In the novel The House of the Spirits by Isabel Allende the epilogue is
a conclusion to all that has happening in the novel.
In the novel ‘The House of the Spirits’ by Isabel Allende the epilogue
is a conclusion to all that has happening in the novel. In
demonstrates the overall themes of recurring cycles throughout the
lives of the characters, and also of the importance of the past and
memories. The cycles run throughout the book, but in the epilogue we
see how they are beginning to be broken and new cycles are being
formed. The tone of the final chapter is both hopeful and cheerful at
the beginning, and melancholic almost to depression by the end. The
symbol of the old house on the corner is powerfully portrayed in this
final chapter, representing both Clara’s presence and spirituality,
but also Esteban’s fading wealth and power. Magical realism is used to
help distort the distinction between reality and fiction. Finally we
see the growth of the central character of this chapter, and the
narrators of the book, Alba and Esteban.
In the epilogue of the novel, Alba has returned from being held in a
concentration camp. She and her grandfather Esteban Trueba restore the
old house on the corner. Esteban dies peacefully in Alba’s arms Alba
is revealed to be pregnant and she begins to read her grandmother
Clara’s diaries and her mother Blanca’s letters and begin to piece
together the story the was just told.
The one of the main themes in the epilogue, and in the entire novel is
that of cycles, history repeating itself and fate. Alba has become
pregnant, and is renewing the cycle by continuing life, making the end
of the story the beginning of another one, the tale of her daughter.
It also tells how the n...
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...y grandfather when he was young and stood six feet
tall, irrefutable proof that Ferula’s curse came true and that his
body shrank in the same proportions as his soul.’
To conclude, in the epilogue of the novel ‘The House of the Spirits’
we see finish to two of the major themes of the novel, memories and
cycles. The tone of the chapter is a fitting ending, as it is both
optimistic but at the same time cheerless about the events of the
past. We observe an example of the magical realism used throughout the
novel, the better show the involvement of spiritual aspects in the
characters, especially Clara’s, lives. The house on the corner, a
strong symbol through the novel has been restored, emphasizing the
cycles seen in the novel. And finally, the characters have developed
to a stage where they have become whole and are ready to begin new
cycles of their own.
In the short stories “The school teachers Guest”, “Phantom Palace”, and Walima” by Isabel Allende, She uses Political injustices, Magical realism, and she manipulates the realistic use of time.
The Spirit Catches You and You Fall Down tells the story of a young Hmong girl stricken with epilepsy, her family, her doctors, and how misunderstandings between cultures can lead to tragedy. The title comes from the Hmong term for epilepsy, which translated, is “the spirit catches you and you fall down”. Anne Fadiman alternates between chapters on Hmong history or culture and chapters on the Lees, and specifically Lia. The condensed history of the Hmong portrayed here starts at their beginning, and traces their heritage, their movements, and why they do what they do as they flee from enemies to country to country. This record allows the reader to better understand the Lees and their situation without bogging him down with details that may
"At the very end of the novel- what is represented as being important? Find two quotes to illustrate this".
Ann Rinaldi has written many books for young teenagers, she is an Award winning author who writes stories of American history and makes them become real to the readers. She has written many other books such as A Break with Charity, A Ride into Morning, and Cast two Shadows, etc. She was born in New York City on August 27, 1934. In 1979, at the age of 45, she finished her first book.
The House on Mango Street by Sandra Cisneros is about a girl who struggles finding her true self. Esperanza sees the typical figures like Sally and Rafaela. There is also her neighbor Marin shows the “true” identity for women on Mango Street. She also sees her mother is and is not like that at the same time. The main struggle that Esperanza has is with beauty. This explains why most of the negative people that Esperanza meets on Mango Street, and her gender, helped her see the mold she needed to fill in order to give herself an identity.
As the chapter opens, the first impression of Sire is one of a James Dean type of character. Sire and his friends are just sitting on their bikes, pitching pennies, or in other words, gambling. Esperanza tells us that she is scared of them, which makes me wonder why she would be afraid of them? She then says how her dad calls him a “punk.”
Children these days have a variety of needs, often being surrounded by the ideas of freedom and security. While some people seek complete freedom from society’s rules, others seek the comforts of security that a normal life provides. Children’s preferences on freedom and security are reflected from their Mom and Dad’s parenting style. In The Glass Castle, by Jeannette Walls, the characters Brian, Lori, and Jeannette show that while growing they would rather have security over freedom because they repeatedly find themselves in a state of danger due to their parent’s lack of security. For example, if Jeannette’s parents were accountable while Jeanette was in proximity to fire she would not have been traumatized and severely burnt. Another reason the children want security is Rex is an excessive alcoholic who is very dangerous to be around while he is under the influence of hard liquor, they would rather a father that responsibly handled alcohol. Rex’s surplus of expenses on booze led the family into poverty because instead of using the family’s rare profit to pay off bills Rex uses it to buy alcohol and items that were not a necessity to their survival. Therefore, their parents struggled to give even the simplest things for them such as food and clothes.
? . . . it made no difference if they studied medicine or had the right to vote, because they would not have the strength to do it, but she herself [Nivea] was not brave enough to be among the first to give up the fashion.? (6, Ch 1) The women in this society are dependant on the dominant male figure to handle political and economical duties. This point of view is intended to mimic the older generation of women ad present a foundation for the growth of an enlightened generation. Allende uses this excerpt to present a foundation of structure to the novel by beginning with the extremes of opinion, which are followed in the novel through different generations. Alba for example, become a very outspoken activist by trying to attend the student protests and follow Miguel on his demonstrations, a sharp contrast to the indifference or shallowness found in her great grandmother.
Jeannette Walls, the author of the memoir, The Glass Castle, was raised by parents whose relentless nonconformity and radical ideals were both positive and negative aspects to their wellbeing. Their names were Rex and Rosemary Walls, and they were the parents of four children. While the kids were still young, the family moved from town to town, camping in the wilderness and sleeping in the car, and sometimes even had a small place to stay. Rose Mary, who was both an artist and an author, identified herself as an “excitement addict”. As a mother who despised the responsibility of caring for her family, Rose Mary preferred making a painting that will last forever over making meals for her hungry children. Rex was an alcoholic who, when sober, was a charming and intelligent man that educated his children through geology, physics, mathematics, and how to live life fearlessly.
The question, “What do you want to be when you grow up?” is often asked by teachers, parents, friends, and family addressing younger children. It would seem that most Americans have within them the sense that dreams do have the potential to become reality. People often choose to see the “bright futures” of children in order to reassure them they can be anything they want to be. It seems as though there are no barriers to reach a goal if enough hard work is applied. Does this truth transcend cultural divides? Do people of minority in the United States have the same hope about their futures as the majority does? Sandra Cisneros depicts the unique dreams of Mexican-American women despite cultural depression in her story The House on Mango Street.
“Once upon a midnight dreary, while I pondered, weak and weary,” (“The Raven” 1). “The Raven” arguably one of the most famous poems by Edgar Allan Poe, is a narrative about a depressed man longing for his lost love. Confronted by a talking raven, the man slowly loses his sanity. “The Haunted Palace” a ballad by Poe is a brilliant and skillfully crafted metaphor that compares a palace to a human skull and mind. A palace of opulence slowly turns into a dilapidated ruin. This deterioration is symbolic of insanity and death. In true Poe style, both “The Raven” and “The Haunted Palace” are of the gothic/dark romanticism genre. These poems highlight sadness, death, and loss. As to be expected, an analysis of the poems reveals differences and parallels. An example of this is Poe’s use of poetic devices within each poem. Although different in structure, setting, and symbolism these two poems show striking similarities in tone and theme.
A theme within this novel is the loss of innocence. The existence of civilization allows man to remain innocent, therefore when the characters lost their innocence, the civilization was gone or corrupt. One example of the loss of innocence would be when Jack was unable to stab the pig during the hunt. At that moment, he lost his innocence which enabled him to kill without a recollection of civilization. Another example of the loss of innocence was when Roger was throwing stones and rocks at the other children below him. Roger was unable to actually hit them purposely because he still had his innocence, but this moment was the beginning of his inability of understanding human nature.
end. This essay will further show how both stories shared similar endings, while at the same time
the end of the novel as both the women in his life have other men at
One Hundred Years of Solitude is the subjective “history” of the founding family of the town of Macondo. During its early years, the town is isolated the outside world, except for a few traveling gypsies who frequent the town, selling supposedly extraordinary new technologies like ice, telescopes, and “scientific advancements” and implanting ideas of alchemy into the head of the patriarch of the Buendía family, José Arcadio Buendía. A rather impulsive and inquisitive man, he is also deeply solitary, alienating himself from other men in his obsessive investigations into the science of alchemy, taking the last of his wife, Úrsula’s, inheritance in an attempt to create gold out of other more common methods. After José Arcadio Buendía’s attempts at alchemy prove to be less than fruitful, he shifts his aspirations to finding a path back to civilization. He leads the founding men of the town on a quest to retrace their previous path to Macondo, but ultimately declares that it is surrounded by water on every side and it is impossible to regain contact with the rest of the world.