Curious, courageous, young, adventurous: these are all words to describe Santiago, the protagonist in the novel The Alchemist. In this novel, Paulo Coelho develops Santiago’s character as a young boy who goes on an adventure to find his life’s purpose. Through the hero’s journey, Paulo Coelho insists that both internal and external struggles often cannot stop people from achieving their goals, ultimately encouraging people to fulfill self discovery and understand who they truly are.
Coelho incorporates many internal struggles into Santiago’s life in order to prove that they don’t restrain people from achieving their personal legend. Through the use of the hero’s journey, Santiago faces many internal struggles such as when he attempts to understand
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He first struggles internally when he wants to understand the dream he is having repeatedly. During the call to adventure in the hero’s journey, Santiago heads to an old gypsy in order to understand the dream he has. However, after listening to the interpretation, Santiago decided to “never again believe in dreams” because the gypsy only told him things he had already known (Coelho 17). This internal struggle, which sets the stage for the rest of Santiago’s struggles, had restrained Santiago for some time because he wasn’t able to pursue his personal legend if he didn’t believe in it, However, he later overcomes this struggle and continues on his path to achieving his personal legend. Santiago struggles internally later when he meets with the chief of a camp in the desert who tells him that he wants to see him turn into the wind. The alchemist, a man Santiago met to help him achieve his personal legend, told the chief that Santiago will be able to turn himself into the wind to show his powers, and if he can’t, “[they’ll] humbly offer [them] [their] lives” (Coelho 145). Santiago has never turned himself into the wind, so he has to dig deeply within in order to find the …show more content…
After Santiago has had his dream interpreted, he sets out on a journey with the guidance of many people such as a king and a new friend. Firstly, Santiago meets a king who tells him that he can help him find his treasure if he gives him a tenth of his sheep. Santiago then sold all but one tenth of his sheep, which left him with a lot of money and a treasure he sought (Coelho 31). Now that he has no sheep left, he has nothing left to go back to, and has to start his journey. During the crossing of the first threshold stage, Santiago has to decide to take a step in which he gives everything up to pursue his personal legend. Now that Santiago has a lot of money, he is able to make the voyage to his treasure, but first he must get guidance. A boy he meets in a bar serves as a guide who holds his money for him, until when Santiago is not looking, the boy runs off with all of his money (Coelho 41). Santiago now has no money left and no sheep left. During the belly of the whale stage, Santiago faces a very impactful hindrance in which he is left with nothing but hope for finding. Lastly, Santiago faces many external struggles while on his journey across the desert towards the treasure in his dream. After traveling with a caravan during the hot days and very cold nights, Santiago learns that it is unsafe because there are tribal wars
The knowledge and universal understanding derivative from a journey can leave the traveller positively enlightened. In Coelho’s story, Santiago is faced with recurring dreams which lead him to ‘’traverse the unknown’’ in search of a treasure buried in Egypt, the metaphor for universal connection, and in doing so, comes to the unrelenting realisation of spiritual transcendence. After arriving at the assumed geographical location of the treasure ‘’several figures approached him’’. They demand the boy keep searching for this treasure as they are poor refugees and in need of money, but as Santiago does, he finds nothing. Then, after relentless digging through the night ‘’as the sun rose, the men began to beat the boy’’ , finally relenting with the truth, Santiago reveals his dreams to the travellers. In doing so, Santiago finds out that these men had also been faced with recurring dreams measured around the place where the boy had undergone his own, both relative to hidden treasure. However the leader was ‘’not so stupid as to cross an entire desert just because of a recurrent dream’’. It is with this fact, tha...
Coelho contrasts tradition with Personal Legend to illustrate the individual nature of the pursuit to discover one’s goals and dreams. Tradition stands as a very powerful force that makes Santiago hesitate his quest to fulfill his Personal Legend. The fear of breaking tradition holds people back from living true to their dreams since, “We always observe the tradition” (Coelho 107). Tradition involves practices of older generations and the following of already trodden paths, in hopes of reaching already achieved goals. Meanwhile, the concept of ...
Coelho begins by identifying the main characters as they become timely components to unraveling the plot. The first line of the book, after all is, “The boys name was Santiago” (Coelho 3). We come to find that Santiago dreamt of traveling so he gave up his pursue of becoming a priest and instead, became a sheepherder (8). Santiago is already presented as a motivated character that makes efforts to accomplish his dreams. He exists as a dynamic character, rather than static as The Alchemist later on is portrayed. The Alchemist is cha...
"The Alchemist" is a novel written by Brazilian author Paulo Coelho in 1988. It tells the story of an Andalusian shepherd known as Santiago and his journey of fulfilling his "dream" which he names his "Personal Legend". Throughout his voyage, he met many different people and was forced under many different circumstances, and we are able to experience his emotional states throughout every part of his journey. He undergoes many revelations, and we could argue he becomes wiser and more aware of the spiritual value which everything in the world possesses. He ends up finding his "Personal Legend", but despite actualizing his "dream", he was a victim to the negative emotions that come with being human, and therefore we could argue that the main conflict in "The Alchemist" is within Santiago himself.
...In conclusion, we can say that after applying Joseph Campbell's theory of The Monomyth on The Alchemist; it is noticeable that despite The Alchemist being a postmodernism wok of literature, the author Coelho used all major patterns of the hero's journey of ancient myth in his novel and this developed Santiago's journey from an ordinary one into an archetypal one.
Santiago’s early behavior of transcendentalism are evident when he nullifies and rejects his parents’ longing for him to become priest, and instead decides to remain a shepherd of Andalusia and learn the indecipherable language of the world. When Santiago’s father tries to persuade Santiago that travelling with a herd of sheep does not impact and change a person, Santiago replies, “But I’d like to see the castles in the towns where they live,”… “Well, I’d like to see their lands, and see how they live” (Coelho 9). Santiago’s early rejections of becoming a priest and perusing his life as a shepherd clearly demonstrates that Santiago’s comprehension and understanding of life does not include the following a decided future, but exploring and discovering the world with own eyes. Furthermore, when Santiago decides to define his Personal Legend by voyaging to the Pyramids of Giza, he is faced and challenged with many hardships that will require critical thinking and extremely important verdicts. When, for example, held hostage by Moorish chieftains and given the daunting task to disintegrate the Moorish military camp by transforming into the wind, Santiago communicates with nature’s elements, “I learned the alchemist’s secrets in my travels. I have inside me the winds, the deserts, the oceans, the stars, and everything created in the universe. We were all made by the same hand, and we have the same soul” (Coelho 146). Eventually, Santiago learns that all aspects of biotic and abiotic existence are controlled by a creator, and maintained by the Soul of the World. Manifestly, Santiago’s adventures revolutionized him into a prudent, wise man and reflect the
The first two obstacles that Santiago faces are that his father tells him he can not do something that he wants to do and that he wants to pursue his personal legend, but he does not want to hurt those that he loves. For example, Santiago’s father said, “The people who come here have a lot of money to spend, so they can afford to travel. Amongst us the only ones who can travel are shepherds.” Everyone is told by their parents and friends that everything we want to do is impossible. Since Santiago did not have money to spend to travel his only choice was then to become a shepherd to fulfill his desire. T...
There are many obstacles in everyday life, but none as detrimental to ones future as fear. Fear can cause people to not only avoid achieving their goals in life but it also forces them to think about it throughout every day. Paulo Coelho’s The Alchemist shows that those who wallow in fear will never achieve their personal legend, and those who conquer fear will achieve anything they strive for. Paulo Coelho’s The Alchemist is a commonly analyzed and criticized piece of literature. One of these articles is Rejendra Kumar Dash’s “Alchemy of the Soul: A Comparative Study of Hermann Hesse’s Siddhartha and Paulo Coelho’s The Alchemist”. Dash’s article is a literary criticism of the different parts of the character’s journey in The Alchemist. He talks about, in his article, how the theme in The Alchemist is found through analyzing the different parts of Santiago’s journey and what those parts mean. Another one of these articles is Lily Hasanah’s “Decision Making in Paulo Coelho’s The Alchemist”. Hasanah’s article is a literary criticism of the main character in The Alchemist, Santiago. She searches for the theme in The Alchemist through analyzing the decisions, and the outcomes of those decisions, made by Santiago. Paulo Coelho provides access to his theme, for the most part, though the actions and adventures of the main character, Santiago. Although this is the method of delivery he had in mind, Dash and Hasanah view the delivery of his theme differently.
Santiago is a shepherd trying to pursue his personal legend. His personal legend is the recurring dream about the hidden treasure at the foot of the Egyptian pyramids. In his dream he starts playing in a field with his sheep, when a child appeared and began to play with the animals. This was strange to him because sheep are afraid of strangers, but the sheep and children play along just fine. Then a child grabbed his hands and took him to the foot of the Egyptian pyramids. He begins his journey locally trying to find answers from a gypsy and a man named
The Alchemist conveyed the up-most truthful meaning of santiago’s personal legend by teaching him the soul of the earth. This stage helped santiago and the Alchemist are talking doing what your personal legend is and also doing exactly what your personal legend desires are when they speak in terms of listening to one’s heart. “Whenever your heart is, that is where you’ll find your treasure. Santiago takes initiative on his dreams and pursue them regardless of love affairs and the hurt that comes along with it. The stage encouraged and also motivated santiago to find his treasure and make a better life for fatima and
The fear of failure has been implemented into child-hood, as it is the most influential time in a persons life. Santiago’s society taught people from young ages, that your dreams are impossible to achieve. This thinking habit imposed by society would influence the child’s life by letting them grow up not believing in themselves or their abilities. This thinking habit was passed down to Santiago by his own father, who tried to talk him out of the one thing he truely wanted to do in life; travel. “ ‘People from all over the world have passed through this village, son,’ said his father. ‘They come in search of new things, but when they leave they are basically the same people they were when they arrived.’ ” (pg 9) Your family should support your dreams, but because society imprints false ideologies into people, Santiago’s father convinces him to give up on his dreams. Even though Santiago’s father wanted “to travel the world” (pg 9-10) too, he didn’t have the courage to do so which influenced his life by “having had to bury it, over dozens of years,”. Santiago was young and impressionable at the time, and so when his very own father doubted his ability to be able to achieve his dreams, Santiago too grew up to doubt himself. This then influenced Santiago to try to bury his own life callings when faced with his Personal Legend. He used excused, “But there’s a tribal war”, (pg 115) “I
...session of the later. One way to describe Santiago's story is as a triumph of indefatigable spirit over exhaustible material resources. As noted above, the characteristics of such a spirit are those of heroism and manhood. That Santiago can end the novella undefeated after steadily losing his hard-earned, most valuable possession is a testament to the privileging of inner success over outer success.
AS10 Summer Reading Reflection Questions The Alchemist is a great and interesting story that will teach a lot of kids that will read it. The book is a story about following your dreams and this is a great lesson that parents and society tries to get kids to learn. Santiago is a boy in the story who has troubles on his journey and struggles throughout the book and realizes it takes time to achieve his personal legend.
In the story Santiago’s bravery is unsurpassed but it is not until he hooks the “great fish” that we truly see his valor and perseverance. Through Santiago’s actions Hemingway teaches the reader about bravery and perseverance in the face of adversity. He demonstrates that even when all is lost and seems hopeless a willful heart and faith will overcome anything. Santiago had lost his “luckiness” and therefore the respect of his village. Through the description of his cabin we also suspect that Santiago is a widower. Although Santiago has had many troubles he perseveres. He has faith in Manolin, in the Yankees, in Joe DiMaggio, and most importantly in himself.
The constant struggle makes Santiago realize that he is no longer as young as he thinks he is and