The Ghost of Beloved
One of the most engaging arguments about Toni Morrison’s book Beloved is centered around the nature of the girl Beloved. The argument is whether Beloved is simply a young woman who herself had suffered the horrors of slavery, or the ghost of Sethe’s crawling already? baby girl. The evidence shows that Morrison intended Beloved to be the ghost of the crawling already? girl.
It has been said that there are basically two reasons why ghosts walk: they have either unfinished business to attend to of have died a very violent death. The crawling already? girl fits both of these profiles. She died without growing up, without knowing why she died. As a result, she has unfinished business with her mother, Sethe. The crawling already? girl’s death was also horribly violent. Her mother cut her throat with a saw in the cold shed, rather than have her and her children be brought back into slavery.
Many of the clues that indicate Beloved is actually the ghost of the baby girl are within the passages where she first arrives at the house on Bluestone Road. Each of these things put together support the idea that Toni Morrison intended Beloved to be the ghost of the crawling already? baby girl.
The first clue is that she "had what sounded like asthma", meaning that her breathing was labored. If Beloved is the ghost, it would make sense that she would have trouble breathing; after all, because the windpipe is found in the neck, and Beloved’s neck was nearly severed, her windpipe would have to have been severed also. She would have quick, raspy breathing, as people with asthma have when they can’t hold a breath.
Earlier in the book, Morrison talked about how the ghost slammed Here Boy into ...
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...of the bread that Baby Suggs gave her. The burnt bottom pieces of the bread could have reminded her of the river that they crossed to get to 124. The river could have looked black because they crossed at night.
When all of the information is tallied up and the clues counted, all of the evidence points to the fact that Beloved is not a real woman, but the spirit if the baby girl come to life. She could have reanimated the body from the hunter’s cabin that Stamp Paid made a passing reference to, or maybe she created the body herself, and that’s why she was so worried it would fall apart. That doesn’t matter. What does matter is that all of the evidence points to the fact that somehow, Beloved did come back to life. She is truly the ghost of the crawling already? baby girl.
Works Cited:
Morrison, Toni. Beloved. New York, Penguin Books USA Inc, 1988.
This story, although somewhat unique in its exact plot, contains many elements that make it a typical and traditional ghost story. These elements suggest common fears in today’s society of people in general, and children specifically.
Another unique aspect to this book is the constant change in point of view. This change in point of view emphasizes the disorder associated with war. At some points during the book, it is a first person point of view, and at other times it changes to an outside third person point of view. In the first chapter of the book, “The Things They Carried,” O’Brien writes, “The things they carried were largely determined by necessity (2).
The first chapter of his book titled “Old, Unhappy, Far-off Things” gives Keegan’s recognition to the fact that historians do not focus enough on actual soldiers. To explain this further, what Keegan is saying is that a historian puts things in a pack of sequential dates and times; but to the soldier, these things happen very rapidly and many times without planning. Keegan continues on to make note that when a historian puts together the pain-staking task of compilation of facts, the information is put down on paper as the writer’s view of how the facts unfolded and not from the soldier’s perspective.
Beloved developed from a baby to monstrosity due to her murder. In the novel, Beloved, the author Toni Morrison allows the reader to indulge in the life of the former slave mother, Sethe, and her family’s fight in the path to free themselves from their past lives. Throughout the novel, Sethe reveals that she had done the horror of killing her child Beloved because she did not want Beloved to live the life of slavery as she did. Beloved eventually haunts her being, from becoming a small figure that shakes the household to a real 19-year-old woman who wrecks havoc amongst the community and terrorizes those who come across her path in wanting to be with Sethe. Sethe and Denver, Sethe’s other child, both contribute to the horrors of Beloved by
The inability for the first wave of feminism to impact Latin America is reflected in Clara. It is assumed that having a politician in the family often results in many discussions in politics a...
Demetria Martínez’s Mother Tongue is divided into five sections and an epilogue. The first three parts of the text present Mary/ María’s, the narrator, recollection of the time when she was nineteen and met José Luis, a refuge from El Salvador, for the first time. The forth and fifth parts, chronologically, go back to her tragic experience when she was seven years old and then her trip to El Salvador with her son, the fruit of her romance with José Luis, twenty years after she met José Luis. And finally the epilogue consists a letter from José Luis to Mary/ María after her trip to El Salvador. The essay traces the development of Mother Tongue’s principal protagonists, María/ Mary. With a close reading of the text, I argue how the forth chapter, namely the domestic abuse scene, functions as a pivotal point in the Mother Tongue as it helps her to define herself.
The theater of Dionysus stands at the foot of the acropolis and its date originates back to the 6th Century, B.C.. Its originally wood seats rise in tiers above one another against the slope of the acropolis, creating a natural setting for the plays (D'ooge, 231). The Greek Theater was built to house a drama which, during the festivals of Dionysus, had evolved from the long tradition of choral hymns which were presented each year. As Greek culture changed and flourished, entertainment transformed from being a series of choral chanting and dancing to placing an emphasis on the actor. As the actors' importance grew, there became a need for a stage from which they could be seen by each of the fourteen thousand spectators the theater housed. The chorus was still a very active part of the entertainment and they resided in the orchestra (Norwich, 64). The orchestra was the oldest part of the Greek theater and thus, when the actor was given
"Different Types of Greek Drama and their importance." PBS. Public Broadcasting Station, n.d. Web. 23 Nov. 2014.
To understand why identity is vital to the characters in Beloved, identity must first be defined. According to the Oxford Dictionary, identity is defined as “the fact of being who or what a person or thing is” (identity). Identity is who you are both internally and externally to the world. The main characters in Toni Morrison's Beloved are former slaves. The former slaves’ main struggle, after having been stripped of their humanity and identity by the white men who owned them, is to reclaim self-ownership and form identities independent of those forced upon them by their owners under the system of slavery. Both Stamp Paid and Baby Suggs show the importance of a name and identity by trying to abolish their history.
Toni Morrison's fifth novel, Beloved, a vividly unconventional family saga, is set in Ohio in the mid 1880s. By that time slavery had been shattered by the Civil War, the Emancipation Proclamation and the succeeding constitutional amendments, though daily reality for the freed slaves continued to be a matter of perpetual struggle, not only with segregation and its attendant insults, but the curse of memory.
... was with a man. Although the story is a ghost story first of all, it is also a comment on the Victorian society, its cruelty, "destructive pressures" and "restrictive code of behavior," that led to many tragedies. The ghost motive is unquestionably the prevailing one and can be understood in the realistic as well as the symbolic way. As symbols, the ghosts stand for the restrained love and the corrupted psyche of the woman getting mad, who cannot control her sexual desires. The ghosts themselves are not scarier than the condition of the mind of the woman who in pursuit of love becomes insane.
As much as society does not want to admit, violence serves as a form of entertainment. In media today, violence typically has no meaning. Literature, movies, and music, saturated with violence, enter the homes of millions everyday. On the other hand, in Beloved, a novel by Toni Morrison, violence contributes greatly to the overall work. The story takes place during the age of the enslavement of African-Americans for rural labor in plantations. Sethe, the proud and noble protagonist, has suffered a great deal at the hand of schoolteacher. The unfortunate and seemingly inevitable events that occur in her life, fraught with violence and heartache, tug at the reader’s heart-strings. The wrongdoings Sethe endures are significant to the meaning of the novel.
Rivas-Rojas, Raquel. “FABULAS DE ARRAIGO VICARIO EN LA NARRATIVA DE JULIA ALVAREZ. (Spanish).” Canadian Journal Of Latin American & Caribbean Studies 33.66 (2008): 157-169. SocINDEX with Full Text. Web. 25 Mar. 2014.
Greek and Elizabethan theatre, while similar in some respects, had a few large differences. The Greeks believed in a certain unity of theme, which was prevalent throughout the production. Greek plays were often drawn from myth or of historical significance, so it seems that only ki...
Aristotle. Poetics. Trans. Gerald F. Else. Ann Arbor: U of Michigan P, 1967. Dorsch, T. R., trans. and ed. Aristotle Horace Longinus: Classical Literary Criticism. New York: Penguin, 1965. Ley, Graham. The Ancient Greek Theater. Chicago: U of Chicago P, 1991. Reinhold, Meyer. Classical Drama, Greek and Roman. New York: Barrons, 1959.