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Now and then character analysis
Literary Analysis
Now and then character analysis
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Tennessee William’s “The Glass Menagerie” and John Updike’s “A & P” are both tales of anguishing confinement and eventual escape. Tom and Sammy are trapped in a place where they work away their existence, unable to abscond from their miserable conditions due to an opposing force holding them captive. Their families rely on them to bring in what income they can, and neither Sammy nor Tom wishes to let down those dependent upon him. Both have jobs which are stable and potentially life-long; however, they desire excitement and freedom rather than the perpetual routines to which they are bound. The men are despondent in the circumstances to which they are confined, and it requires a catalyst to spark the ambition to become independent. Undergoing a change which opens their eyes to a world that lies beyond the limited lives of oppression they previously led, they make the difficult transition to greater personal freedom. Complete liberty is only achieved by Sammy, however; Tom is physically free yet left with the memory of his dear sister Laura, forever binding his heart to the home he once knew. Sammy and Tom are constrained to monotonous jobs which lack gain or reward; their disgust of the work environment and those who hold them hostage is evident. Sammy lacks respect for the customers, whom he appraises to be “sheep pushing their carts down the aisle” (Updike 1493). He describes his boss, Lengel, as a “very patient and old and gray” (Updike 1496) man who is “pretty dreary” (Updike 1495) – a manager with a dry personality which matches that of the store itself. The A & P is a store which runs on policy, like a clock whose gears are expected to interlock and click away steadily but are of no value individually. Feeling ... ... middle of paper ... ...u behind me, but I am more faithful than I intended to be! I …[do]…anything that can blow your candles out!” (Williams 97). While he has achieved a freedom in the sense of space and finances, he is still pulled back home by the constant though of his sister whom he loved deeply. He feels a sense of remorse for being yet another man to abandon Laura, a burden that Sammy does not carry because he left only a job, not his family. Both Sammy and Tom are liberated from the desolate situations they find themselves in, though Sammy finds his actions to lead to a more optimistic future while Tom can only dwell in the past. They learn that life cannot be lived based completely on the desires of others, nor can an occupation be solely for monetary gains; there must be goals toward which to stride. Only when they realize this are they able to find true freedom in life.
In the story, “A & P”, John Updike differentiates the views of Sammy and the store with many eye-catching techniques. By presenting the store as the antagonist, the reader gains Sammy sense of view about things through his close detail and humor of situations. Well before the dramatic opportunity presents itself for Sammy to quit his job, his narrative voice has established his individualism, imagination and his subversive sense of humor that already set him at odds with his jobs dull routine.
Upon reading this piece, I could not escape the striking similarities between how Sammy passed the time at the A & P grocery store, and the monotonous routine of when I was employed at a local grocery store. "In walks these three girls in nothing but bathing suits." From Personal experience, I can tell you that "checking out" women is a favorite past-time of bored adolescent male employees of grocery stores such as Sammy. Even Old McMahon, the meat guy, was "patting his mouth... and sizing up their joints." Furthermore, I was not surprised to learn this cherished activity dates back nearly a half century ago to Sammy's days of working in a grocery store. Another detail of the grocery store that sticks out in my mind is how supervisors demanded rigid adherence to policy and rules. Updike did not fail to illustrate this aspect of this job. "I don't want to argue with you. After this come in here with your shoulders covered. It's our policy." Updike also illustrates the point of how employees detest their supervisors' policy. "Policy is what the kingpins want, what the others want is juvenile delinquency." From once being a victim of policy myself, I interpreted Sammy's quitting as breaking free from the A & P's constraints; similarly, this was the reason I finally quit my job at the grocery store. The inclusion of the details of grocery work make it clear John Updike spent time working in the grocery business.
In John Updike’s 1959 short story “A&P”, the protagonist, Sammy, makes an abrupt decision to quit his job as a cashier after his boss, Lengel, embarrasses a group of girls for being indecently dressed. Although the decision was unplanned, Updike makes it a point to inform the audience about Sammy’s negative and unpleasant outlook on his occupation. To do this, he illustrates some of the incidents that may have contributed to Sammy quitting his job, most of which are rather ironic and unusual. Sammy quit his job because he did not view it as a permanent occupation, he wanted to make an independent decision without the guidance of his parents, and he wanted to impress the group of girls that had been embarrassed by Lengel due to their immodest
“A&P” is a short story by John Updike about a nineteen-year-old male named Sammy. Sammy lives in a small town five miles from the beach and works at a grocery store called A&P. Throughout the story Sammy reveals signs of agitation at his job. Things begin to change as he gazed his eyes on three girls that walk into the store. The A&P and the girls are important symbols in “A&P” that help reveal the conflict in the story.
The beginning of “A & P” starts with the main character, Sammy, at work when three girls in nothing but bathing suits walks in. According to Lawrence Dessner, the A & P check out counter showed Sammy a sample of insult and indignity of ordinary people (317). He may not have liked the people that shopped there, but he received insight of the real world. A woman that was currently at Sammy's counter was middle aged and brought Sammy no sympathy to the shoppers; he sometimes mention them as sheep. His names of the shoppers also include insight of Sammy's view of the ordinary shoppers; Sammy did not care much for others.
The person someone becomes is influenced by the losses they have experienced in their life. In Catcher
Learning how to remain optimistic and fulfilled in a rough situation is one of the most important skills a person can develop.. In Tennessee William’s The Glass Menagerie, the Wingfield family has trouble separating what is real and what is not, but they always manage to stay pleased with themselves. Laura spends her time with her glass menagerie and trinkets. Tom uses art, literature, and substance abuse to distract him from his current situation. Amanda indulges into the past and lives vicariously through her daughter as to not be in the moment. When an individual is forced to comply to a certain standard of living, then they must artificially escape their reality, because if they do not, they will never be able to sustain
In, “A&P,” Updike depicts an unusual day for Sammy working in the A&P store. Sammy’s days are usually mundane but his day is changed when a group of scantily dressed girls walk into the store and they leave an everlasting influence on his life. Updike’s demonstrates these events through colloquial language and symbolism, allowing the reader to connect with Sammy and see his growth as a character.
The main character in John Updike's short story “A&P” is Sammy. The story's first-person context gives the reader a unique insight toward the main character's own feelings and choices, as well as the reasons for the choices. The reader is allowed to closely observe Sammy's observations and first impressions of the three girls who come to the grocery store on a summer afternoon in the early 1960s. In order to understand this short story, one must first recognize the social climate of the era, the age of the main character, and the temptation this individual faces.
Sammy, the protagonist in John Updike’s “A&P,” is a dynamic character because he reveals himself as an immature, teenage boy at the beginning of the story and changes into a mature man at the end. The way Sammy describes his place of work, the customers in the store, and his ultimate choice in the end, prove his change from an immature boy to a chivalrous man. In the beginning, he is unhappy in his place of work, rude in his description of the customers and objectification of the three girls, all of which prove his immaturity. His heroic lifestyle change in the end shows how his change of heart and attitude transform him into mature young man.
really a place for someone like him and his mind rebelled. Lastly you can see
Sammy is the cashier at the store, he has been for quite some time now, long enough where he has a memorized “the punches, 4, 9, GROC, TOT” ( 602 ) and has created a song for himself “"Hello (bing) there, you (gung) hap-py pee-pul (splat)"” ( 602 ). Showing his contempt for conformity and consumerism to the everyday life of the store Sammy joins the shoppers or as he calls them the “sheep” ( 600 ) of the store who can never be out of the spell of their daily routines. The location and the layout of the store is also tediously described by Sammy when he is describing the surroundings to the readers where he is located “between the checkouts and the Special bins” ( 599 ). He also does this when he describes the girls going up and down the isles of items “the cat-and-dog-food-breakfast-cereal-macaroni-rice-raisins-seasonings-spreads-spaghetti-soft-drinks-crackers-and-cookies aisle” ( 600 ). With all of these tedious descriptions of details of Sammy’s surrounding we slowly start to see him getting more and more frustrated and appalled at the conformity of the society that he lives in, and the difficulty of breaking the social formalities that he must deal with on a daily basis.
Generally when some one writes a play they try to elude some deeper meaning or insight in it. Meaning about one's self or about life as a whole. Tennessee Williams' "The Glass Menagerie" is no exception the insight Williams portrays is about himself. Being that this play establishes itself as a memory play Williams is giving the audience a look at his own life, but being that the play is memory some things are exaggerated and these exaggerations describe the extremity of how Williams felt during these moments (Kirszner and Mandell 1807). The play centers itself on three characters. These three characters are: Amanda Wingfield, the mother and a women of a great confusing nature; Laura Wingfield, one who is slightly crippled and lets that make her extremely self conscious; and Tom Wingfield, one who feels trapped and is looking for a way out (Kirszner and Mandell 1805-06). Williams' characters are all lost in a dreamy state of illusion or escape wishing for something that they don't have. As the play goes from start to finish, as the events take place and the play progresses each of the characters undergoes a process, a change, or better yet a transition. At the beginning of each characters role they are all in a state of mind which causes them to slightly confuse what is real with what is not, by failing to realize or refusing to see what is illusioned truth and what is whole truth. By the end of the play each character moves out of this state of dreamy not quite factual reality, and is better able to see and face facts as to the way things are, however not all the characters have completely emerged from illusion, but all have moved from the world of dreams to truth by a whole or lesser degree.
Tom clearly does not believe that staying at home with his mother and sister is worth the unhappiness he feels. A common issue that arises in The Glass Menagerie is Tom’s nightly trips to the movies. When asked about his frequent trips to the movies, Tom describes that “adventure is something I [he]” doesn’t “have much of at work.” (4.Tom) Living vicariously through the movies he sees, remains one of Tom’s only true sources of happiness.
Williams uses Tom’s thoughts to illustrate how Tom feels about abandoning his family. He justifies it by expressing his emotions towards his father and how he doesn’t really blame him for leaving. Abandonment is a means of escaping Tom’s problems with his mother.