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Discuss the relationship between gods and men as represented in Homer's the iliad
Homers portrayal of gods in the iliad
Homers portrayal of gods in the iliad
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Throughout Homer’s epic poem, The Iliad, the gods resemble and take on human characteristics. While it is assumed that gods are divine entities incapable of human transgression, they are portrayed with all the flaws of mortals in The Iliad. The gods are a manifestation of human emotions consequently helping to explain the behavior of the humans in The Iliad. The actions of the heroes are what determine their fate, not divine intervention. Ultimately, the humans in The Iliad have certain attributes that provide reason for their behavior, while the gods flow with this, allowing humans freely make their own choices. Although bestowed with the title of god, the text describes the gods with mortal like flaws and traits. The gods in power, like Zeus, exhibit bias, dishonor, betrayal, deception, and many
His heroic status and honor factor are heightened by the fact that he is following a path he himself paved. With every scene that he makes his own choices he fits more and more into his heroic description as “tall Hector with helmet flashing led the Trojans- Priam’s son and in his command by far the greatest, bravest army,” (2: 927-928). On the other hand, Paris and Agamemnon who let themselves be guided are characterized as foolish because their actions correlate to their character flaws and they can’t be traced back to the gods. The Iliad takes the pressure off of humans, glorifying their emotions and choices. The humans blame the gods for the casualties of the war even though they were present and active during the war. Its convenient and dishonorable to blame the gods because it is easier to blame a higher power for unfortunate events than to take responsibility for themselves. Humans in The Iliad are battling internal struggles concurrently throughout the war which justifies why the the gods would take opposite
In The Iliad, the gods and goddesses have completely different roles. The females are usually the ones in the battle fighting, while the male gods are putting courage into hearts, but that isn’t to say that is all that they do. This is a completely different role than the mortals have. While the men are out in battle, the women are knitting and cooking. The women are also described so that it seems like they are property and not humans, and that they don’t have any feeling. Where the female gods act and are treated as if they are equal, if not ranked higher.
The Greek gods were portrayed as humans, which meant that they were not perfect. That is, the gods made mistakes, felt pain (e.g. Aphrodite in love with the mortal Adonis), and succumbed to anger and their tempers (e.g.
“Then the screaming and shouts of triumph rose up together, of men killing and men killed, and the ground ran blood.” From first examination the Iliad seems to be an epic founded on an idealized form of glory, the kind that young boys think about when they want to join the army. A place full of heroism and manliness where glory can be achieved with a few strokes of a sword and then you go home and everything is just lovely. Many people view the Iliad this way, based on it’s many vivid battle descriptions and apparent lack of remorse for the deaths that occur. This, however, is not how war is presented in the Iliad. Homer presents a very practical outlook on war countering the attainment of the glory with the reality of its price and the destruction it causes. He successfully does this by showing the value of the lives of each person that dies and, in a sense, mourning their passing, describing the terror and ugliness of war, and, through the characters of Achilleus and Hector, displaying the high price of glory.
The relationship between the gods and humanity in The Epic of Gilgamesh and The Odyssey are the same. In each saga, the gods seem to live nearby and are always present. Both epic poems portray humans as simply at the mercy of the gods. The gods feel that it is their duty to intervene if they feel that man is traveling off course from his destiny. However, the gods are not all powerful.
The myths which prove the contradictory behavior of the gods, acting as both benefactors and tormentors of man, can readily be explained when viewed in light of the prime directive for man, to worship the gods and not “overstep,” and the ensuing “Deus ex Mahina” which served to coerce man to fulfill his destiny as evidenced by the myths: “Pandora,” “Arachne, and “Odysseus.” Humankind and it’s range of vision over the gods beauty and power portrayed them to be benefactors but unseemingly it depicted their affliction towards humans.
In The Odyssey, the hierarchical relationship between both gods and humans is a key aspect in the overarching unity that is the epic. These can both be in contrast with each other and it can been seen that there are similarities between the types of people we meet in The Odyssey as well as the gods we meet also. Homer uses this theme and system of hierarchy to effectively display aspects of his worlds though The Odyssey. The main features that help prove this point are: that society within The Odyssey is hierarchical, the upper class and the servants (with equivalent gods) are focussed on, (Hierarchy of Greek Gods, 2015) and finally, the gods parallel their respective opposites on earth. These features help to show Homers world of The Odyssey.
When we look at Greek Mythology we often run into the gods of that era. Sometimes they are merely backdrops to the human element of the story but in stories such as The Odyssey the gods play a prominent if not vital role to the central themes of the story.
Throughout the text, major characters seem to be at constant battle with their different emotions. This inner conflict is mirrored by the everyday conflicts between the gods. Just as Zeus and Hera are constantly at odds with one another, so are the different sides of Achilles: his cultural responsibility, pride, honor, and revenge. No one is completely at peace with his or her conflicting emotions in The Iliad – and therefore, neither are the gods, who represent these emotions. Hector is a prime example of a human who finds himself torn between two forces: his love for his growing family, and his duty as a prince of Troy. He admits to Andromache that he worries about his own mortality, but emphasizes that “I would die of shame to face the men of Troy…if I would shrink from battle now, a coward.” (Homer 6: 523, 525). Hector’s deeply ingrained sense of honor and loyalty to home is clearly established in the beginning of the text. Therefore, when Zeus later grants Hector “power to kill and kill till you cut your way to the benched ships” (Homer 11: 241-242), it is not too much of a stretch to attribute Hector’s dodged perseverance to his upbringing and rigid sense of duty, rather than to the
The presence of God in our belief system is something that many cultures have taken for granted. In Odyssey book, this presence of God or Goddess is even tangible because in this epic, mortals have the abilities to talk them, to see them and to feel their presences around them. Since the beginning of the epic, Odysseus has always been helped by Athena (goddess) who is Zeus’ daughter and Zeus who admired the man’s faith, courage, strategy and intellect.
“Gods can be evil sometimes.” In the play “Oedipus the King”, Sophocles defamed the gods’ reputation, and lowered their status by making them look harmful and evil. It is known that all gods should be perfect and infallible, and should represent justice and equity, but with Oedipus, the gods decided to destroy him and his family for no reason. It might be hard to believe that gods can have humanistic traits, but in fact they do. The gods, especially Apollo, are considered evil by the reader because they destroyed an innocent man’s life and his family. They destroyed Oedipus by controlling his fate, granting people the power of prophecy, telling Oedipus about his fate through the oracle of Apollo, and finally afflicting the people of Thebes with a dreadful plague. Fundamentally, by utilizing fate, prophecies, the oracle of Apollo, and the plague, the gods played a significant role in the destruction of Oedipus and his family.
The Iliad is a classic epic poem written by Homer about the Trojan War and the rage of an Achaean warrior, Achilles. The book introduces the reader to the war and the personal battle between Achilles and King Agamemnon; because of this argument between these two major characters, Homer introduces the role of the gods when Achilles asks his mother, Thetis, to go to Zeus and beg for his interference on Achilles’ behalf. The major role the gods play in the Iliad is their interference in the Trojan War as immortal versus immortal and mortal versus immortal.
To begin with, the ancient Greeks explained the creation of the universe, in particular the Earth and its elements, by a system of anthropomorphism in which their gods are human-like and are representatives of these elements. For example, Zeus is the god of heaven while Hades is the underworld lord (Hesiod, p.145). Unlike the Christians’ god who is “flawless”, the ancient Greeks’ divinities are portrayed as humans and are far from perfect. Their gods behave like ordinary people except they are immortal and have supernatural powers. Like any human being, the Greeks’ gods have love, jealousy, sadness, etc. For instance, in Euripides’ Bacchae, Zeus falls in love with Semele, which makes Hera becomes jealous and tries to kill Semele and Dionysus (Euripides, p.209). The Greeks even have a physically imperfect god, Hephaestus. This is to say that the gods’ attitude toward mortals is affected by how people treat them as the Greeks’ gods have emotions like humans.
the Gods in the affairs of humanity is much greater in the Iliad then in the
One of the most compelling topics The Iliad raises is that of the intricate affiliations between fate, man and the gods. Many events related by Homer in his epic poem exhibit how these three connections interweave and eventually determine the very lives of the men and women involved in the war. Homer leaves these complex relationships slightly unclear throughout the epic, never spelling out the exact bonds connecting men's fate to the gods and what can be considered the power of fate. The motivation for the ambiguousness present in The Iliad is not easily understood, but it is a question that enriches and helps weave an even greater significance of the results into Homer's masterpiece. I feel that the interaction between man, god, and fate can be shown to be one great fluidity that ultimately leaves life mysterious, giving much more depth and complexity to the bonds between the three.
Greek mythology has systematically included the intervention of gods and goddesses in matters of the mortal world, and Homer’s The Iliad is no different. The story is littered with divine intervention, with both positive and negative outcomes for the humans involved.