers, radio, television, and now the Internet, gave rise to celebrity culture in the Western world. Media and publicity industries facilitate a growth of the ways the audience can consume celebrities after the creation, circulation, and promotion in the media (Drake and Miah). The celebrity, a represen...
The Effects of Popular Culture on Society Popular Culture is music, dance, theatre, film,T.V., poetry and Art which is enjoyed by a wide group of people. Some people would argue that popular culture in the 1960's cause harm. Other people however argued that other factors brought harm and change to society. Some people would argue that music would cause harm because of the lyrics in pop songs. Lyrics like 'Lets spend the night together' by The Rolling Stones, influenced young people to have casual sex.
...t cell phones. Then, in 2010 Jobs outdid himself by introducing the iPad. It was a perfect gadget for all gamers, geeks, or people who just wanted this amazing technology at their fingertips. The iPad had a significantly larger screen than the iPhone and was capable of holding more data.
In today’s day and age we live in a society obsessed with celebrity culture. This however, is not a new addiction; our society’s fascination with celebrity culture has been around for decades. Through the years, we’ve seen fandom come in various forms, shapes and sizes. From the groupies of the 60s, to the more recent digital-followers, one thing common among all fans is the pedestal on which they’ve put their favorite celebrity. Some people would argue that fans are not only the most important part of a celebrity’s life, but fans are quintessential in their success. Fans admire them, follow their every move: physical or electronic, and purchase anything and everything that might bring them in looking/feeling more like their desired celebrity. Many experts even believe that fan and fan-clubs often resemble religions. One can easily note the similarities between fans and a religious cult; from worshipping to organizing conventions and event recruiting new followers. To some it might even sound like a disorder, and Dr. Lynn McCutcheon after her intense research, was the first one to coin the term: (CWS) Celebrity Worship Syndrome. According to Psychology Today, CWS can be described as a mental-disorder where an individual becomes completely obsessed with the details of the personal life of a celebrity (Griffiths). A celebrity, as defined by Mark Griffiths, can be any person who is present in the ‘public eye’, including Politicians, authors, and journalists, but according to Dr. McCutcheon research they are more likely to be someone from the world of television, film and/or pop music. Continuing on Justin Bieber’s ad campaign, this paper examines the peculiar relationship between consumers and God-like celebrity figures. It showcase...
Have you ever think about the influences of celebrities that affect in people life. Celebrity is a kind of pop-culture that combines between interpersonal communication and media, and it creates desires from the people assumption or expectation. Celebrities are the important tools to attract audiences. The media scholars produce the celebrity content from what people expect from life. Celebrities may drive the directions of living such as habits, tastes, attention and ambition among people (Turnere). Nowadays, celebrities are all around us. They are one of the important people who can influence the media such as movies, drama, music magazines, news or even represent the nation. According to the William’s note celebrities are one part which
Movie stars. They are celebrated. They are perfect. They are larger than life. The ideas that we have formed in our minds centered on the stars that we idolize make these people seem inhuman. We know everything about them and we know nothing about them; it is this conflicting concept that leaves audiences thirsty for a drink of insight into the lifestyles of the icons that dominate movie theater screens across the nation. This fascination and desire for connection with celebrities whom we have never met stems from a concept elaborated on by Richard Dyer. He speculates about stardom in terms of appearances; those that are representations of reality, and those that are manufactured constructs. Stardom is a result of these appearances—we actually know nothing about them beyond what we see and hear from the information presented to us. The media’s construction of stars encourages us to question these appearances in terms of “really”—what is that actor really like (Dyer, 2)? This enduring query is what keeps audiences coming back for more, in an attempt to decipher which construction of a star is “real”. Is it the character he played in his most recent film? Is it the version of him that graced the latest tabloid cover? Is it a hidden self that we do not know about? Each of these varied and fluctuating presentations of stars that we are forced to analyze create different meanings and effects that frame audience’s opinions about a star and ignite cultural conversations.