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Analysis essay about broadway shows
Short history of broadway
Short history of broadway
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The theatres in Chicago have a very vast and interesting history. Starting in the 1920’s, it has been around for a long time. Stephen Schwartz once said “I've heard it said that people come into our lives for a reason bringing something we must learn and we are led to those who help us most to grow if we let them and we help them in return”(goodreads.com). Broadway can help teach people morales. Broadway is one of the most exciting parts of downtown Chicago. Broadway in Chicago is undoubtedly less recognized then what it should be due to its talent and national status.
When people say “Theatre in Chicago” they are talking about the very best of Broadway. It is affordable, convenient, and very diverse; it is way more than just Broadway productions, Broadway in Chicago also shows local and original productions, as well as the Broadway hits everyone knows and loves. It is also known as the home for improvisational comedy. It is the source for terrific seats to the most exciting shows and events in all of Downtown Chicago (themaginificentmile.com). The historic venues are all located in the very exciting downtown theatre district and can easily be accessed anywhere from the metropolitan area (broadwayinchicago.com).
Out of the theatre district there are five different theatres. The Bank of America Theatre, originally titled the Majestic Theatre, first opened in 1906. It was Chicago’s first million-dollar-plus venue and the tallest building in the city at this time. It was doing well and was very successful, but then tragedy hit, and, due to the Great Depression, it was shut down for a total of fifteen years. It wasn’t reopened until 1945, after going through remodeling. In of April 2010, the Broadway Playhouse at the Water Tower ...
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...way Bandwagon”. Variety. 13 Sep. 2013.
Jones, Chris. “It’s a Hot Time in Chi-town”. Variety. 2004.
Kennedy, Mark. “Broadway Musical ‘Chicago’ to Enter History Books”. The Denver Post. 20 Dec. 2012.
N/A. “Theater History”. Broadway in Chicago. 2013.
N/A. “Chicago Broadway Shows”. The Magnificent Mile. 2013.
Oxman, Steven. “The Addams Family”. Variety. 21 Dec. 2009.
Secter, Bob. “The Iroquois Theater Fire”. Chicago Tribune. 30 Dec. 1903.
Taylor, Troy. “Weird Chicago: Iroquois Theater Fire”. Weird Chicago. 2006.
Popularity for live performances heightened exponentially during the late nineteenth century. The United States flourished with circuses, ballparks for sporting events, night clubs, world and state fairs, as well as theatrical road shows. Growing amusement parks, such as Coney Island, attracted customer attendance not just by supplying thrillingly-fun rides, but by also providing an array of the newly emerging vaudeville theatrical shows. Vaudeville was gaining much popularity because it strived to appeal to people of all socioeconomic classes and cultural background as well as offered low admission prices. It consisted of a diversity of individual performances which could range from comical skits, singing, acrobatic stunts to magic shows. “Variety theatre drew larger audiences than the ‘legitimate’ theater which presented classical performances” (Administrator). For this reason, vaudeville theatre was gaining much attraction because it was able to enthrall the population with a wide range of
In Dialogue: Theatre of America, Harold Clurman said, “we make theatre out of life” (27), and it was precisely this view that motivated him to help create a uniquely American theatre. Clurman, considered one of the most influential directors of the modern American theatre, had a unique vision of what the American theatre could become. One of the founders of the quintessentially American troupe, the Group Theatre, Clurman was a contemporary of Elia Kazan and Lee Strasberg, and even married to Stella Adler for twenty years. At a ceremony honoring Clurman, Elia Kazan stated that Clurman’s “greatest achievement [was] himself” (Harold Clurman: A Life of Theatre). An important figure in our theatrical past, Clurman’s theories on theatre and directing require close attention. In this paper, I will first provide a brief biography of Clurman, second, examine his theories of theatre and directing, and lastly, I will explore his criticisms of the then-contemporary theatre, and draw conclusions to the current state of the Broadway theatre.
The stage performance of Chicago offered a spectacle that I expected before attending the show. I knew there was going to be scantly clad girls with dark makeup and saucy attitudes. The performers brought to life all that was raunchy in the entertainment business during the roaring twenties. The lifestyle in Chicago featured jazz, booze, sex and crime. More importantly, Chicago had beautiful, young women with the dream of having their own Vaudeville act. The two main female characters, Velma and Roxy were two such women hoping to capture the public's attention. The composition of the show is a metaphoric integration of Vaudeville type acts amongst the book scenes and diegetic musical numbers.
On Saturday, December 21 at 8:00 p.m., I saw the play Wicked in Chicago at the Ford Center for the Performing Arts with my family. I had always heard how spectacular the play was. My parents even saw it on Broadway in New York years ago and absolutely loved it and wouldn’t stop talking about it. Well let me tell you, describing Wicked as being a spectacular show is dead on, maybe even an understatement. Wicked was by far one of the best plays I’ve ever seen! Between the actors, lighting, scenery, and music, it was an amazing show and grabbed your attention at all times. I would highly recommend seeing this phenomenal production to all ages!
England was split into two worlds during Elizabeth's reign. There was the world of Whitehall (The Court) and the world of the country. The country saw the establishment of the Puritan tradition. The Puritans were essentially anti-culture and were considered enemies of art and popular culture, the Puritans believed in piety, austerity and sobriety not only in dressing but also in manners. Thus they were driving people weary and making them long for a change and seek entertainment and pleasure.
Miller, Scott. "Inside Chicago." Deconstructing Harold Hill: An Insider's Guide to Musical Theatre. Portsmouth, NH: Heinemann Drama, 1999. N. pag. New Line Theatre. Web. 13 Mar. 2014.
Chicago has played a major role in American Literary history. As African American writers struggled to express their unique literary voice, they sought to celebrate diversity of the American people and to develop a unifying national identity for themselves (Woolley).
Even though prohibition was the law of the land few people abided by it. This new trend of disobedience is reflected in 1920s theatre with bootlegging characters and actors mixing and drinking alcohol on stage. This behavior is also depicted throughout the musical Chicago. Perhaps Billy Flynn said it best just before Roxie Hart’s trial began, “This trial… the whole world… it’s all… show business.” (Chicago).
Wells, E A. (2011) West Side Story Cultural Perspectives on an American musical. Maryland: Scarecrow Press, Inc.
The play is set around the late 1940s and throughout the 50s on the south side of Chicago
I attended the Chicago musical performance on September 13th at 2pm at the Toland Theatre. My initial expectations for this particular performance were relatively low as this was not a professional musical performed by professional actors and dancers. However, the opening scene and first musical number tremendously exceeded by low expectations. The quick rhythm of the majority of the dance numbers, unique choreography, and excellent execution of all dance numbers with immense precision truly impressed me. Overall, the choreography of each dance number incorporated acting, dancing, and singing as the choreography enhanced each scene by making the story more understandable and created an outlet to express the feelings
It was on March 31st, I went to see The Forbidden Broadway starting at 8pm at the Seminole Theater, located in Homestead Florida. Forbidden Broadway is a parody of classical movies and Disney cartoons. Therefore, it tells you it is going to be a comedy show. This shows was written in 1982 by Gerard Alessandrini and it is performed every year. This musical comedy is also updated every year. And some of the performers, who are excellent and well know performers were Gina Kreiezmar, Kevin McGlynn, Jeanne Montano and Graid Laurie. The one thing that I did not like with the performance note is because it did not list any of the plays that were going to be played or gives any summary about the plays. And I did not really like that and I was like maybe because it is a popular show, so people might know what it is going to be about. Anyway, it should have a kind of summary to let people know what will be performed.
As water flows from its jets, which then turn into a stream of water down from the upper tiers to the pool below, visitors travel from all over the world to visit the most iconic landmark in downtown Madison. This weathered fountain has the classic green, white and black patina of age that many outdoor sculptures possess. Located on Broadway Street in between Main and Third Street is a 26 feet high, 35 feet wide fountain with two basins and a reflecting pool (Grimes). This iconic landmark fountain is the Broadway fountain. The Broadway Fountain is one of Madison’s landmarks, which stood in the middle of Broadway for almost 100 years before it was dismantled and replaced with the 1981 bronze production.
March 6th, 2018 I saw the longest running Broadway musical, Chicago. I have seen the movie that is based on the musical and really enjoyed it so I did have some high expectations for this show. I am happy to say that I was not disappointed, it really was an amazing show with all the glitz and glamor of Cook County jail. The way the whole show was set up and how they decided to incorporate the pit bad with the stage was amazing and the actors and actresses really were fantastic.
I experienced Chicago, the Broadway musical, and because I had seen the movie many times before, I knew all the songs and dances by heart. I loved it, but it was actually the movie that influenced me to become a “Chicago fan.” The movie is based on the 1996 Chicago revival of the original musical version of 1975. It was thrilling knowing that the making of the musical into a mainstream production would increase its accessibility and widen its distribution into all the corners of the world; now there is no excuse for people not to experience Chicago, and though not everyone can go to Broadway to see it, just about anyone can indulge themselves in this dazzling movie in the comfort of their homes. In addition to a fantasy world of singing, dancing and Vaudeville, the film also provides a narrative that is explicitly presented through Roxie’s point of view, creating a counter-human side to Roxie’s fantasy world so that the audience can easily identify and engage.