The Hermitage, also known as the Winter Palace, is an extravagantly decorated museum of monumental size that possesses numerous impressive features; ¨1,786 doors, 1,945 windows and 1,057 elegantly and lavishly decorated halls and rooms, many of which are open to the public¨ (St. Petersburg Online). It is home to millions of priceless works of art from the prehistoric Paleolithic Era and Iron Ages to modern pieces created by current artists (The State Hermitage Museum). The museum was founded by Catherine the Great in 1764 when she acquired a couple hundred German pieces from Berlin. Since then, the collection has grown tremendously to almost three million pieces from all around the globe, making the Hermitage, quite possibly, St. Petersburg’s most remarkable landmark (St. Petersburg Online). ¨The experts say that if you were to spend a minute looking at each exhibit on display in the Hermitage, you would need 11 years before you’d seen them all¨, St. Petersburg Online Explains. However, art was not the first inhabitant of the Palace. Before it became a museum, the Winter Palace was home to the Russian Tsars. In 1762 the palace’s eight year construction was completed. It was built for Empress Elizabeth, the daughter of Peter the Great. However she died, along with the her son, Peter III, the heir to the throne, before the building was finished. Instead Peter’s wife, Catherine the Great, made use of the sumptuous palace (St. Petersburg Online). Immediately, the new tsaritza ordered that the largest, strongest cats, most suited for catching mice and rats be sent to the Winter Palace from Kazan (McGrane). The cats have been a constant presence in the palace ever since, guarding precious works of art and artifacts from destructive rode...
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The Cats of the Hermitage. NBC Olympics, 2014. Video Posted on Website.
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If the above mentioned paintings do not sound intriguing, the Frick’s remarkable holdings also include works by David, Goya, Renoir, Bruegel, and Velasquez. However, its collection is not limited to paintings only as significant sculptures like Bernini’s “Head of an Angel” from 1655 and Clodion’s ”Zephyrus and Flora” from 1799 can be found there as well. Along with these sculptures, an extensive collection of Italian bronzes and eighteenth century furniture combine to create a museum which although is small in size compared to the Metropolitan Museum of Art, makes up for it with an extensive collection of carefully selected pieces from some of the world’s most renowned artists.
Thomson Highway’s The Kiss of the Fur Queen has a core theme of art. In this novel, art is integrated into the lives of the characters. The modernist movement would indicate that art has the ability to plainly exist “art of arts sake”. Peter Lamarque notes “To value a work for its own sake is to value it for what it is in itself, not for the realization of some ulterior ends.” (par. 19) This commonly accepted view, that art is valued because it is great art, not for the role or function that it has in society, restricts arts impact. This perspective limits and does not allow for the surfacing of profound effects that art creates. In the Kiss of the Fur Queen, art has power it does not simply exist but has function. The observable function of art in this text is in education, providing identity and finally uniting Gabriel and Jeremiah with their cultural roots.
On my trip to the Metropolitan Museum of Art, I decided to take my mother with me. While being in the museum, I decided to focus on “The American Wing”. In “The American Wing”, there are amazing pieces of art, jewelry, and antique silver. I was amazed on how each piece of artwork and item was carefully designed. They had an amazing design that you do not see now in days.
As the tour of the museum began, it was easily noticed that all of the objects on display were placed behind thick glass cases. Many plaques inside of the case provide the visitor with information about the specific case that is being looked at. In most cases the plaques didn’t so much provide an elaboration on the pieces, but rather expand upon the historical context of the pieces. Also, the plaques shed light onto muc...
A monumental staircase is the centerpiece of entrance hall and creates a barrier to a direct view of the courtyard. The stairway, although grandiose, is modeled after oversized wooden stairs with a “wealth of spindles and paneling from his earlier Shingle style houses.” The oversized arched windows on the wall facing Exeter Street, bring sunlight into this space, and have a radiant effect on the walls covered with variegated Sienna marble (especially quarried for the library). At the intermediate landing, there are two hand carved couchant lions, which are the work of Louis Saint-Gaudens. Above this stairway a spherical chandelier of bronze and cut glass hangs from the richly coffered ceiling. As you climb up the stairs towards the main landing, the paintings of Puvis De Chavannes representing poetry, philosophy, and science adorn the wall. These murals are painted
Duncan’s (1991) analysis of western museums is defined through the theme of “durable objects” as a criterion to judge the heritage of American and European art as a ritual of the modern state. In this manner western art museums are built like “temples” as a symbolic and figurative representation of greatness of western culture throughout the world: “[They] are more like the traditional ceremonial monuments that museum buildings often emulate—classical temples” (Duncan 90). This interpretation of American/European museums defines a dominant source of cultural heritage that ritualizes
"Pilgrim Hall Museum - About the Pilgrims - The Pilgrim Story." Pilgrim Hall Museum - About the Pilgrims - The Pilgrim Story. N.p., n.d. Web. 22 Nov. 2013. .
At last, I found the time to visit the museum! While the collection of artifacts is mainly used for cadet academic instruction, the collection also educated a college freshman, like me, who is studying US History. I was able to appreciate the exhibits and connect the artifacts to the class material and lessons. I found the exhibits and the stories behind the artifacts the most remarkable.
Mayers, Florence. A Russian ABC: Featuring Masterpieces from the Hermitage, St. Petersburg (Mayers, Florence Cassen. ABC.). ABRAMS, 1992.
The “superstar” museum gained this status by considering every important detail during its establishment and initial phases of conversion from royal palace to museum (Gombault, 2002). As the purpose of the building changed, each room addressed new functions with new requirements. Although the function of the Louvre is different from the building’s original intention, the building is still appears dignified and important enough to display priceless artifacts and painting (Steffensen-Bruce, 1998). This consideration was applied in designing the Met. The Met looked towards the South Kensington Museum (Victoria and Albert) and the “ideal role model” due to its extensive collections and international reputation (Heckscher, 1995). The Met found itself in a similar situation to the South Kensington, because it did not have a building or a collection to start with (Heckscher, 1995). When designing museums, architects strived to create monuments that “prepare and educate the mind of the visitor (Steffensen-Bruce, 1998).” Education is an essential function of a museum. Acquiring, preserving, and properly displaying materials, permits a museum to fulfill this duty (Steffensen-Bruce, 1998). For instance, lighting is a factor that affects the manner in which artwork is viewed and can be properly appreciated. When determining the proper lighting for the Louvre, Comte d’Angiviller, strongly believed that natural, overhead lighting was the most effective solution (McClellan, 1994, p. 72). The same determination impacted the decision to add skylights at the Met. During the initial phase, architects Vaux and Mould, added skylights to the upper floor, and windows to the lower floor that provided a natural light solution (Heckscher, 1995). Additionally, glass-roofed courtyards provided “unimpeded light” for displaying
The Palace of Versailles was the official home of the Kings of France from 1682 until 1790. Originally, a hunting lodge built in 1624 by Louis XIII, but then was expanded by Louis XIV in the beginning of 1669. With beautiful architecture and amazing landscape, it is one of the most well- known and beautiful palaces in France. Its garden is so unique and one of Europe's largest. It played a huge responsibility in French government and was used for some of the biggest meetings of Kings and Queens. It is a very reflective place for the French and showed a basis of culture for the people. The small structure became the base on which was constructed into one of the most extravagant buildings in the world. The Palace of Versailles is a famous French landmark due to its elaborate construction, its role as a center of government, and its influence on French culture.
As I walk into the museum onto the first level, there are many different halls surrounding. To my left there is the African mammal exhibit. There are so many different creatures displayed, ranging from desert to rainforest. Some of the animals that are displayed are the Arabian Oryx, Savanna Elephant, Spotted Hyena, Hippopotamus and Okapi. When you browse there exhibits you are able to study and learn detail information. I learned that due to human encroachm...
The museum is run by the community not the state and is in a building that was once part of District Six. It is very appropriate to have a museum like this in post Apartheid South Africa so that people will never forget what happened during Apartheid and so that people who were affected by apartheid can tell others what happened.
The original residence, built from 1631 to 1634, was mainly a hunting lodge, by Louis XII and private withdraw for Louis XIII and his family. The palace was transmuted into an excessive complex, which has English and French gardens and each feature of its
A museum is “a building in which objects of historical, scientific, artistic, or cultural interest are stored and exhibited.” (dictionary.com). This is the literal definition of a museum as well as my view of them coming into my first semester of college. I believed they were boring, outdated places where historical items were displayed. As I moved through the semester, my professor helped me gain a new perspective of these remarkable museums; one of respect and astonishment. Museums are meant to aid in learning and safeguarding of things that should never be forgotten. Of the many great places I visited this semester that adjusted my feelings towards museums, the ones that had the greatest impact were The National Museum of Natural History, The Newseum, The National Gallery of Art, and The United States Holocaust Memorial Museum. These places are there to remind the general public about things that should never be forgotten; they preserve the history and beauty of the world.