Oh, I remember those class discussions where I thought, like the majority of the class, that the governess was delusional and ghosts didn’t exist on the Bly estate. However, after further speculation I realized I was wrong. The governess always said that Bly was “mysterious” and she was right. After corrupting Miles, the ghost of Peter Quint was deemed real by the Governess, who in the meantime, was trying to protect him.
Although some believe that the governess is hallucinating as a result of her love for her employer and obsession with protecting the children, this is incorrect. In fact, the governess protects the children from the real and malignant ghosts present on the Bly estate. The governess even describes one of her interactions with
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Funny thing is, Miles shares all of those characteristics at the end of the story. One scene that I found to be particularly interesting was when the governess described the moment of silence between her and Miles quite peculiarly, “It was the dead silence of our long gaze at such close quarters that gave the whole horror, huge as it was, its only note of the unnatural. If I had met a murderer in such a place and at such an hour, we still at least would have spoken. Something would have passed, in life, between us; if nothing had passed, one of us would have moved. The moment was so prolonged that it would have taken but little more to make me doubt if even I were in life” (James, 59). The words, “unnatural,” “murderer,” and “horror” all have ghostly implications. What is also creepy is the fact that the governess even doubted whether or not she was alive at the end of that quote when she said, “The moment was so prolonged that it would have taken but little more to make me doubt if even I were in life” (James, 59). With all of these implications of death lingering around this one quote, it’s fair to say that death will be present in story and ghosts will play some part in it. What’s weirdest of all, is that the governess thought that she would’ve had a more entertaining conversation even if she was speaking to a murderer, which emphasizes the strange silence in the …show more content…
At this moment in the story Peter Quint’s ghost shows up once again, proving that his ghost is associated with Miles. When the governess sees Quint’s ghost outside of a window in the schoolroom she says that Miles, “knew that he was in presence, but knew not of what, and knew still less that I also was and that I did know” (James, 121). Holding Miles tight to protect him from the ghost outside, the governess, “caught him, yes, I held him – it may be imagined with what a passion; but at the end of a minute I began to feel what it truly was that I held. We were alone with the quiet day, and his little heart, dispossessed, had stopped” (James, 125). Miles’s young, possessed body died in the governess’ obsessive yet caring
Chinese culture has many interpretations ghosts. One way they are seen as is people who have disgraced their family or country. An example of this in the novel is Maxine's aunt. She is considered a ghost because she disgraced her family by having a baby outside of marriage. They call her "Ghost! Dead ghost! Ghost! You have never been born." (Kinston 14) She drowns herself in the well to become one of the most feared ghost, the Shui Gui or watery ghost. These ghosts are said to be waiting for their victims, to pull them into the water to take the drowned ones place. In the novel another example of what the Chinese consider ghosts are American people. Sometimes they feel haunted by this unfamiliar culture, just as a ghost would haunt. "But America has been full of machines and ghosts- Taxi Ghosts, Bus Ghosts, Police Ghosts, Fire Ghosts, Meter Reader Ghosts, Tree Trimming Ghosts, Five-and-Dime Ghosts." (Kong 96) These examples are American people of any ethnicity. They are called ghosts because the Chinese are not familiar with the culture. Another example of the unfamiliarity is when, "Her husband looked like one of the ghosts passing the car wind...
There’s a haunted house in Dover, Delaware called the Governor’s Mansion, where all of the Governors of Delaware have lived. If you go to the house yourself, you might see or experience a couple different ghosts. One evening, a guest to the house passed an old man dressed in old-fashioned clothes while going down the stairs for dinner. Once at the table the guest asked the owners who the person was. The curious owners asked for a description of the man. The description that the visitor sent chills down the spines of the owners, as it was an exact description of the owner’s father who had been dead for many years, and nobody else was in the house. The father had also been known for getting drunk a lot, so to this day he can still be seen drinking any liquor left out in the open. The mansion is also known for being a part of the Underground Railroad, so lots of slaves were always coming and going through the house at night. One night the house got busted and one of the runaway slaves ran and hid in a big tree in the yard. The slave was up there for a while and was already tired from his journey to the house.
This story, although somewhat unique in its exact plot, contains many elements that make it a typical and traditional ghost story. These elements suggest common fears in today’s society of people in general, and children specifically.
The particular story I collected takes place in Philadelphia, where ghost stories are plentiful. Philadelphia is an old city with a rich cultural heritage, and our founding fathers made history in the place that was once our nation’s capital (Eidmann). Many believe that their spirits and spirits of those from colonial times still lurk around. It is easy to feel like spirits are around when in a place where many people have lived and died before, and in a place that is filled with old buildings and landmarks. All of these factors make this city a perfect place for a ghost story.
The Mammoth Book of Victorian and Edwardian Ghost Stories ed. Richard Dalby Carroll & Graf Publishers 1995.
When first introduced to Tossie, one learns that she is a firm believer in Spiritualism, which is a religious movement where the core belief is that spirits of the deceased can be contacted directly by living people (Rutter). Tossie informs Ned that the previous day, the spirits had rapped out “beware” and “the letter C” during a séance with Madame Iritosky, which led her mother to conclude that something awful had happened to Princess Arjumand (Willis 98). Madame Iritosky indoctrinates Mrs. Mering and Tossie with her Spiritualist ideals, informing them that “spirits often hover near [a] portal” which is the reason she cannot leave her home to perform seances (108). When Ned and the others finally make it to the Merings’ home, they burst in on a séance which leads to Mrs. Mering fainting. She is overcome with emotion at the sight of “the spirits” who were “draped…in seaweed” and “shining with an ethereal light” (178). Mrs. Mering assigns every strange thing that happens a reason that is ultimately related to Spiritualism. Cyril’s snoring is the “ethereal moan” of the spirits, she has premonition upon premonition that presumably predict the death of Professor Peddick, and we later learn that every prediction made under the guise of Spiritism is false (246). The skepticism revolving around Spiritualism is mirrored by the reactions given by Verity and Ned to Madame Iritosky. When Madame Iritosky and Count de Vecchio arrive at the Merings’ house due to “a message from the Other Side,” Ned and Verity discuss Madame Iritosky’s validity (288). Verity informs Ned that mediums “collect information to convince the gullible” which is a sign that people in the future have found ways to think critically about what they observe (292). Verity and Ned have different ways of
Dead ghost! Ghost! You 've never been born." This was said by the villagers because she and her son, "little ghost" was an outcast. According to traditional Chinese belief a ghost is the spirit form of a person who has died due to misfortune, then comes back for revenge. This theme of judgment got worse because through the concept of orientalism because the aunt was at first considered an outcast and then it got worse and everyone wanted her to become a ghost, to be dead as if she never existed. This was done by the way the citizens viewed the aunt for her "sin". They emphasized her being dead when they raided the home "the people with long hair hung it over their faces." Which is what the Chinese people viewed the ghost as Kingston explains that her aunt drowned her child with her because she knew that her child would grow up to be a pariah and wanted to spare it the shame that had killed her, made her a ghost, even before she died. She could have abandoned her child but in the village culture "mothers who love their children take them along." The protagonist also suggests that the baby was a girl because males were the preferred sex and if it was a male her aunt would have abandoned the baby for the village to take care of
ghost in the story is the last ghost as the story is after all meant
For years, I have been told that Lillian Handlan Lemp, better known as the Lavender Lady is one of the many ghosts of the Lemp Mansion. I had no reason to doubt this until I learned that Lillian never lived in the Lemp Mansion. When Lillian was married to William Lemp Jr, they lived in the in a penthouse on top of the Chase Park Plaza. After finding this out, I had to ask myself; “Why would the Lavender Lady haunt the Lemp Mansion if she never lived there?” I could only come to one conclusion, she doesn’t. If there is no reason, then the ghost everyone claims to see in the Lavender Suite cannot be the restless spirit of Lillian Handlan Lemp. I know this may be hard for some to accept, since so many psychics, paranormal investigators, and television shows have identified the ghost on the second floor as the Lavender Lady, but I still find it very hard to believe Lillian would haunt a home in which they never lived in. Lillian actually died in her apartment on Park Avenue in 1960.
The word “ghost” originates from the Aged English word “gast,” and its synonyms are “soul, spirit [good or bad spirit], existence, breath,” and “demon” (etymonline.com). In the book, The Woman Warrior, that is, ironically, subtitled as Memoirs of a Girlhood Amid Ghosts, the author, Maxine Hong Kingston, uses the word “ghost” as a metaphor to typify her confusion concerning discovering a difference amid reality and unreality – the difference that divides her American present that prefers and her Chinese past that her mother, Valiant Orchid, filters into her mind across talk-stories that steadily daunt her to cross her established bounds. Ghosts, in the book, change reliant on point of view. Anybody whose deeds deviates from what is satisfactory in one area is a ghost according to the associates of that society. To Chinese people, like Valiant Orchid, Americans are ghosts. On the supplementary hand, Chinese are ghosts according to Chinese-Americans (including Kingston, who finds her past loaded alongside frightening Chinese ghosts). For Kingston, Ghosts, however, are not always scary; in fact, a little of them enthuse...
Ghost- a vision of a dead person that is believed to appear or become visible to the living as a vague image. There have been many cases in reality where one sees the ghost of their deceased loved ones or encounter some sort of paranormal activity in their life. “Proof” by David Auburn plays around with the “Ghost story” in his play to represent identity, memory of Catherine.
The definition of the “ghost” is a shadow which wandering among or haunting other people. The villagers called her aunt a ghost because they are scared of her behavior. The life that they know had been attacked. Kingston uses the harsh responses of the villagers indirectly exposes her aunt ‘s challenge to the society.
In conclusion, it is not the ghosts, as the governess suspected, that are corrupting the children, but the governess herself, through her continually worsening hysteria that is corrupting the children. Both Peter Quint and Miss Jessel are not real ghosts that have the peculiar habit of appearing before the governess and the governess alone but they are merely the signs of the fragmenting mental state of the governess.
The ghost, however, loses little time in effecting a more solid manifestation, as a young woman runaway whom Sethe shelters, and by whom she comes to be dominated. She gives up her job to be with Beloved and while the girl ghost thrives, she and Denver are reduced to near starvation. It is only when Denver dares to come out of her isolation and invoke the help of the rest of her black community that Beloved can be sent back to her grave and Sethe and Paul D. reunited.
... was with a man. Although the story is a ghost story first of all, it is also a comment on the Victorian society, its cruelty, "destructive pressures" and "restrictive code of behavior," that led to many tragedies. The ghost motive is unquestionably the prevailing one and can be understood in the realistic as well as the symbolic way. As symbols, the ghosts stand for the restrained love and the corrupted psyche of the woman getting mad, who cannot control her sexual desires. The ghosts themselves are not scarier than the condition of the mind of the woman who in pursuit of love becomes insane.