Charles Mingus: Ideal Citizen Charles Mingus was born in Arizona in 1922 to a biracial father and white mother. His biracial father did not promote pride in their African American heritage, so Mingus grew up faced with many racist attitudes and often was unsure of where exactly, in society, he belonged because of his mixed race heritage (Dunkel 17). Throughout his life Mingus displayed many qualities that would make him the ideal citizen in the ideal democracy. These qualities included speaking out against prejudice directly, not conforming to the music industries strict requirements, letting his musicians express individuality, and addressing the need for freedom through his powerful jazz performances and compositions. Mingus consistently …show more content…
Mingus did not enjoy playing in the club because he thought the audience to be rude and disrespectful when they did not pay attention to him and his ensemble. He often chastised his audience for their fake attraction to jazz. But much of Mingus’s anger was directed at the music industry. He often criticized the pressure that musicians faced when trying to sell out a performance only to help the industry and attract large audiences (Dunkel 23). He believed that musicians should pave their own paths and thought he was stronger than the musicians who sold out big stages. By not conforming to the industry expectations, Mingus gave himself another ideal quality by sticking to his true personality. By asserting his pride in his heritage he promoted the same pride in those that worked for and with …show more content…
Mingus paralleled the Civil Rights Movement when he allowed his musicians the freedom of individuality. Just as African Americans, during that time, pushed for societal freedom, Mingus pushed for individual freedom in the music industry. By doing so Mingus, very subtly, addressed the need for freedom in the nation. Mingus also mirrored democracy in society through his way of ensemble leadership. He looked for freedom within to stress the quest for freedom within America. Mingus was extremely vocal in his beliefs, which manifested in his music as well. Mingus did a wonderful job addressing the ills of society and confronting prejudice and segregation by advocating freedom within
The African-American civil rights movement was a cruel time for the African American race to endure due to the harsh discrimination and segregation that they faced. This movement fought for the rights and the equality of African Americans in the United States. With all that was going on, African Americans turned to music for motivation, courage, inspiration and strength to overcome the difficult obstacles that they would soon face. “Non-violence marchers faced beating, hosing, burning, shooting, or jail with no defense other than their courage and songs” (Hast 45). “It's been a long, a long time coming/ But I know a change gonna come, oh yes it will” (Cooke, Sam. A Change Is Gonna Come). Music was their greatest hope for change in the near future and is the thing that kept them fighting for what they deserved. They came together with each other due to the lyrics of many different songs that kept the civil rights movement alive and known. Music painted a vision that they could picture and look forward to; it was a dream that they could fight for. “Music empowered African Americans to hold tight to their dream of racial equality” (Jeske). A genre of music that bought society together during this movement was folk.
Segregation and discrimination in America was a serious social issue that affected the lifestyle of African-Americans in the 1960’s and the civil rights movement was a social movement that had an aim of ending racial inequalities. As a result of the segregation between these two cultures, there was a lot of rising racial tension which consequently led to the culmination of race riots. The social issues at that time played a significant part in Gordy’s success in the production of Motown as he wanted to produce the “sound of young America” regardless of one’s colour or race and to take this sound to wider audiences including Baby Boomers. “Motown was about music for all people- white and black, blue and green, cops and the robbers…I was reluctant to have our music alienate anyone…” (Gordy, 2011). According to Boyce (2008), the image and sound of Motown was all about the promotion of “cross over” music without the involvement of politics, but Gordy ended up showing some support for the civil rights movement as he recorded and distributed Martin Luther King Jr.’s ‘The Great March to Freedom’ speech in 1963, later founding a Black Forum
The book depicts the story of culture conflicts of the music, which arose from the introduction of the foot-tapping, hip-swaying music now known as rock n' roll (Graarrq). The outcome of rock n’ roll coincided with tremendous uproar in the movement to grant civil rights to African American. Trapped in the racial politics of the 1950s, rock n’ roll was credited with and criticized for promoting integration and economic opportunity for blacks while bringing to “mainstream” cloture black styles and values (Altschuler). Black values were looked over and kind of not important to whites. Whites were very much so well treated then blacks were, however no one spoke out until the outcome of rock n’ roll.
Throughout history, and even today, music has shaped America’s culture, society, and even politics. One of the most outstanding and enduring musical movement has been from African American artists, ranging from bebop to jazz to hip-hop to rap. During the 1920’s , jazz artists stepped into the limelight and began their impact on American and even world history. Louis Armstrong was one of the most influential leaders during the Harlem Renaissance and his jazz legacy and impact of American history is everlasting. A master of his craft, Armstrong and his music heavily influenced America’s white and black populations from the 1920’s and up until his death.
Like Martin Luther King Jr. said, “We must learn to live together as brothers or perish together as fools.” In the 1950’s the South was heavily racially segregated. Elvis Presley unintentionally put himself in the position to become a valuable instrument in the battle against segregation. “Without casting himself as a fighter for racial equality, Elvis became a subversive standard bearer for cultural desegregation at a time when the codified racism of the South was under increasing pressure.” How did an uneducated white hillbilly from the south influence both black and white teenagers against segregation? It was quite simple, for Elvis Presley had a unique talent of combining traditional black music; such as the blues and jazz, with the traditional white music; like country and white gospel. This unique style of blending different types of music, gave Elvis the edge on the musical racial barriers America was facing; and open the path for both sides to enjoy the music together and therefore desegregated.
Thus, blues became a large part of protest in America, especially in the 20th century. It was a form of outcry for help, dating back to slavery, and was often the only way that slaves saw fitting in order to rebel against their oppressors. Slavery and the shipping of slaves was the cause of the worldwide spread of blues, and since then has been a call for change. Many people who felt it necessary to rise up and be a voice for their generation have succeeded in aiding political and social change. Son House, Woody Guthrie and Bob Dylan are all poetic political dissidents expressing the hardship and sufferings that they underwent through the blues.
Before the war started, a wealthy white man by the name of John Hammond worked to integrate black and white music.1 Since his childhood, he enjoyed the music of numerous black artists, and he wanted to share his love with the rest of America. He used much of his inherited fortune to make this possible. He went against the general opinion of society and his parents, who despised black people. Hammond refused to ignore black artists’ musical abilities because of their color, “I did not revolt against the system, I simply refused to be a part of it.”2 He used his money to organize the most eclectic group of musicians ever assembled, for an integrated audience of his time. Hammond’s efforts made an indelible impact on the music industry. The musicians Hammond introduced in...
When addressing Guitar and his ways of actions, and looking towards the historical figures in the civil rights movement, Guitar's behavior can reflect towards that of Malcolm X. His need to protect the African American community and defend himself against the destruction cause...
Barack Hussein Obama was born on August 4, 1961 in Honolulu Hawaii. He is of mixed parentage: his father, a black African born in Kenya, while his mother, a white American that came from Kansas. When he was six years old his parents divorced and his mother married an Indonesian oil manager. They moved to Indonesia where Obama was educated in a Roman Catholic School. He then returned back to Hawaii to continue school while living with his grandparents. Barack struggled with his own racial identity in his late teens. (Funk & Wagnalls)
African-American music is a vibrant art form that describes the difficult lives of African American people. This can be proven by examining slave music, which shows its listeners how the slaves felt when they were working, and gives us insight into the problems of slavery; the blues, which expresses the significant connection with American history, discusses what the American spirit looks like and teaches a great deal from the stories it tells; and hip-hop, which started on the streets and includes topics such as misogyny, sex, and black-on-black violence to reveal the reactions to the circumstances faced by modern African Americans. First is about the effect of slave music on American history and African American music. The slave music’s
According to Albert Murray, the African-American musical tradition is “fundamentally stoical yet affirmative in spirit” (Star 3). Through the medium of the blues, African-Americans expressed a resilience of spirit which refused to be crippled by either poverty or racism. It is through music that the energies and dexterities of black American life are sounded and expressed (39). For the black culture in this country, the music of Basie or Ellington expressed a “wideawake, forward-tending” rhythm that one can not only dance to but live by (Star 39).
Musicians during the Harlem Renaissance created a style and movement that simply took Americans by storm. Musicians such as Duke Ellington and Louis Armstrong have inspired others all over the country. The Renaissance itself was not only an observation of life for African Americans, but it also showed Americans that they have a place in society. All of the musicians, writers, and artists shared a common purpose. This purpose was to create art that reflected the Afro American community. Through this era, African Americans provided themselves with their cultural roots and a promise for a better future. Music in this era was the beginning. It was the beginning of new life for musicians and African Americans.
Music can be traced back into human history to prehistoric eras. To this day archeologists uncover fragments of ancient instruments as well as tablets with carved lyrics buried alongside prominent leaders and highly influential people. This serves as a testament to the importance and power of music, as well as its influence in society. Over its many years of existence, music’s powerful invocation of feelings has allowed it to evolve and serve many purposes, one being inspiring change. American journalist and author Hunter S. Thompson once said, “Music has always been a matter of energy to me, a question of fuel. Sentimental people call it inspiration, but what they really mean is fuel.” This fuel is the very things that powers the influence of Rock ‘n’ Roll on American society, that author Glenn C. Altschuler writes about in his book, “All Shook Up – How Rock ‘n’ Roll Changed America.” Between 1945 and 1965 Rock ‘n’ Roll transformed American society and culture by helping to ease racial integration and launch a sexual revolution while most importantly developing an intergenerational identity.
It was no coincidence that rock ‘n’ roll and the civil rights movement started at the same time. The genre originated from African American music and was greatly discriminated against. Traditional white Americans would target anything bad about it. But as the teenager demographic of the 1950s started increasing the sales of the music, the genre started gaining more popularity. It was the style of Elvis Presley and his new voice that made girls weak in the knees and boys want to be him. Artists such as Presley had enough influence to change the view of their devoted fans on civil rights issues. Soon as protest songs and rock ‘n’ roll became more popular and influential, it began a gap between the young adult generation and their parents which led to the rebellion of the civil rights movement. Through these factors rock ‘n’ roll influenced a great deal over the civil rights movement.
"Jazz is very important to my vision of life in our time." (Lamb, 1). Jazz gives him a feeling of individuality and community. This means that when individuals push him, and he pushes them back, they both become better