In The Handmaid’s Tale, much use is made of imagery; to enable the reader to create a more detailed mental picture of the novel’s action and also to intensify the emotive language used. In particular, Atwood uses many images involving flowers and plants. The main symbolic image that the flowers provide is that of life; in the first chapter of the novel Offred says “…flowers: these are not to be dismissed. I am alive.” Many of the flowers Offred encounters are in or around the house where she lives; it can be suggested that this array of floral life is a substitute for the lack of human life, birth and social interaction. The entire idea of anything growing can be seen as a substitute for a child growing. The Commander’s house contains many pictures; as they are visual images, “flowers are still allowed.” Later, when Serena is “snipping off the seed pods with a pair of shears… aiming, positioning the blades… The fruiting body,” it seems that all life is being eradicated, even that of the flowers. The colour of the flowers is also of vital importance. When Offred first enters the house of the Commander and his wife, she notices “… a fanlight of coloured glass: flowers, red and blue.” In the Republic of Gilead, Handmaids wear red and Wives wear blue; these colours are intended to reflect the owner’s “personality” – the wanton Handmaids in fiery red and the demure Wives in serene, virginal blue. The “blue irises” on the wall of Offred’s room are symbolic of this fact that she ...
In Toni Morrison’s novel, The Song of Solomon, flowers are associated with romance and love, and so the way in which the central female characters interact with flora is indicative of the romance in their lives. Flowers, red roses in particular, are a universal symbol for love and fertility. Though Ruth Foster, Lena called Magdalene Dead, and First Corinthians Dead are associated with different types of flowers in distinctive ways, the purpose of the motif stays the same; flowers reveal one’s romantic status and are a precursor for the romance that is to come. Throughout the entire novel, the flowers share in common that they are not real. Some flowers appear printed, others as fake substitutes, and some are imaginary. This is an essential
Margaret Atwood is famous for many things. She is a poet, novelist, story writer, essayist, and an environmental activist. Her books are usually bestsellers and have received high praises in the United States, Europe, and her native country, Canada. She has also received many Literary awards, like the Booker Prize, the Arthur C. Clarke Award, and the two Governor General’s Awards (“Margaret Atwood” Poetry). Through her books, she has written about what she sees in society towards women. She discusses how gender equality was corrupted in the past, but still is far from being reached, and women’s roles in society (“Spotty-handed”). Atwood also takes events in her life; like the Great Depression, Communism, and World War II; and applies it to her works. Margaret Atwood's works, including her novel The Handmaid's Tale, reflects women’s fight in equality, how society determines
Flowers can be seen to represent emotions that are felt when opressions on women are seen. Poisonous flowers represent the determination that these women use to find a better life in this society
Often in life, people take their freedoms, a gift that allows them to express their individuality, for granted. However, in the dystopian societies of The Handmaid’s Tale by Margaret Atwood and Never Let Me Go by Kazuo Ishiguro, people are reminded of just how easily their freedoms and humanity can be stripped away. Attwood and Ishiguro urge people to never lose sight of the core values that define who they are. The compelling novels chronicle the life journey of two protagonists as they fight to define their own existence and worth in life. Offred, the central character in The Handmaid’s Tale is exploited as a baby making machine, while Kathy, the leading role in Never Let Me Go, is degraded as a lifeless android in a sea of clones. From Atwood and Ishiguro’s provocative coming-of-age novels emerge two beautiful and inspiring heroines. Whether it is through their remembrance of the past, their loss of innocence, their capability to hope, or their ability to establish relationships, Offred and Kathy prove that they are every bit as human as the rest of society. Ultimately, despite the many differences in their distinct masterpieces, Atwood and Ishiguro share the same intent in their haunting portrayal of the protagonists’ dehumanizabtion—to shed light on the true essence of what it is to be human.
The Handmaid's Tale by Margaret Atwood and Brave New World by Aldous Huxley. While there are many differences between the societies portrayed in dystopic literature, they still have the common bond of lacking the fundamental freedoms required for a properly operated society to exist. This cannot be truer for The Handmaid's Tale by Margaret Atwood and Brave New World by Aldous Huxley. These novels prove that the individual's freedom are sacrificed in dystopic societies when the government controls the knowledge, individuality and relationships of each person in order for there to be stability in the society. Dystopia is shown in each of the novels through: the use of conflict demonstrating the authority over knowledge, the use of theme to establish the lack of identity and the use of character to show the control of knowledge.
The gustatory and olfactory images of food and perfume, as well as the kinesthetic and visual imagery of cutting flowers and sexual intercourse contrast with the unhappiness of Offred's life as a handmaid in Atwood's novel The Handmaids Tale. Atwood's use of imagery parallel with her use of the theme appearance versus reality. Though all the images of flowers, food, and sex seem to suggest happiness among the inhabitants of the utopia, in reality, they are underlying symbols of the dystopia they represent.
The aim of the indoctrination centres is clearly shown by the quote: "Some women believed there would be no future, they thought the world would explode. That was the excuse they used, says Aunt Lydia. They said there was no sense in breeding. Aunt Lydia's nostrils narrow: such wickedness. They were lazy women, she says. They were sluts. . . . They made mistakes, says Aunt Lydia. We don't intend to repeat them. Her voice is pious, condescending, the voice of those whose duty it is to tell us unpleasant things for our own good. . . . All of us here will lick you into shape, says Aunt Lydia, with satisfied cheer." Women that have passed their menopause or are infertile called ‘Aunts’ were chosen to train the Handmaids since, being women, they would be more trusted by the Handmaids.
A new society is created by a group of people who strengthen and maintain their power by any means necessary including torture and death. Margaret Atwood's book, A Handmaid's Tale, can be compared to the morning after a bad fight within an abusive relationship. Being surrounded by rules that must be obeyed because of being afraid of the torture that will be received. There are no other choices because there is control over what is done, who you see and talk to, and has taken you far away from your family. You have no money or way out. The new republic of Gilead takes it laws to an even higher level because these laws are said to be of God and by disobeying them you are disobeying him. People are already likely to do anything for their God especially when they live in fear of punishment or death. The republic of Gilead is created and maintains its power structure through the use of religion, laws that isolate people from communication to one another and their families, and the fear of punishment for disobeying the law.
knew; dont open your door to a stranger, even if he is the police. Make him
The Handmaid's Tale is a dystopian novel in which Atwood creates a world which seems absurd and near impossible. Women being kept in slavery only to create babies, cult like religious control over the population, and the deportation of an entire race, these things all seem like fiction. However Atwood's novel is closer to fact than fiction; all the events which take place in the story have a base in the real world as well as a historical precedent. Atwood establishes the world of Gilead on historical events as well as the social and political trends which were taking place during her life time in the 1980's. Atwood shows her audience through political and historical reference that Gilead was and is closer than most people realize.
In every human beings life, one is given freedoms. With freedom comes responsibility, consequence following close behind. Sometimes this freedom is not freedom to do, but freedom from harm. The extreme form of this would form a Garrison mentality. A Garrison mentality is a situation in which a society protects but also confines an individual. “There is more than one kind of freedom, said Aunt Lydia. Freedom to and freedom from. In the days of anarchy, it was freedom to. Now you are being given freedom from. Don’t underrate it.” (Atwood 24). Gilead is a society with an intolerant theocracy. The commanders, in the highest power; followed by their wives; then the aunts, who are teachers; the angels, who are guards; the eyes, who are spies; the marthas, who are housemaids; and lastly the handmaids, who are given to the commanders to bear children. In Margaret Atwood’s The Handmaid’s Tale, the society in which the characters live trap handmaids in a Garrison mentality.
In Margaret Atwood’s, The Handmaid’s Tale, women are subjected to unthinkable oppression. Practically every aspect of their life is controlled, and they are taught to believe that their only purpose is to bear children for their commander. These “handmaids” are not allowed to read, write or speak freely. Any type of expression would be dangerous to the order of the Gilead’s strict society. They are conditioned to believe that they are safer in this new society. Women are supposedly no longer exploited or disrespected (pornography, rape, etc.) as they once were. Romantic relationships are strongly prohibited because involving emotion would defeat the handmaid’s sole purpose of reproducing. Of course not all women who were taken into Gilead believed right what was happening to their way of life. Through the process of storytelling, remembering, and rebellion, Offred and other handmaids cease to completely submit to Gilead’s repressive culture.
...t create a feeling of disorientation towards the reader. Atwood does this to enable us to understand just how disjointed life is in Gilead. Offred continuously involves the reader, she directly addresses us and anticipates our response and even feels she has to justify some of her actions, she is a self-conscious narrator. Atwood is also preparing us for the revelation in the Historical notes that Offred is recounting her story into a tape recorder. The story is open ended; we are not told what exactly happened to Offred, Atwood does this in order to have more of an impact on the reader.
The Handmaid's Tale presents an extreme example of sexism and misogyny by featuring the complete objectification of women in the society of Gilead. Yet by also highlighting the mistreatment of women in the cultures that precede and follow the Gileadean era, Margaret Atwood is suggesting that sexism and misogyny are deeply embedded in any society and that serious and deliberate attention must be given to these forms of discrimination in order to eliminate them.
The Handmaid’s Tale and Do Androids Dream of Electric Sheep? draw on different narrative techniques to establish our relationship to their protagonists. Margaret Atwood allows the reader to share the thoughts of the main character, while Philip K. Dick makes the reader explore the mysteries behind the story. Atwood’s style works because she can directly show her readers what she wants. Dick’s opposing style works for him because he can present paradoxes and mysteries and let the reader form the conclusion. Both of these styles are skillfully utilized to create complex stories without losing the reader along the way.