the one who murdered her, but instead seeks vengeance on people who enter the house and people who come into contact with someone who has entered the house. This vengeful spirit seems to act more like a deadly disease rather than how it is traditionally suppose to act. Another goes that goes against traditional Japanese folktales is Takeo’s ghost which appears near the end of the movie. In many Japanese folktales, the ghosts of a male are usually seen as nonthreatening and often are seen as guides. Many of the male ghosts are often from men who have fallen in battle and then later roam the earth grieving over their death. They have also been know to help out others who are on a journey and act as more of a warning than as a angered spirit. …show more content…
While the film Ju-On goes against and defiles certain cultural and traditional aspects of Japan in order to create fear, the film The Grudge takes a different approach in the production of fear. The Grudge seems to try and blend in with many of the popular Western horror movies made between the 1970s and 1990s and add similar elements and themes from them. Many of the more popular horror films that were made at that time in America had a sort of similar theme that involved a seemingly perfect family at first and that everything goes wrong when they find out the deep dark truth behind either the place they are currently living in or one of the family members that is currently living with them. It was not so much that something that may have been wrong with the house or father that scared the people of this time, but instead it was how it affected the families who were living in the house or with the father. Many people who live in American are always told about …show more content…
Women of America were begging to become even more independent that they were before. Much like Japan, many of these women began to go off do more activities that wouldn’t have been done in the passed. The wage gap began to decrease between men and women, many women were beginning to get their college degrees, women were beginning to get higher paying jobs that generally consisted of men, and many families began to have two people working jobs instead of just the father working one. Again just like Japan, all of this was beginning to worry many men, because now their own masculinity was being challenged. Before all this, many men were use to being the breadwinners of the house while the wife stayed home and took care of the children and the house. Now many of the men were not only afraid of women taking their jobs and making more money than them, but were also afraid that their feeling of more power would cause the women to leave them to peruse their own life (Taylor pg 771). In The Grudge, it uses this fear of the falling masculinity to is advantage in a couple ways. The first way it does this is when it shows the reason to way Takeo murdered his family. Takeo caught Kayako in the act of stalking her teacher Peter Kirk, whom she was showing interest in. Because this scene Kayako’s inability to be loyal to her husband, this spreads fear through the people watching this
In 2008 the worst financial crisis since the great depression hit and left many people wondering who should be responsible. Many Americans supported the prosecution of Wall Street. To this day there have still not been any arrests of any executive on Wall Street for the financial collapse. Many analysts point out that greed of executives was one of the many factors in the crisis. I will talk about subprime loans, ill-intent, punishments, and white collar crime.
Health has always been one of the priorities of the American people. It is a broad topic that encompass the physical, spiritual, and mental health. This research covers the physical health that includes food and exercise. Numerous films provide and inform Americans to look and be healthy, although many have tried, some succeeded and others do not. One such film that provide and inform the American public of health is a documentary titled, Fed Up by Stephanie Soechtig. The controversy in this film centers around the validity of the facts presented, and the claim that added sugar is the leading contributor to obesity. The documentary presented an examination of the rise in American obesity epidemic, the role of the food industry and their
"Mrs. Robinson, you are trying to seduce me," says Benjamin Braddock (Dustin Hoffman). The Graduate, directed by Mike Nichols in 1967 is an influential satire/comedy film about a recent East Coast college graduated who finds himself alienated and aimless in the changing, social and sexual general public of the 1960s, and questioning the values of society. The theme of the film is of an innocent and confused youth who is exploited, mis-directed, seduced (literally and figuratively) and betrayed by a corrupt, self-indulgent, and discredited older generation (that finds stability in “plastics”) that I found to be quite clear and understanding, while also capturing the real spirit of the times and allows America's youth to perceive onscreen an image of themselves which they can both identify with and emulate. The Graduate is a significant film even today due to its use of abstract camera angles, telephoto lenses, excellent cinematography, and great acting. Few visual effects were used, however, matting and numerous point of view shots were used. These characteristics and the fabulous use of mis-en-scene, great writing and the era of the film all made The Graduate what it is today, magnificent.
The Bad and The Beautiful (1952) and State and Main (2000) are films within films that unmask Hollywood Cinema as a dream factory and expose the grotesque, veneer hidden by the luxury of stars. The Bad and the Beautiful, directed by Vincent Minnelli, is a black and white film narrated in flashback form. The films theatrical nature requires more close-ups than wide-screen shots to capture the character’s psychological turmoil. For example, Fred and Jonathan’s car ride is captured in a close-up to signify their friendship; however their relationship deteriorates after Jonathan’s deceit. While the camera zooms out, Fred stands alone motionless. Here, Fred is captured from a distance at eye-level and he becomes ostracized by the film industry and
Feminist analysis is a form of analysis from a feminist’s perspective. This analysis will look at a film and focus on analyzing a female’s role in the film and gender inequalities. A feminist analysis of the Godfather will show that the males in the Godfather are strong characters while the females are weak. The males are the ones discussing the family business while the females are left out. Even when the men are sitting at the table together, Carlo Rizzi is seen trying to discuss business with Sonny and Sonny reprimands him for talking in front of the women at the dinner table. Carlo is also seen beating his wife Connie in a couple scenes while she is portrayed as defenseless against him. This interpretation of women in the 1940s is prevalent during that time period and they were still generally seen as being the weaker sex.
The Hurt Locker is a war film that is set in Iraq during the Iraq War and fits in the adventure and action genre. The plot is about a three man bomb defusal team consisting of James, Sanborn, and Elridge finding themselves is extreme, life-threatening situations where they must defuse explosives over the violent conflicts. The director, Kathryn Bigelow, has done a good job with the mise-en-scene, making the setting overall extremely believable, giving a sense of realism in the film. The film’s mise-en-scene creates a believable Iraq War settings with the use costumes, weaponry, and all the grime and dirt present in places which sells the idea. Sounds and symbolism is used to show heavy tension amongst the soldiers .The film also contrasts James’s time in Iraq and his life back in America using the Supermarket scene. The idea portrayed in this film is the addiction to war which can be seen in James.
The 2009 drama, The Hurt Locker, portrays the life of a bomb disposal unit stationed in Baghdad, Iraq. The squad consists of Army Sergeant First Class Will James, Sergeant JT Sanborn, and Specialist Owen Eldridge. The squad only has thirty-nine days left on its current deployment until Will James arrives and becomes the new tech leader. Very quickly, things become much different with their new leader. Sanborn, who is very much set on following the books, gets in many physical confrontations with James due to his lack of care and dangerous behaviour. The fellow squad members are so worried that James’ recklessness will get them killed that Sanborn questions blowing James up while they are out testing ammo and saying that it was an accident.
Are things rough all over? If they are, check out Francis Ford Coppola’s version of The Outsiders. You won’t regret it. Everyone has rough times in their life. Just like the Socs and the Greasers. Things were rough for the both of them. When you read S.E. Hinton’s novel, you really capture every detail in their lives. The Curtis family’s parents died in a car crash, Johnny’s parents always fighted, and Bob always tried to make his parents tired of giving him money. Considering the time period, The movie supports Hinton’s novel when you look at the locations, Socs, and the greasers.
12 ANGRY MEN, is basically a story play written for broadcast on CBS in 1954 by an American playwright Reginald Rose. In 1957, Rose finished the screenplay for the movie version, which was co-produced by him and Henry Fonda (Juror#8). The movie was directed by Sydney Lumet. This movie was nominated for many awards like Academy awards for Best Picture, Best Director and Best writing, Screenplay based on Material from another Medium, and an Edgar Allan Poe Award for Best Motion Picture Screenplay from Mystery Writers of America.
The Godfather is most notably one of the most prolific films of its time. This "gangster" film displayed many transformations of permeating color to give the viewer observable cues in its mise en scene that drew one right into the movie. The dramatic acting set the tone of the film with a score that lifted the viewer right out of their seat in many scenes. The directing and cinematography made The Godfather ahead of its time. The nostalgic feel of family importance and the danger of revenge lets us into the life of the Mafia. Even though no other techniques would have given the viewer a feeling of inside the mob like the mise en scene of the power the godfather held, the characters are reinforced literally and figuratively because the story views the Mafia from the inside out, and the cinematography of the film gives it a dangerous and nostalgic feel.
In the film The Host, it portrays what a society without problems or feelings would be like. For example, the people do not lie, steal, or kill. Although, along with this, people can no longer grow any sort of feelings. Everything that makes humanity is stolen. To movie’s social commentary is it takes away everything that represents humanity the good and the bad.
The topics I will be discussing for the week four free post blog is; the reason why I chose this film, and the comparison and difference between The Goodfellas and The Godfather, and the comparison and difference of Scorsese's The Departed and The Goodfellas. The first time I watched "The Goodfellas" was when I was probably 10. What drawled me to watching this film was because I used to always watch "The Sopranos". At first I was questionable if I would like this film because, it was released in the 1990's. At that time I didn't really care for classic movies, however after watching "The Goodfellas" my interest for classic movies grew. Soon after watching “The Goodfellas” I started to watch movies like Casino, Scarface, and The Godfather. The reason why I chose "The
Society is a result of our interactions, and society guides our interactions. This all stems from social construction. Social construction conveys values, ideas and traditions. These values, ideals and traditions are created and become traditions that are then passed on. These traditions then come to be perceived as natural rather than cultural, which is often how media will display it and society unknowingly accepts.
Men in Black (1997) is the first installment of a what is currently three total films, with a possible fourth in the making. Since it is a part of a franchise there is a lot of groundwork laid in this first film. We’re introduced to the main Leif Motive, or theme, for the Men in Black agency. What’s interesting is how we are kind of thrown into this film, with minimal background to what is going on. Overall this film has a unique style, a good integration of the soundtrack elements, and places the viewer in this different world where aliens exist.
‘Our interest in the parallels between the adaptation inter-texts is further enhanced by consideration of their marked differences in textual form,’