The Hound of the Baskervilles

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The Hound of the Baskervilles At the start of the story the setting is described through the legend of Sir Hugo Baskerville. Sir Hugo is described in the legend as a “wild, profane and godless man” This suggests that his inhumanity and “evil” make him a potentially viable enemy who will stop at nothing. It is Sir Hugo that sets the tone for the setting. Sir Hugo uses his power and Baskerville Hall as a prison for the young girl. She manages to escape by “the aid of the growth of ivy which covered the south wall.” The ivy indicated the age and wildness of the hall and its setting. The “moon” is “shining bright” and the act “which was liked to be done” on the moor adds to the sense of danger and isolation that we, as readers, encounter at the start of this tale. As grown men leave the impression of “screaming” and fear being associated with the moor, we are going to be given one final warning, “caution you to forbear from crossing the moor in those dark hours when the powers of evil are exalted” which tells us that this setting is both dangerous and a potential trap for those who dare to live there. We also learn about the death of Sir Charles. “The day had been wet” and the wild, untamed environment sets the tone perfectly for a mysterious death such as this. We are told that “there is a gate which leads out onto the moor.” This gate is like a barrier between the moor and Baskerville Hall that separates good from evil, and if anyone were to cross this barrier then anything could happen to them “Sir Charles lay on his face, his arms out, his fingers dug into the ground, and his features convulsed.” This creates a sense of isolation as it seems as if the only safe place on the entire moor is Baskerville H... ... middle of paper ... ... find out who the man on the tor was. Watson says that “there was this feeling of an unseen force” out upon the moor, and because he is supposed to be acting as Sherlock’s eyes and ears, he is compelled to find out who or what this “unseen force” is. Watson goes up onto the tor which he describes as a “barren scene” and there he feels a “sense of loneliness and mystery and urgency.” Watson feels as if “the unknown might be lurking there,” and when Sherlock is discovered he reveals that the “figure of a man upon the tor” that Watson had seen upon the night of the convict hunt had indeed been Sherlock, when he admits “I was so imprudent as to allow the moon to rise behind me.” Because the unknown figure turns out to be Sherlock the mystery of the Barrymore at the window remains unsolved and the moor is still a place full of secrets and unanswered questions.

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