The Guilt They Carried in Tim O’Brien’s The Things They Carried In the aftermath of a comparatively minor misfortune, all parties concerned seem to be eager to direct the blame to someone or something else. It seems so easy to pin down one specific mistake that caused everything else to go wrong in an everyday situation. However, war is a vastly different story. War is ambiguous, an enormous and intangible event, and it cannot simply be blamed for the resulting deaths for which it is indirectly responsible. Tim O’Brien’s story, “In the Field,” illustrates whom the soldiers turn to with the massive burden of responsibility for a tragedy. The horrible circumstances of war transform all involved and tinge them with an absurd feeling of personal responsibility as they struggle to cope. The death of Kiowa is the point in this story, and arguably the entire novel, where the true nature of war becomes evident. His death in any situation would have been tragic, and camping in that “shit field” alone would have been an emotionally scarring experience; however, that these events had to coincide in time only multiplies the gravity of the situation. Interestingly, every soldier has his own way of grappling with such overwhelming feelings of grief for his highly-esteemed comrade. Yet what every man has in common is that in the end he concludes that he alone is the one ultimately responsible for Kiowa’s death. Take Lieutenant Jimmy Cross, for example. Although he had no desire to be in Vietnam, not to mention be leading troops there, it is evident that he is selfless in the pursuit of the war, and genuinely concerned about the welfare of his men. Unfortunately, he is blinded by guilt to these qualities. “Looking out toward the ... ... middle of paper ... ...ll is not merely a phenomenon, but an unquestionable force which acts upon these young men beset by the war. These men are transformed into guilt-laden soldiers in less than a day, as they all grapple for a way to come to terms with the pain of losing a comrade. In an isolated situation, removed from the stressors, anxieties, and uncertainties of war, perhaps they may have come to a more rational conclusion as to who is deserving of blame. But tragically, they cannot come to forgive themselves for something for which they are not even guilty. As Norman Bowker so insightfully put it prior to his unfortunate demise, war is “Nobody’s fault, everybody’s” (197). WORKS CITED Neilson, Jim. Warring Fictions: American Literary Culture and the Vietnam War Narrative. Jackson: Mississippi UP, 1998 O’Brien, Tim. The Things They Carried. New York: Broadway, 1990.
The Vietnam War was a psychological and physical battle for all the young men who were drafted or volunteered. Caputo's own reasons for volunteering illustrate the mentality for some of the men entering into this journey. Those who are inducted into Vietnam face disturbing moral dilemmas that can be expected in an "ethical wilderness." The draft introduced a myriad of young men to the once forgotten moral ambiguity of war. Average American citizens must balance right from wrong in a world without morals or meaning. Caputo himself struggles with the idea that killing in combat is morally justified.
“A Raisin in the Sun” is one the worlds all time most famous play. Not only did Lorraine Hansberry provided a well thought out and entertaining play, she also displayed messages of life for the world to see. Lorraine Hansberry’s “A Raisin in the Sun” will live on forever and continue to teach others of the difficulties that African American faced during the 1960’s Civil Rights era.
...al but couldn’t, when they twitched and made moaning sounds and covered their heads and said Dear Jesus and flopped around on the earth and fired their weapons blindly ”(104). Along with daily life, the soldiers carried their reputations and “the fear of blushing” (105). At any moment they could have abandoned the war and gone home to life, love, and a warm bed, but they never did. This was not out of courage, but rather the soldiers were just too afraid to be cowards.
O’Brien, Tim. How to Tell a True War Story. Literature and Ourselves. Sixth Edition. Eds.
There you stand over the body of a fallen friend, a brother or sister in arms. You are asking yourself why them, why not you? What could have I done to save them? That is when you wake up, sweating, panting. It was just a night terror, yet it feels the same as the day they died, even though it has been ten years. This is just one of the many emotional scars soldiers of war face. Though why do we go to war when this is the cost? For many it is because they are unaware of the psychological cost of war, they are only aware of the monetary cost. Tim O 'Brien addresses the true cost of war in The Things They Carried. O 'Brien suggests that psychological trauma caused by war impedes daily life in young Americans drafted into the Vietnam war. He does
War Is a Force That Gives Us Meaning, written by the talented author Chris Hedges, gives us provoking thoughts that are somewhat painful to read but at the same time are quite personal confessions. Chris Hedges, a talented journalist to say the least, brings nearly 15 years of being a foreign correspondent to this book and subjectively concludes how all of his world experiences tie together. Throughout his book, he unifies themes present in all wars he experienced first hand. The most important themes I was able to draw from this book were, war skews reality, dominates culture, seduces society with its heroic attributes, distorts memory, and supports a cause, and allures us by a constant battle between death and love.
A Raisin in the Sun is a set in 1950s after the Second World War which was an age of great racism and materialistic in America. It is about a black family living in south side of Chicago and struggling through family and economic hardships, facing the issues of racism, discrimination, and prejudice. The family consists of Lena Younger known as Mama; Walter Lee Younger who is an intense man, Ruth Younger who is wife of Walter Lee, Travis Younger who is son of Ruth and Walter, and Beneatha Younger who is Walter’s younger sister. The whole family lives in a two bed room apartment and don’t have money to live a better life. youngers are tired from their struggle to ...
War has a definite effect on the mentality of a soldier, so much so that many result in insanity during or after the leave of combat. Timothy Findley’s The Wars, portrays the “stupidity, futility and the horror of the terrible losses of the First World War, describing war as an image of the worst that can be within a man” (Anne Nothof Interview). Findley portrays mental aspects as well as physical, that lead to Robert Ross’ demise, specifically, the conditions of war, the overall aspect of war taking someone’s life and the feeling of loneliness and silence. Soldiers in the war had to face obscure battlefield each and every day along with the chaos that led toward a broken land, which took its toll physically on the men, especially Robert. “When the mines went up, the earth swayed.
The play "A Raisin in the Sun" by Lorraine Hansberry, provides the reader with a clear view on the reality of the struggle for African Americans during the late 1950's. Full of conflict and racial tension, Hansberry creates a strong distinction between her different and unique characters. The main theme of dreams creates conflicts that are evident in the play because the family is aiming for an individual dream that seems to never happen; however, in the end, they get away form the individual dream and finally reach a common ground.
It becomes obvious to the reader that the racial tension Hansberry experienced growing up reflected on the way her literature is written. Moss and Wilson state that, “Lorraine Hansberry’s South Side childhood, particularly her father’s battle to move into a white neighborhood, provided the background for the events in the play” (314). Hansberry experienced many of the situations she placed the Younger family at first hand. Hansberry’s father, Carl Hansberry, was put in a similar circumstance when he moved his family into a predominately white community at the opposition of the white neighbors. He eventually won a civil rights case on discrimination. Speaking of the United States, Adler states, “A Raisin in the Sun is a moving drama about securing one’s dignity within a system that discriminates against, even enslaves, its racial minorities” (824).
A Raisin in the Sun by Lorraine Hansberry is a dramatic play written in 1959. The play is about an African American family that lives in the Chicago South Side in the 1950’s. Hansberry shows the struggles and difficulties that the family encounters due to discrimination. Inspired by her personal experience with discrimination, she uses the characters of the play, A Raisin In The Sun, to show how this issue affects families.
In ‘A Raisin in the Sun’, Lorraine Hansberry describes each of the family’s dreams and how they are deferred. In the beginning of the play Lorraine Hansberry chose Langston Hughes’s poem to try describe what the play is about and how, in life, dreams can sometimes be deferred.
“The vapors suck you in. You can’t tell where you are, or why you’re there, and the only certainty is overwhelming ambiguity. In war you lose your sense of the definite, hence your sense of truth itself, and therefore it’s safe to say that in a true war story nothing is ever absolutely true.” (Pg.88)
One of the worst things about war is the severity of carnage that it bestows upon mankind. Men are killed by the millions in the worst ways imaginable. Bodies are blown apart, limbs are cracked and torn and flesh is melted away from the bone. Dying eyes watch as internal organs are spilled of empty cavities, naked torso are hung in trees and men are forced to run on stumps when their feet are blown off. Along with the horrific deaths that accompany war, the injuries often outnumber dead men. As Paul Baumer witnessed in the hospital, the injuries were terrifying and often led to death. His turmoil is expressed in the lines, “Day after day goes by with pain and fear, groans and death gurgles. Even the death room I no use anymore; it is too small.” The men who make it through the war take with them mental and physical scarification from their experiences.
Usually when someone is murdered, people expect the murderer to feel culpable. This though, is not the case in war. When in war, a soldier is taught that the enemy deserves to die, for no other reason than that they are the nation’s enemy. When Tim O’Brien kills a man during the Vietnam War, he is shocked that the man is not the buff, wicked, and terrifying enemy he was expecting. This realization overwhelms him in guilt. O’Brien’s guilt has him so fixated on the life of his victim that his own presence in the story—as protagonist and narrator—fades to the black. Since he doesn’t use the first person to explain his guilt and confusion, he negotiates his feelings by operating in fantasy—by imagining an entire life for his victim, from his boyhood and his family to his feeling about the war and about the Americans. In The Man I Killed, Tim O’Brien explores the truth of The Vietnam War by vividly describing the dead body and the imagined life of the man he has killed to question the morality of killing in a war that seems to have no point to him.