The Impact of Recording Technology on Music Most successful musicians know a hidden art carried out by the work of a good sound engineer; it is essential for a magnificent album. For the rest of us novice listeners and fans, we believe what we hear through our speakers or played over the radio are the true skilled professional musicians, soaring at their craft. Most contemporary music, from pop to R&B and acid jazz to the sophisticated realm of orchestral film scores, has been modernized by several inventions encased within the studio. The art of audio engineering has taken on new forms, from the nuts and bolts, "plug it in, and see if it works" era into the digital world, because of these wonderfully tragic solutions to a higher pace of life. A musician's art have been made solely because of it, and others have been destroyed and humiliated by it. The complex new inventions of technology shape the adaptive method of studio recording and production however caused a drastic negative musical degrading of our beloved art. Basic terms are often confused when describing an individuals musical sense. Microsoft Encarta World English Dictionary defines an artist as somebody who does something with great skill and creativity, and a musician is a music maker who plays, performs, conducts, or composes music, either as a hobby or a profession. The focus of this essay is not the plausible crime of a solely techno creator, or in contrast, the soaring melodies of a humans voice. Technology has tarnished the value of pure talent of music's original creation for the sake of popularity, riches and unnatural perfection. The invention of pop and rap equivalent styles were formed on the foundation of digitally synthesize... ... middle of paper ... ...ost consumers do not realize who, or what lurks behind the wall of a speaker. The creative mind of a musician extends into the boundaries of timbre, pitch, melodies, harmonies, and the skill to create for the sake of art. If the recording engineer behind the mind-boggling boards and gizmos is really the mastermind, then why not give him a spot on stage? Work Cited Bazer, Mark. "James Newton vs. The Beastie Boys" Down Beat 69 Oct 2002: 25. Easton, Michael. "Music Sampling" Art + Law Sept 2000. Jewel, Dan. "Getting in sync" People Weekly Dec 1997: 167-168. Lehrman, Paul D. "Into the New Millennium With. Midi ?" Mix Magazine Jan 2001. Ogilvy, David. "Dave Matthews Band at Pacific Bell Park ." Mix Magazine Aug 2001: 172-176. Rumsey, Francis, Time McCormick. Sound and Recording, an Introduction . Woburn , MA : Focal Press, 2002.
Porter, Carolyn. "William Faulkner: Innocence Historicized." Seeing and Being: The Plight of the Participant Observer in Emerson, James, Adams, and Faulkner. Middletown, CT: Wesleyan University Press, 1981. Cited as rpt. in Bloom.
Willoughby, David. "Chapter 11." The World of Music. 7th ed. New York: McGraw-Hill, 2012. 249-53. Print.
Steven Connor delves into the mixing and creating of sound by computerisation, as well as the habits of sound; it’s immersion, pathos and objectivity.
Music has a great influent on people in our daily life, just like technology’s effect on the music. In the last 100 years, pop music has been a major part of American culture. There’s always discussion on how great can a pop music affect one’s daily life. Both technology and music can affect one’s life in either good or bad way such that they are also related to each other. Technology had always had a dominant role in human history like music since the 1900s. Since then, the advancement of technology had create ‘miracle’ with music such that people won’t be able to imagine the effect back in 19th century. The effect of the technology on pop music can be observed through the instruments, composition and mainly the recording and transmission technique.
Brooks, Cleanth. "William Faulkner: Visions of Good and Evil." Faulkner, New Perspectives. Ed. Richard H. Brodhead. Englewood Cliffs, New Jersey : Prentice-Hall, 1983.
Hall, Gerald. "Jesus' Crucifixon and Death." Academics' Web Pages. School of Theology at McAuley Campus. Web. 26 Feb. 2012.
...to make its final decision, Socrates was given the death penalty. However, because this man had faced death many times before, he was not fearful of his fate. He believed that it would be good for him because the internal oracle had given no sign of opposition. And so, Socrates was put to death for the violations he had committed. Because Socrates was able to maintain his composure throughout the trial, and was able to truthfully discuss his tactics with the court even though it went against the common practices of the ancient world, I feel that he was a very honorable man. Even at the brink of death, Socrates did not modify his defense to what he thought the court would want to hear. He did not apologize for his way of thinking or for the way he went about doing things, but he, essentially, apologized for the fact that others were unable to understand his virtues.
“How Musical is Man?” was published in 1974. This book was written by John Blacking, a musician turned social anthropologist. His goal in writing this ethnography, and several other papers during this same time period, was to compare the experience of music-making that takes place within different cultures and societies throughout the world. In this book, he discusses and describes the musicology of the Venda people in South Africa. Though he does go to Africa to research and learn about the Venda people and their music, he specifically states that his book is “not a scholarly study of human musicality” (ix), but rather it is a summary (written from his point of view), which is both expressive and entertaining, of several different issues and ideas that he has seemingly been contemplating for some time.
"Music is a common experience and a large part of societies. In fact, anthropologists note that all human communities at all times and in all places, have engaged in musical behaviours. Music as a mode of human activity is a cultural phenomenon constituting a fundamental social entity as humans create music and create their relationship to music. As cultural phenomeno...
Imagine the time just after the death of Socrates. The people of Athens were filled with questions about the final judgment of this well-known, long-time citizen of Athens. Socrates was accused at the end of his life of impiety and corruption of youth. Rumors, prejudices, and questions flew about the town. Plato experienced this situation when Socrates, his teacher and friend, accepted the ruling of death from an Athenian court. In The Last Days of Socrates, Plato uses Socrates’ own voice to explain the reasons that Socrates, though innocent in Plato’s view, was convicted and why Socrates did not escape his punishment as offered by the court. The writings, “Euthyphro,” “The Apology,” “Crito,” and “Pheado” not only helped the general population of Athens and the friends and followers of Socrates understand his death, but also showed Socrates in the best possible light. They are connected by their common theme of a memoriam to Socrates and the discussion of virtues. By studying these texts, researchers can see into the culture of Athens, but most important are the discussions about relationships in the book. The relationships between the religion and state and individual and society have impacted the past and are still concerns that are with us today.
Music and the relationships of music have changed drastically in our society. The course of studies and the evaluations of the applications of the technology of music, the making and the listening of music have changed in the way we listen to music, the styles of music in our society and in the media. The importance of the technology in music today, has, over the past century been charted through the study of musical examples and through viewing how human values are reflected in this century's timely music. There are very many different types of music that are listened to. There are readings, writings, lectures and discussions on all the different types of music.
About fifteen years ago a culture was born. In Europe a new type of music was being created. Something new, something fresh. A music fueled by throbbing beats over rattling bass. This is electronic music. The mastermind behind this whole up and coming culture was and is the DJ. In the past five years have become more and more popular everyday. Some people who are not aware of this music or this culture might argue that being a DJ is not a serious profession for various reasons. Throughout this paper I will prove these notions false. As support I will provide the history of the DJ, what exactly it is, insight from various DJ's and much more.
Vickery, Olga W. The Novels of William Faulkner A Critical Interpretation. Baton Rouge: Louisiana State University Press, 1959
Wuthering Heights is a symbol of the distinctive commotion, which is the overriding force in Bronte’s novel. A force that will damage, twist and harm anyone that comes across it. The actual meaning of the word ‘wuthering’ is a wind blowing strongly with a roaring sound. This picture serves as a metaphor that people, money, emotions, love etc… will be in jeopardy if not hold tight. Above all, this novel is obviously about love, a different and odd love. Emotions and love in this novel turn out to be very violent, brutal and ruthless just like wuthering.
Bronte, Emily. Wuthering Heights. Norton Critical ed. 3rd ed. Ed. William M. Sale, Jr., and Richard J. Dunn. New York: W. W. Norton, 1990.