The House on Mango Street Summary and Response Hairs page 6-7 In the vignette titled “Hairs”, the narrator, Esperanza, compares the diverse hair found in her family. For every member, their hair is unique and individual amongst others. Her fathers is wild, her own is untamable, her brother Carlos’s hair is straight, her sisters Nenny’s is smooth, and Kiki’s is furry. However, her mother’s hair is special. To Esperanza, her mother’s hair is comforting, sweet, and soothing. The way Esperanza views her mother’s hair, is similar to the way a child in general views their maternal figure-- a loving, warm, and caring presence. Through this excerpt of the novella, it is seen how much Esperanza loves her mother and how she, and the rest of the family, are associated with pleasant memories. Another side of Esperanza seen in this section, is how she …show more content…
To them, they feel scared, in danger, and afraid of the people and environment. But to those who live there, they know better. People like Esperanza know everybody and feel safe around others. However, if they were to go to another neighborhood, they too would be frightened. This excerpt depicts a sort of racial prejudice found in society. It all depends on if you know the people in that neighborhood. “But we aren’t afraid. We know the guy with the crooked eye is Davey the Baby’s brother, and the tall one next to him in the straw brim, that’s Rosa’s E die V.,and the big one that looks like a dumb grown man, he’s fat Boy, though he’s not fat anymore nor a boy.” (Cisneros 28) She isn’t scared by them; straangers however are frightened. She understands this sad truth found in society, showcasing her maturity and comprehension of how the world works and how people feel in a foreign environment. By understanding such a thing, Esperanza expresses her intelligence, maturity, and feelings about
Women are seen as failure and can’t strive without men in the Mexican-American community. In this novel you can see a cultural approach which examines a particular aspect of a culture and a gender studies approach which examines how literature either perpetuates or challenges gender stereotypes. Over and over, Esperanza battled with how people perceived her and how she wished to be perceived. In the beginning of the book, Esperanza speaks of all the times her family has moved from one place to another. “Before that we lived on Loomis on the third floor, and before that we lived on Keeler.
Esperanza, the most liberated of the sisters, devoted her life to make other people’s lives better. She became a reporter and later on died while covering the Gulf Crisis. She returned home, to her family as a spirit. At first, she spoke through La Llorona, a messenger who informed La Loca that her sister has died. All her family members saw her. She appeared to her mother as a little girl who had a nightmare and went near to her mother for comfort. Caridad had conversations with her about politics and La Loca talked to her by the river behind their home.
Esperanza ponders how she inherited her grandmother’s name, but does not wish to inherit her experiences with marriage. When speaking of how her grandmother was married, Esperanza remarks, “my great-grandfather threw a sack over her head and carried her off. Just like that, as if she were a fancy chandelier” (Cisneros, 11). Through a simile, Cisneros exemplifies that women allow themselves to be objectified and trapped, which removes their freedom and hinders their progress towards their dreams. This is also identified when Alicia’s father finds her studying late at night and speaks with her about her duties as the woman of the house. Alicia’s father alludes to her that, “a woman’s place is sleeping so she can wake up early with the tortilla star” (31). Through this metaphor, Cisneros indicates that in Hispanic culture, women let themselves be pressured into putting duties at home
Throughout the story, Esperanza faces difficulties and hardships that help her become who she is. Her environment, her home, and her friends are the ones who shape her to be who she is. Though she may not be grateful for what she has, and who she has, it’s what makes Esperanza who she
“Someday, I will have a best friend all my own. One I can tell my secrets to. One who will understand my jokes without me having to explain them” (9). These are the longing words spoken by Esperanza. In the novel The House on Mango Street, Esperanza is young girl experiencing adolescence not only longing for a place to fit in but also wanting to be beautiful. This becomes complicated as Esperanza becomes more sexually aware. Throughout the novel, Cisneros argues the importance of beauty and how Esperanza deals with beauty as a part of her identity. When Esperanza meets Sally a new friend, Esperanza’s whole world is turned upside down. Esperanza’s views on beauty change from a positive outlook to a negative one by watching how beauty has damaged Sally’s life.
In an earlier chapter, Esperanza meets with a witch, whom she hopes will tell her future only to be told, “Come back again on a Thursday when the stars are stronger” (72). However, when speaking to The Three Sisters toward the end of the story, they tell her to make a wish and say “You will always be Esperanza. You will always be Mango Street” (113). Rather than seek out her fate, the Fates (three sisters from Greek Mythology) have come seeking Esperanza. It has been confirmed that her wish to leave will come true, but remind her to remember her experiences as they have shaped who she is. In the article, “Interview with Sandra Cisneros”, Cisneros will tell her students to “make a list of the things that make you different from anyone in this room...in your community...your family...your gender (1). Cisneros uses this very idea in her writings of Esperanza: Her individuality is key- Esperanza’s identity as a writer and her background give her a unique voice that will allow her to speak up for those who have no
In the Chapter 6 reading I found the short story “The House On Mango Street” by Sandra Cisneros, to be the most interesting. I identified with Cisneros’ story because when I was very young my family moved several times, and didn’t have much money. Furthermore, I identified with both the biography of Cisneros and the short story because Cisneros and the young girl in the story had large families. The fact that the short story portrayed a large family hit home to me because I am the oldest of 6. Lastly, the way Cisneros wrote the story, from the viewpoint of the young girl, also made me feel extremely sympathetic for her.
In the book, Esperanza doesn’t want to follow the norms of the life around her; she wants to be independent. Esperanza states her independence by stating, “Not a man’s house. Not a daddy’s. A house all my own,” (Cisneros 108.) The syntax of these sentences stick out and are not complete thoughts, yet they convey much meaning and establish Esperanza’s feeling of not belonging. Esperanza’s feeling of not belonging is also emphasized when her sisters tell her that the events of her life have made her who she is and that is something she can not get rid of. Her sisters explain that the things she has experienced made her who she is by saying, “You will always be esperanza. You will always be mango street. You can’t erase what you know” (105.) What her sisters are trying to tell her is that the past has changed her but it doesn’t have to be a negative thing; it can be used to make her a better person who is stronger and more independent. Esperanza realizes that the things around her don’t really add up to what she believes is right, which also conveys the sense of not
Esperanza is relying on her childhood to help her through life she feels like “a red balloon tied to an anchor” (9,1,3) This passage describes that Esperanza singles herself out for her differences instead of her similarities and she knows it. She also sees her differences as a source of her isolating herself. She floats in the sky for all of the rest of us to see, dangling from a string. Esperanza is longing on for an escape like a balloon similar to her experiences with our society. However against the face that Cisneroz gives her a light voice, doesn't mean that it's not just as strong and
At first, Esperanza is young, insecure, and immature. Her immaturity is apparent when she talks about her mom holding her, saying it is, “sweet to put your nose into when she is holding you and you feel safe” (Cisneros 6-7). This shows Esperanza’s insecurity because her mom is still a big comfort source to her. She feels a false sense of comfort because her mom is there and will protect her. In addition, Esperanza’s immaturity is shown through her dislike for outsiders of the neighborhood when she says, “They are stupid people who are lost and got here by mistake” (Cisneros 28). This indicates how defensive and protective Esperanza is towards her barrio by calling outsiders stupid for reacting the way they do, even though she dislikes Mango Street....
Esperanza’s explains about Sally situation by saying “ Her father says to be this beautiful is trouble” (Cisneros 81). Cisneros uses tone to show that Sally was too beautiful that her father thought she was going to run away. Esperanza’s precedes to tell us how Sally is being held captive by her father. “She can not go out. Sally I mean” (Cisneros 81). Cisneros picks out specific choice of words when she says “ Sally I mean” to show how Sally is being trapped in her father’s house. Esperanza notices that Sally has changed and she wonders why as, she share her questions with the reader when she says. “You pull your skirt straight, you rub the blue paint off your eyelids. You do not laugh, Sally. You look at your feet and walk fast to the house you can not come out from” (Cisneros 82). In this quote, Cisneros utility of imagery helps provide an image in the reader’s head about the way Sally is seen through Esperanza’s eyes and how Esperanza could free her like prince charming saved rapunzel from her
When placed on earth, a person is born into the life they parents have started preparing for them. Many don’t get to choose their parents or the life they’re born into as we are told to make the best of the life that has been given. It takes patience and time for things to develop, for when that happens dreams and goals start to come true and play into action. You're starting point is never your ending point as things change over time as life is a journey. Never remember where you came from because it helps make you humble to be where you're going.
Over time, the image of men has changed. This is due mostly to the relaxation of rigid stereotypical roles of the two genders. In different pieces of literature, however, men have been presented as the traditional dominate figure, the provider and rule maker or non-traditional figure that is almost useless and unimportant unless needed for sexual intercourse. This dramatic difference can either perpetuate the already existing stereotype or challenge it. Regardless of the differences, both seem to put men into a negative connotation.
“Home is where the heart is.” In The House on Mango Street, Sandra Cisneros develops this famous statement to depict what a “home” really represents. What is a home? Is it a house with four walls and a roof, the neighborhood of kids while growing up, or a unique Cleaver household where everything is perfect and no problems arise? According to Cisneros, we all have our own home with which we identify; however, we cannot always go back to the environment we once considered our dwelling place. The home, which is characterized by who we are, and determined by how we view ourselves, is what makes every individual unique. A home is a personality, a depiction of who we are inside and how we grow through our life experiences. In her personal, Cisneros depicts Esperanza Cordero’s coming-of-age through a series of vignettes about her family, neighborhood, and personalized dreams. Although the novel does not follow a traditional chronological pattern, a story emerges, nevertheless, of Esperanza’s search to discover the meaning of her life and her personal identity. The novel begins when the Cordero family moves into a new house, the first they have ever owned, on Mango Street in the Latino section of Chicago. Esperanza is disappointed by the “small and red” house “with tight steps in front and bricks crumbling in places” (5). It is not at all the dream-house her parents had always talked about, nor is it the house on a hill that Esperanza vows to one day own for herself. Despite its location in a rough neighborhood and difficult lifestyle, Mango Street is the place with which she identifies at this time in her life.
In the Book women are looked upon as objects by men whether they are boyfriends, friends fathers or husbands. The girls in the novel grow up with the mentality that looks and appearance are the most important things to a woman. Cisneros also shows how Latino women are expected to be loyal to their husbands, and that a husband should have complete control of the relationship. Yet on the other hand, Cisneros describes the character Esperanza as being different. Even though she is born and raised in the same culture as the women around her, she is not happy with it, and knows that someday she will break free from its ties, because she is mentally strong and has a talent for telling stories. She comes back through her stories by showing the women that they can be independent and live their own lives. In a way this is Cinceros' way of coming back and giving back to the women in her community.