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How did elizabethan england influence shakespeare
Theatre during the Elizabethan era
Theatre during the Elizabethan era
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During the Elizabethan period, a ghost was seen as a common feature in most tragedy plays. Shakespeare's Hamlet is a prime example of the use of a `ghost' to entice fear and apprehension amongst the Elizabethan audience. The ghost can be seen as projecting several functions throughout the play, all of which are vital to the play's ultimate impact. An Elizabethan audience were highly superstitious, held Roman Catholic beliefs of purgatory and were extremely fearful of afterlife and the uncertainty that surrounded it. Such views were powerful connotations that aided Shakespeare to influence his audience with considerable impact.
However, the implications of a ghost were seen as very different for a Elizabethan audience as compared with the perception of a ghost by a modern audience. Therefore it could be said that the disparity in how the ghost is received may diminish the play's impact for a modern day audience.
The audience of Shakespeare's time were surrounded with highly religious concepts. During the period, whilst many were deemed protestants, there were many who challenged the idea of souls and their sins in relation to heaven and hell and continued to practise the old faith. Therefore an Elizabethan audience would have been familiar with the concepts of heaven and hell and the uncertainty surrounding ghosts. Whether the ghost of Old Hamlet is living in hell or purgatory is an issue which Shakespeare leaves open and unresolved. This leaves the Shakespearean audience with the question of whether there was hope of redemption for old hamlet and in relation, themselves. This can be seen as one of the various functions of the ghost in hamlet, by engaging into the religious mindset of Elizabethans, they would question its pre...
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...of heaven and hell. However it could be said that regardless of the type of audience, Shakespeare's image portrayal of the ghost in regards to the setting, language and characters is almost integral and vital to the play as it does in many ways strengthen its impact. Although due to the different contrasting beliefs it would be quite difficult in incorporating the Elizabethan ghost into the minds of our modern audience which would effectively have greater impact. A modern audience is however surrounded with the technology of modern day living and such prospects would spoil the era and whole concept of the play, diminishing the impact even more. Shakespeare's hamlet surrounds the idea that whatever certainties are held in any given era will always be questionable, and open to discussion. Our certainties will always be challenged because nothing is definite or absolute.
Hamlet is extremely proud of Old King and respects him.“He was a great human being. He was perfect in everything. I’ll never see the likes of him again” (I.ii.185-188). Hamlet loves his father and gives the greatest praise at the funeral. Grief driven by love tempts Hamlet to think his father’s goodness, and more, the loss of such a favorable figure. Hamlet believes that the ghost that is said to look like the dead king is indeed his father.”He waxes desperate with imagination”(I.ii.92). The Prince, who is deep in sadness and does not think sufficiently, is convinced that the spirit is the Old Hamlet, he is the only person that can physically communicate with the ghost. Hamlet for the second time talks to the apparition in his mother’s chamber, where Gertrude does not see any. What Horatio and other witnesses encounter at the gate at night proves the possibility of the existence of the ghost, Hamlet later in the play is considered to be truly mad on the account of his unusual ability to see and talk to the spirit, which is obviously conjured up by his mind. Rising actions in both the book and the play are implied at the beginning of the stories: Amir’s memory of 1975 and Old Hamlet’s death. The journey of redemption or revenge takes actions of concealing their true emotions and implementing devised
Hamlet grants himself the opportunity to momentarily direct himself, yet it remains unknown as to whether he directs a representation of truth or a falsity. He exemplifies madness so well, as the sight of "a damned ghost" (77) insanely induces his imagination and comfortably transforms his identity to one of lunacy. This role he acquires is one he portrays so explicitly well as an actor that he easily utilizes it as the foundation for his players. He instructs the players:
When ghosts appear not far from Cirencester we know how to deal with them; but what about when they appear on the stage? How do we interpret the stage direction Enter the Ghost? Some people feel very strongly about that ghost in Hamlet: he must appear; at least he must in the early scenes up on the battlements. But what about later on when only Hamlet sees him? The Queen can't see him in the bedroom scene; ought we to? Enter the Ghost, it says in the text, so he probably ought to come in; but if he does, wh...
Kay, Karen. “Concepts of Heaven, Hell and Purgatory in Hamlet.” Shakespeare Online Study Tools. N.p., n.d. Web. 15 May 2014. .
The main character, Hamlet, is a character that is not true to others, nor to himself. When the Ghost of his father tells him he was murdered by Claudius, Hamlet doubts the truth. He does not trust the ghost of his father, so has to find a way to prove it. Deciding on how to prove or disprove the Ghost, Hamlet predicts: “The play’s the thing / Wherein I’ll catch the conscience of the King” (2.2, 616-17). Because he distrusts the Ghost, Hamlet is not true to his father. However, when his plan proves to him that the Ghost’s words are true, Hamlet still does not act; he still cannot avenge his father’s murder. Hamlet decides not to kill Claudius, using the fact that he is praying as an excuse. Hamlet does not want Claudius’s soul to go to heaven, therefore he decides not to kill him, explaining: “A villain kills my father, and for that, I, his sole son, do the same villain send to heaven” (3.3, 76-78). However, after trying to pray, the King claims that his prayers were not heard: “My words fly up, my thoughts remain below. / Words without thoughts never to heaven go” (3.3, 97-8). Therefore, had Hamlet chosen to kill Claudius at that time, his soul would have gone to Hell. Hamlet uses God as an excuse for not acting. He is not true and is lying to himself, because he wants to kill Claudius, yet does not.
Thus, it is apparent that the instilled self-doubt of Prince Hamlet is the wand that Shakespeare uses to transform an otherwise sad story into an unfortunate tragedy. Dismayed, disturbed, or distressed. These three words are the resounding cry of Act I, Scene V of the play. They are felt by both of the characters featured. The ghost, or King Hamlet, because he was killed without the chance to repent his sins and now dwells without purpose “.doom’d for a certain term to walk the night, and for the day confin’d to fast in fires, till the foul crimes done in [his] days of nature are purg’d away.
I personally disagree with the author W.W. Greg’s interpretation of Hamlet’s ghost, and believe that his assumption that Hamlet is simply hallucinating his father’s ghost is without merit. Many of W.W. Greg’s claims relate Hamlet to other plays that were written by Shakespeare, claiming that due to how Shakespeare portrayed ghosts in his previous works, it would follow that Hamlet also fits into the same mold as these past writings. W.W. Greg even states, “I should like to be told what Shakespeare's views were of ghosts in general ... I am forced to turn to Shakespeare's other plays for suggestions as to how he represented these phenomena” (Greg 395). W.W. Greg is simply claiming that trends in Shakespeare’s writings in the past logically must take the same form in the character of Hamlet’s ghost. This method of thinking simply does not hold up when examined critically, mainly due to the fact that there were multiple witnesses to the ghost, a...
Although many different positions could be taken on writing an essay for this Shakespearian play, the author took it upon himself to write about Hamlet’s grief. His grief is obvious from the beginning of the play and he continues to grieve althroughout the play. Within his twenty-one-page essay, I chose this line to represent that I agree with his outlook on the play. “…his focus is on his grief and the profound impact in which the ghost has upon it. (Hamlet pg.18 paragraph 3)
... to make choices as to how they wanted to act out those scenes. Nevertheless, the ghost is an important part of the play that will always lead to questions in the readers mind. Does the ghost cause Hamlet to go mad or is that madness within that causes the ghost to be revealed? Is it the ghost who causes Hamlet to seek revenge or the unraveling truth of Claudius’s murder? These questions may change with every generation but as some questions get answered others come forth which leads audiences to always be captivated by Hamlet.
Shakespeare’s play Hamlet is a complex and ambiguous public exploration of key human experiences surrounding the aspects of revenge, betrayal and corruption. The Elizabethan play is focused centrally on the ghost’s reoccurring appearance as a symbol of death and disruption to the chain of being in the state of Denmark. The imagery of death and uncertainty has a direct impact on Hamlet’s state of mind as he struggles to search for the truth on his quest for revenge as he switches between his two incompatible values of his Christian codes of honour and humanist beliefs which come into direct conflict. The deterioration of the diseased state is aligned with his detached relationship with all women as a result of Gertrude’s betrayal to King Hamlet which makes Hamlet question his very existence and the need to restore the natural order of kings. Hamlet has endured the test of time as it still identifies with a modern audience through the dramatized issues concerning every human’s critical self and is a representation of their own experience of the bewildering human condition, as Hamlet struggles to pursuit justice as a result of an unwise desire for revenge.
The aspect of Hamlet that I find interesting is the appearance of the ghost that Hamlet suspects may be the ghost of his father. Hamlet does not know if the ghost is actually of his father or if it is a demon taking on his father's appearance. How will he know what decision to make if he does not know what the ghost actually is? Also, now I'm wondering if Hamlet makes the wrong decision, will his decision lead to his death? This is the second play of Shakespeare's that I have read that has the appearance of ghosts. Macbeth also had apparitions appear in it. Shakespeare seems to have a method of placing ghosts into his writings, and in Macbeth these ghosts led to the downfall of Macbeth. -Keisha McWhorter
At first, Hamlet sees the ghost of his dead father and vows to avenge his death. “Christianity forbids followers to seek out spirits for advice or communication” (Ja) Hamlet has his faith tested because he is unsure about what his father is telling him. If the truth is that Claudius is the one who murdered Hamlet’s father then Hamlet will need to commit murder himself in order to fulfill his promise to his father’s ghost. “Hamlet, after the shock of his discoveries, becomes virtually another person and re-evaluates the situation in accordance with his religious views. Perhaps the ghost is just an illusion or mental disorder making him imagine this tale, and the murder of his father is illusory because he is not able to accept this kind of marriage and he wants to justify his crimes.” (****) Hamlet wrestles with his feelings and decides he must arrange for Claudius to admit to the murder instead of murdering Claudius himself. He is aware of the moral dilemma he finds himself in, if he kills Claudius then he, Hamlet may go to hell. If he refuses to kill Claudius then his father may be sent to hell. Hamlet knows from his religious background that murd...
The story of Hamlet Senior's death is the ghost story aspect of the play. Hamlet Senior, the late king, was being tormented in hell throughout the daylight hours and during the night he was forced to walk the castle. He stated that he was "Doom'd for a certain term to walk the night, And for the day confin'd to fast in fires, Till the foul crimes done in my [being the late King's] days of nature Are burnt and purg'd away (50 lines 10-13). His release from this torture would not be permitted until his avenger is retaliated against by his son. Hamlet, Francisco and Bernardo all see the ghost of the late king, but the apparition will only speak to his son. The ghost brings an unnatural feel to the drama and leaves the reader/viewer wondering if it was real or all in Hamlet's mind.
Thus, the first appearance of ghost in front of hamlet is a huge impact and sets the action in motion for the entire plot. The appearance becomes the most important scene in the play. To Hamlet, Hamlet really admired his father, and his father’s death entirely affected his emotion and life. As Hamlet knew that the ghost was the symbol of his father and the unnatural murder. The nightmare...
A common motif in Shakespeare’s many plays is the supernatural element, to which Hamlet , with the presence of a ghost, is no exception. The story of Hamlet, the young prince of Denmark, is one of tragedy, revenge, deception, and ghosts. Shakespeare’s use of the supernatural element helps give a definition to the play by being the catalyst of the tragedy that brings upon Hamlet’s untimely demise. The ghost that appears at the beginning of the play could possibly be a satanic figure that causes Hamlet to engage in the terrible acts and endanger his soul. The supernatural element incorporated into the play is used as an instigator, a mentor, as well as mediation for the actions of the protagonist that ultimately end in tragedy, with the loss of multiple lives, as well as suscept Hamlet’s soul to hell. Shakespeare’s portrayal of the ghostly apparition causes a reader to question whether the ghost is a demonic force on the basis of its diction, conduct towards others as well as Hamlet, and it’s motive to kill.