As audiences continue to watch a film based off of a novel, they may find changes in scenes that variate from the novel . The changes being made can be effective, or ineffective depending on the preference of the audience. In The Hobbit written by J.R.R. Tolkien and The Hobbit: An Unexpected Journey directed by Peter Jackson, a hobbit and a group of dwarves go on a journey in seek of their lost fortunes. Throughout their way, they run into some complications and never seem to avoid trouble. In the film, Peter Jackson makes a change based off of the chapter “Roast Mutton” In “ Roast Mutton”, Bilbo Baggins, a hobbit, tries to take food from a troll, when he gets causing the whole group to rush in one by one wondering where everyone was getting …show more content…
Possible reasons why they would believe Bilbo stalling the trolls as ineffective is because Gandalf could’ve saved them anyway, similar to the novel. Although Bilbo held back the trolls, Gandalf is still the one that broke the rock letting sunlight into turn the trolls into stone. While admitting Gandalf could save them in the end using his method, Bilbo is still able to stall the trolls into not eating them. Even if Gandalf arrived and split the rock in half, he wouldn’t have showed up in time without the trolls starting to eat some of the group. In the film, a troll was just about to eat one of them, when Bilbo stepped up and made an excuse about they are sick and taste bad. The dwarves and Bilbo would have experienced some losses or a large quantity of losses if it wasn’t for Bilbo. Bilbo being used as a tissue getting caught could be seen as effective to others, since it could’ve showed how Bilbo is efficient at hiding, but as the wrong place in the wrong time, and wasn’t his fault he got caught. Despite the fact that it wasn’t his fault there is no action from him accidentally being caught. The purpose of Jackson’s ideas is to draw in the people watching, similar to the book, but without as much action, they weren’t into the movie as the book. These changes from the novel is effective and ineffective making Bilbo more noble towards his group of friends, although some may conflict
In JRR Tolkien’s novel The Hobbit, Bilbo Baggins, the protagonist, undergoes the five stages of the hero’s journey: departure, initiation, the road of trials, the innermost cave, and return and reintegration into society. When the adventure is all done, Bilbo takes away an important lesson about who he is from his travels. Thus The Hobbit, the novel by JRR Tolkien is an example of a heroic quest for identity, because the protagonist, Bilbo goes through each aspect of the hero’s journey and learns about who he is.
“I like six eggs with my ham, when starting on a journey.”(Tolkien, J. R. R.) remarked Thorin, a dwarf, and one of Bilbo’s companions. Bilbo, called upon by a tall old wizard named Gandalf, is a hobbit, and the protagonist in The Hobbit. He sets out with a band of dwarves to kill the infamous Smaug, a dragon, and reclaim ownership of Erebor, the lonely mountain. Beginning hesitant and shy, he feels uncomfortable with the notion of leaving the Shire, his homeland. Though he eventually agrees to accompany the dwarves on their journey, his timid personality remains, and overcoming it becomes one of his major challenges throughout the journey. Bilbo’s journey in The Hobbit follows almost if not all of the stages in the hero's journey archetype, and he discovers his inner courage and love for adventure.
Tolkien to be very good. He develops the story gradually, building up to the climax, and changing the main characters attitude. In the beginning Bilbo, the main character, starts as a very timid hobbit who knows nothing beyond his home, and is overwhelmed by the appearance of the twelve dwarves sudden appearance to his house. Although he grudgingly agrees to join them in their quest, he is very unhappy, and conveys it through this quote: “I wish I was home by the fire, with the kettle just beginning to sing!” This shows how unhappy Bilbo was at the beginning of the story. Over the course of the story, J.R.R. Tolkien develops Bilbo into a brave character who had proved himself through his many acts of bravery. In conclusion, the author did an excellent job developing Bilbo as a
In Celia, A Slave, a slave named Celia was sent to court because she committed homicide. However, the murder was justified, because she was trying to defend herself from her slave owner, Robert Newsom, who was attempting to rape her once again. This time around, Celia attempted to protect herself by striking Newsom, just in order to daze him for a bit. She did not intend to kill the man, but simply keep him away from her. Unfortunately, in Missouri in 1850, the only person that would be protected by law would be the slave owner, when it came to the rape of a slave. The slave owner would be allowed to immediately punish a rapist for trespassing on their property, which in this case, would be the slave. Celia, A Slave is a story that
Bilbo as the protagonist of the novel appears sensible partly from Tolkien’s underlying representation of a twentieth century English gentlemen. When Bilbo first arrives at the Gate with the Elvenking and Bard, his first speaking point is business. Tolkien describes Bilbo’s speech as a “business manner” where he mentions how he is “tired of the whole affair” and wishes he were “back in the West in my own home, where folk are more reasonable” (Tolkien 292). Bilbo clearly takes great pride in the business manner of hobbits, where he is accustomed to fiscal matters through his previous occupation in the Shire. In addition, Bilbo clearly states his grievances about the stubborn nature of dwarves and other creatures he encountered along his travels by mentioning ...
First, Bilbo’s character develops in a heroic way multiple times within the novel. One example would be when the Elvenking says, “Bilbo Baggins … You are more worthy to wear the armour of elf-princes than many that have looked more comely at it” (Tolkien 248).
The film and literature presented in this unit was an eye opener to the modern western views regarding race and gender. In this western society we view a male as being strong, powerful, a provider for his family, the head of the household and many other characteristics that relates to what a man should be. When growing up as a child into adulthood we’re stimulated by the many books and movies of a woman being second to a man, a stay at home mom while the man is at home making ends meet just trying to provide for his family and we accept that role because in this western society that’s the ideal role as a woman where we look up to the man as a safety blanket and that’s all we’re brainwashed to know. We were never told about how powerful
At the beginning of The Hobbit, Bilbo was sensible and when it came to his actions he was cautious, as well as being wise in thought. “We are plain quiet folk, and I have no use for adventures” (4). This was Bilbo's response when Gandalf mentioned going on the adventure with him. The idea of going outside of the Shire scared him. Gandalf basically
William Golding vs. Peter Brook on Lord of the Flies In literature, authors procure to convey a message to the reader. Whether the message is good or bad, a reader can always learn something from a work of literature. When an author conveys a strong message, directors will want to create films that portray the same message. That desire to portray a novel’s message in a film will result in a film inspired by a novel. With this being said, a film may be created, but it will not always portray the message the same way a novel does.
One character that categorically comes to mind as responding to iniquity during the novel is Bilbo Baggins. The Hobbit, written by J. R. R. Tolkien, is a novel about Bilbo’s journey of self-discovery as he conquers challenges never faced before. Baggins search for injustice and problem solving helps the story evolve in the novel, as well as displays heroic efforts that no one expected from him in the beginning. Consequently, his substantial courageous actions, countless sacrifices, and unquestionable allegiance to the dwarves create a sense of justice that plays a vital role in the unity of characters in the novel.
Bilbo begins his long journey with the dwarves, who at the time were still skeptical of Bilbo’s abilities. The dwarves didn’t see why they needed such a small incompetent hobbit with them along their journey. Gandalf tells them to stop complaining and to trust that there is more to Bilbo than meets the eye (Tolkien 6). Bilbo soon shows his courage and heroism for the first time in the story when they run into their first obstacle, three large trolls huddled around a campfire. Bilbo, who was once a shy, non-adventurous type, begins to develop into a hero as he tries to steal one of the trolls’ money purses. This is a dramatic scene in the novel because it was Bilbo’s very first act outside his comfort zone. It was this...
Tolkien describes, "It had a perfectly round door . . . the door opened on to a tube-shaped hall
Salam Rushdie, author of Haroun and the Sea of Stories, once claimed that seeing the classic movie The Wizard of Oz “made a writer of [him] (London: Palgrave-Macmillian, 1992).” He continued on to explain how the movie later influenced the novel, because it provided the “right voice” as he attempted to create a story that could transcend the boundary that typically “ghettoizes children’s books from adult literature” (London: Palgrave-Macmillian, 1992). While adult readers did tend to shun and avoid children’s literature, movie adaptations of children’s books (such as The Wizard of Oz) were able to attract audiences of all ages. As Rushdie himself states, the movie’s influence on the text is not subtle on any level. In both cases, a pre-adolescent
In Tolkien 's story, good will always win over evil. The first evil that Bilbo and the dwarves come across is the trolls. The dwarves and Bilbo are caught and put into sacks. Gandalf comes and starts a fight between the trolls about how to cook the dwarves and Bilbo. Gandalf keeps them fighting until daybreak and the sun turns the trolls into stone. The adventure from now on would get more dangerous by the minute. There “are no safe paths in this part of the world. Remember you are over the Edge of the Wild now, and in for all sorts of fun wherever you go.”(98). Another enemy of the dwarves is goblins. The fight with the goblins is the second adventure in the story. While traveling in the Misty Mountains, they are captured by the goblins. Everyone is captured and carried through the tunnels into the heart of the mountain. Gandalf like always manages to stay uncaptured. Gandalf again comes to the rescue by killing the Great Goblin. For a second time, the forces of evil are destroyed by the good doings of Gandalf and the dwarves. It is Bilbo 's third adventure, however, that proves that good will overcome evil. Smaug is where Bilbo 's full glory was revealed. He stands in front of the beast and talks with it. Anyone else wouldn 't hesitate to run for their lives. Smaug smells the dwarves and tries to kill all of the dwarves when he figures out what they are doing. The battle between good and evil
Many people believe that Chronicles of Narnia: The Lion, the Witch, and the Wardrobe’s storyline and plot are based off of a Christian-based allegory; however, it is not. With the early childhood and teenage years of C.S. Lewis, the author of Chronicles of Narnia: The Lion, the Witch, and the Wardrobe, the story could be a reflection of his life. Lewis also had a fascination with mythology, which plays a key role in the making of the characters. Many think that Lewis’s Christian conversion is what inspired him to write Chronicles of Narnia: The Lion, the Witch, and the Wardrobe. Without the Christian conversion of C.S. Lewis, Chronicles of Narnia: The Lion, the Witch, and the Wardrobe’s content would not change but the focus on the meaning would change from a Christian allegory to a children’s fantasy novel. The first fact that would support this theory is Lewis’s childhood.