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What is the theme of acceptance of emotions in frankenstein
Literary theme alienation
Literary theme alienation
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The Human Need for Love Exposed in Frankenstein
Written in 1817 by Mary Shelley, Frankenstein is a novel about the "modern Prometheus", the Roman Titian who stole fire from the gods and gave it to man. The story takes place in several European countries during the late 1700's. It is the recollection of Victor Frankenstein to a ship captain about his life. Victor is a student of science and medicine who discovers a way to reanimate dead flesh. In a desire to create the perfect race he constructs a man more powerful than any normal human, but the creation is so deformed and hideous that Victor shuns it. The creation then spends a year wandering searching for companionship, but everywhere he goes he is shunned and feared. Hating life the creature turns its misery on its creator, killing off Victors family.
Frankenstein chases the monster to the North Pole, in an attempt to kill it. Weakened by the cold and long chase, a dying Victor is taken aboard a ship, where he relates his tale to the captain and dies soon after. The next night the monster visits the ship and looks upon Victor's body, ashamed by all of the killing he has done the monster flees into the Arctic Ocean, never to be seen again. Frankenstein appears to be a novel about the evil ways of man, but it is truly about the human soul and how it needs friendship and love to survive.
This theme is apparent from the opening letters from the ship captain to his sister in which the captain writes, "I have but one want which I have never yet been able to satisfy ... I have no friend" (Shelley 7). The captain is about to embark on his life's dream of sailing to the North Pole; he has a good crew and a fine ship but still wants a friend to share the excitement with. ...
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...nd misery, because he killed all that he loved. It is at this moment that he realizes that he doesn't hate Frankenstein but actually loved him like a father, but was so consumed by self loathing and hate that he killed all he loved. With this passing thought the monster leaps from the ship into the ice filled sea, and is never seen again.
At first it is seen as a story about man and the evils he can do, yet
Frankenstein is actually about the friendship of the soul. Without this basic need the body either withers away and dies or turns to another source, like murder or drink, to fill the hole. Both fatalities can be seen in the story, with Victor's friendship and the monster's anger. Neither one fills the gap in their soul, but eventually consumes them until they die.
Work Cited
Shelley, Mary W. Frankenstein. Great Britain: J.M Dent & Sons LTD. 1959.
First, Hester is a main symbol in the book and she is a symbol of sin, confession, shame, and repentance. The first two symbols Hester represents are shame and sin. She has committed adultery and was forced to stand on the scaffold for public humiliation. She has to wear the scarlet letter ‘A’. The scarlet letter ‘A’ stands for adultery and is a symbol of shame. Hester is forced to wear this so she will always be reminded of the sin she has committed and so everyone knows that she has committed adultery. Although Hester has to wear the scarlet letter, she is a very strong, independent woman even without a male influence in her life. Hester is also a symbol of strength because she has to hold all of the shame and punishment in the sin that her and Reverend Dimmesdale committed. On Election Day Reverend Dimmesdale gives his sermon and people say it is the most powerful speech he has ever given. They think that
With these two concepts of religion, Antonio battles and organizes his thoughts through questions and observation. At certain points he believes that he will be sent to hell for believing in the stories of the King of the Fish. After all, the golden carp is a natural, pagan deity compared to the Christian God Antonio is used to worshipping. But in the end, that too is the teachings of Ultima’s wisdom, Antonio realizes he must learn to live in a world in which Catholicism and the golden carp can coexist, and he must grow to impart knowledge and enlightenment from all the spiritual forces in his life.
In the novel, Bless Me, Ultima, Antonio learns about his relationship with his universe. Through the teachings of Ultima, he learns to see with his heart and to appreciate all the magic that nature beholds. The river of life is never ending like the river that binds the llano to Guadalupe. All that Antonio has experienced is symbolized in the river and the life that surrounds it. Ultimately, it is his teacher and friend, Ultima, which teaches Antonio that life is a cycle and that understanding oneself brings peace and harmony. The river also serves to bind the past, present, and future. Antonio learns that his future is tied to his past and that his destiny will be guided by an understanding of his heritage and “the magical strength that resides in the human heart”.
Chaucer's Canterbury Tales are filled with many entertaining tales from a variety of characters of different social classes and background. The first two tales told, by the knight and the miller, articulate very different perspectives of medieval life. Primarily, The tales of both the knight and the miller bring strikingly different views on the idea of female agency, and as we will discover, Chaucer himself leaves hints that he supports the more involved, independent Alison, over the paper-thin character of Emily.
The monster tells Frankenstein of the wretchedness of the world and how it was not meant for a being such as himself. At the end of his insightful tale the creature demands a companion of the same hideous features but of the opposite gender to become his. Victor only has the choice to make the monster or suffer a lifetime of horror his creation would bring upon him. Which the creator ultimately agrees to make the female monster to save the lives of his family but gains a conscious that fills with guilt of all the destruction he has created and creating. When the monster comes to collect the female he tears her apart and the monster vows to destroy all Victor holds dear. The monster’s emotional sense is consumed with rage against Victor, murdering Frankenstein’s best friend. Though when the monster’s framing ways do not work to lead to Victor being executed, he then murders Frankenstein’s wife on their wedding night. This tragedy is the last for Victor’s father who becomes ill with grief and quickly passes within a few days, leaving Victor with nothing but his own regret. Shelley doesn’t give the audience the monsters side of the story but hints that the remainder of his journey consisted of being a shadow to that of his creator. It is at the graves of the Frankenstein family when the creature makes an appearance in the solemn and
Bless Me, Ultima by Rudolfo Anaya is a coming of age story about a young boy named Antonio Marez. The novel takes place in New Mexico where Antonio tries to fulfill his parent’s expectations while struggling with religion. Through Antonio, Anaya defies the some of the principles in religion and expresses her interpretation on the system of beliefs. Antonio’s religious confusion suggests that man should be able to choose his own religion and destiny. In the Bless me, Ultima, Antonio experiences conflict in his religious beliefs because of the deaths he witnesses, the new ideas that he learns, and his open-minded mentality.
Antonio lives in a magical world that is full deaths and sadness in his life. His dreams represented his inner interpretations of those experiences. The story of the child in Bless Me, Ultima is much more than just an ordinary child living at the time in Santa Rosa. He sees parts of the future, but doesn’t want it to happen. This boy has a grown soul that lives in a child’s body.
Throughout the Tales of Canterbury, there are many tales, but two that truly jump out at you. The Knight's Tales and the Miller's tale grasp the audience by using humor in the case off the Millers Tale, and chivalric heroism in the tale of the Knight. Although the two stories are quite different, they have several similarities as well.
In the prologue, the Miller is characterized to be a hefty, and strong fellow and brought up from a much different class of a knight. He is told to have immense strength for he could, “heave any door off hinge and post” with his head. This tells the reader that he is not much of a gentleman and presumably, not that intelligent. To be introduced as a boisterous drunk, as well as dishonest for stealing and swindling grains from his customers, it is possible that he may tell a tale of scandal and vulgarity. His stories may be spewed out in honesty and raw crudeness since he is a “wrangler and buffoon” that had a “store of tavern stories, filthy in the main. “Most of the stories shared by the pilgrims share the same theme of romance and love. Therefore,
The relationship between the Miller and the Miller’s Tale is close, for the tale is a reflection of the teller. The Miller’s tale is a fabliau, a genre best described as a short story full of ribald and humor. The Miller’s tale consists of events of “cuckoldry” (Chaucer 1720), “foolishness” (1718), and “secrets” (1719). Telling such a story, the Miller can immediately be classified as a man of low social status with a vulgar sense of humor full of shrewdness. However, as the tale continues, it reveals the unexpected soft side of the Miller as he sympathizes with the distressed woman trapped in the norms of society. Thus, the Miller’s characteristics of obscenity, deception, and sympathy drive the plot of his tale.
"The Miller’s Tale." The Canterbury Tales. Ed. Ronald L. Ecker and Eugene J. Crook. Hodge & Braddock, Oct. 1994. Web. 25 Oct. 2013.
In the novel Frankenstein, by Mary Shelley, one of the key themes is loneliness. For many, most of their time is spent with people, whether it is friends, family, coworkers, or strangers. Many of the characters in this book break that norm and spend countless hours alone. Having time to reflect and think about everything. Sometimes, the characters are still lonely, even with people, and sometimes friends around them.
Frankenstein by Mary Shelley is a gothic science fiction novel written in the romantic era that focuses on the elements of life. The romantic era was sparked by the changing social environment, including the industrial revolution. It was a form of revolt against the scientific revolutions of the era by developing a form of literature that romanticize nature and giving nature godliness. This element of romanticized nature is a recurrent element in Frankenstein and is used to reflect emotions, as a place for relaxation and as foreshadowing. Frankenstein also includes various other elements of romanticism including strong emotions and interest in the common people.
The most obvious symbol of the novel is the one from which the book takes its title, the scarlet letter A. The scarlet letter must be separated from the literary form, in order to find full understanding of the letter. The literary symbol for he scarlet letter is a "concrete and an untranslatable presentation of an idea" (Weiss 19). The scarlet letter cannot find its way into the real life, except through the "meditation of the symbol" (Weiss 20). The scarlet letter is therefore a punishment by the Puritan society’s desire to bring for the truth, but it was brought to life by Hester. Hawthorne also lets the scarlet letter take on many other forms. The scarlet letter not only stands for adulteress, but for angel and able. It is also a reminder to both Hester Prynne and Arthur Dimmesdale of ...
Mary Wollstonecraft Shelley’s Frankenstein (sometimes also known as The Modern Prometheus) is the classic gothic novel of her time. In this eerie tale, Dr. Victor Frankenstein – suffering from quite an extreme superiority complex – brings to life a creature made from body parts of deceased individuals from nearby cemeteries. Rather than to embrace the Creature as his own, Frankenstein alienates him because of his unpleasant appearance. Throughout the novel, the Creature is ostracized not only by Frankenstein but by society as a whole. Initially a kind and gentle being, the Creature becomes violent and eventually seeks revenge for his creator’s betrayal. Rather than to merely focus on the exclusion of the Creature from society, Shelley depicts the progression of Dr. Frankenstein’s seclusion from other humans as well, until he and the Creature ultimately become equals – alone in the world with no one to love, and no one to love them back. Frankenstein serves as more than simply a legendary tale of horror, but also as a representation of how isolation and prejudice can result in the demise of the individual.