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the plague albert camus text
how tp understand the plague by albert camus
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The Fruitless Search Exposed in Camus’ The Plague
Amid the feverish horror of rampant sickness and death, The Plague is a parable of human remoteness and the struggle to share existence. In studying the relationships which Camus sets forth, the relationship between man and lover, mother and son, healer and diseased, it can be seen that the only relationship Camus describes is that between the exiled, and the kingdom for which he searches with tortured longing.
"Thus the first thing that plague brought to our town was exile."(p.71). The first exile Camus writes is the physical exile of a diseased town from the world, and consequently, the exile of the town's people from the kingdom of everyday. The particular torture of this exile is memory; once expelled from a kingdom, the kingdom ceases to exist, living on only as "a memory that serves no purpose... ha[s] a savor only of regret."(p.73). Thus the townspeople are haunted by memories of their distant loved ones and their interrupted lives, creating islands of their own exile- an exile intensified by years of monotonous selfish habit. "The truth is that everyone is bored, and devotes himself to cultivating habits."(p.4). The pea-counter is the ultimate representation of this exile; he is completely removed from the reality of man, measuring his life in the perpetual repetition of an absurd activity. Through the character of Rambert, Camus defines plague as precisely this selfish exile of habit, this doing "...the same thing over and over and over again..."(p.161).
Exile is further compounded by the desperation with which many of the characters fling themselves into the quest of trying to regain their personal remembered kingdoms. Rambert the visiting journalist is the ...
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...he reader that Rieux is Camus' hero. It is precisely this sense of "common decency" which sets him apart, renders him uncommon in a town of men exiled from eachother by selfishness. Rieux is not searching for anything, he is merely doing what has to be done to fight the plague. His will to see man healed has freed him from his own search, and thus from exile; no longer in exile, Rieux has found eternal kingdom.
For Camus tells us there is no kingdom but present humanity, though we spend lifetimes searching in isolation for assurance in a future or a past. And there is no exile except that which the selfish man imposes on himself. It is by giving up the fruitless search for the non-existent that man can ultimately free himself from exile, and gain the eternal kingdom of present.
Works Cited
Camus, Albert. The Plague. New York: Vintage International, 1995.
In the experimental novel The Stranger by Albert Camus, he explores the concept of existentialism and the idea that humans are born into nothing and descend into nothingness after death. The novel takes place in the French colony of Algiers where the French-Algerians working-class colonists live in an urban setting where simple life pleasures are of the upmost importance in the lives of working class people like the protagonist of the novel Meursault. What is fascinating about this novel is that it opens up with a scene of perpetual misfortune for him through the death of his mother although he seems to express otherwise. The reader perceives this nonchalance as a lack of care. Maman’s death and its impact on Meursault appear in both the very beginning and very end of the two-part novel, suggesting a cyclical pattern in the structure. This cyclical pattern suggests not a change in the moral beliefs of Meursault but rather his registering society’s systems and beliefs and craft meaning in his own life despite the fact that he meets his demise in the end. Camus uses Maman’s funeral to characterise both Meursault and the society and customs created by the society Meursault lives in in order to contrast the two while at the same time reveal how while society changes, Meursault does not. Rather, Maman’s funeral becomes of unprecedented importance in Meursault’s life and allows him to find that nothing means anything in his meaningless world at the time of his death. He finds peace in that.
Of the many themes and philosophies that Camus struggled with during his life and presented to the world through his writings, one of the more prevalent was that of the absurd. According to Camus, the world, human existence, and a God are all absurd phenomenons, devoid of any redeeming meaning or purpose. Through Mersaults’ epiphany in The Stranger, where he opens himself to the “gentle indifference of the world”, we see how Camus understands the world to be a place of nothingness, which demands and desires nothing from humans. He further explores this philosophy in The Plague, where the world of indifference is understood as a world of fear, which takes a symbolically tangible form in the plague itself. In The Plague the citizens of Oran fear that which they cannot control, understand or fight. They are faced with the most fundamental experiences of life and death, and it is only in the end that a very few find a way to cope with and understand these two ultimatums.
...able option. Camus’s main character, Meursault, embodies this third option; by accepting his circumstances and being indifferent to them, Meursault is able to break free of all possible causes of anxiety and find happiness. Furthermore, Meursault’s rejection of religion as belief, his acceptance of the “benign indifference of the universe”, and his acceptance of his circumstances all leading to happiness personifies Camus’s take on Absurdism, the philosophy that Camus is trying to depict in The Stranger (76). By using foil characters to contrast Meursault in actions or personality, Camus creates several polarizing situations, making Meursault the extreme epitome of Absurdism in every contrasting relationship and thus, shining light on his ideology in the process.
First and foremost are Yalom and Thelma’s first meeting. In beginning, Yalom is intrigued with her love obsession with Matthew and couldn’t understand why her former therapist that was considerably younger would even want to have sexual relations Thelma as he describes her as, “a shabby old woman” (Yalom, 2000). The possibly of helping her move past her obsession to ease her suffering, were the reasons why Yalom ultimately decides to treat her. I personally thought that though Yalom had good intentions from the start to treat her, I think that he was thrown off by her demands as she tells him right from the start, “Eight years ago I had a love affair with my therapist. Since then he has never left my mind. I almost killed myself once and I believe I will succeed the next time. You are my last hope.” (Yalom, 2000 p. 18) A person that has been seeing therapists for over twenty years and be stuck on an obsession for ten, I thought, was rather intimidating and I personally think that Yalom did the best he could to remain optimistic. If I had a patient like Thelma that told me that I was her last hope and if...
Jean-Baptiste Clamence, the novel's first-person narrator, explains his life and exile in Amsterdam to readers as if talking to someone at a bar. Jean-Baptiste's highly critical view of himself and life reflect a loss of faith in human nature and "justice." Camus' chosen profession for Jean-Baptiste, lawyer, brings attention to his narrator's views on justice and morality. Clamence is a former lawyer from Paris, living in personal exile due to self-hatred. In effect, Jean-Baptiste has sentenced himself to the worst fate he could imagine... isolation.
...he world, which causes him to encounter a form of enlightenment that makes him come to realization of the true world. The realization of the world sprouts the idea that the universe is indifferent and life has no true meaning. Because Meursault realizes that the universe is indifferent to people and that he makes no importance to the world, he is reborn to a life that makes sense to him. The nonexistent emotions from the first part and the outburst of emotions from the second part cause a juxtaposition of Meursault as a character in the two sections. Camus uses elemental diction and sentence structure to portray this change in character and his acceptance of the universe around him. He accepts his death, finding that his life is truly meaningless, and believes that his life is a model for the philosophical ideas that he has come in terms with.
...iod when Camus writes this novel. Camus obviously knew the time period and explored different ideas and philosophies about pointless of life in people which comes out in his character, Meursault. In prison Meursualt also realizes that he’s trapped, and there’s no way out as he remembers what the nurse once said to him. His growth in self reflection results in unimportance of emotional values of life and help focus what’s directly ahead of him. This significant change results him in understanding himself and his voice, and figuring out his capabilities and philosophies. Time spent in prison helps Meursault finally understands himself, the meaninglessness of life, and the unimportance of time which shows the shift in the character after sent to prison.
The protagonist, Meursault, was interesting character. His ideas and beliefs seem to point to a time when there is no hope to be had. Although he is able to accept the fact that everyone dies and in so doing realizes that you can live better. He lives a controlled life in which he takes responsibility for all of his actions. This is a direct reflect of Camus personal beliefs about absurdism.
In Albert Camus’ novel, The Stranger, the protagonist Meursault is a character who has definite values and opinions concerning the society in which he lives. His self-inflicted alienation from society and all its habits and customs is clear throughout the book. The novel itself is an exercise in absurdity that challenges the reader to face the nagging questions concerning the meaning of human existence. Meursault is an existentialist character who views his life in an unemotional and noncommittal manner, which enhances his obvious opinion that in the end life is utterly meaningless.
First and foremost are Yalom and Thelma’s first meeting. In beginning, Yalom is intrigued with her love obsession with Matthew and couldn’t understand why her former therapist that was considerably younger would even want to have sexual relations Thelma as he describes her as, “a shabby old woman” (Yalom, 2000). The possibly of helping her move past her obsession to ease her suffering, were the reasons why Yalom ultimately decides to treat her. I thought that though Yalom had good intentions from the start to treat her, I think that he was thrown off by her demands as she tells him right from the start, “Eight years ago I had a love affair with my therapist. Since then he has never left my mind. I almost killed myself once and I believe I will succeed the next time. You are my last hope.” (Yalom, 2000 p. 18) A person that has been seeing therapists for over twenty years and be stuck on an obsession for ten, I thought, was rather intimidating and I think that Yalom did the best he could to remain optimistic. If I had a patient like Thelma that told me that I was her last hope and if I could not help her she wi...
Shakespeare shows the ideology of death internalizing within Hamlet first with Hamlet’s emotions following the death of Old Hamlet. In the scene in which Hamlet is introduced, Hamlet is portrayed as an embodiment of death, dressed in “suits of a solemn black”(1.2.81) and has “dejected havior of the visage”(1.2.84). Hamlet’s physical representation as death signifies his lack of desire to continue living himself, being detached and discontent with the world around him. Hamlet, in his first soliloquy, opens by stating, “Sullied flesh would melt/Thaw, and resolve itself into a dew,/ Or that the Everlasting had not fixed/His canon ‘gainst Self Slaughter!”(1.2.133-135). This is significant, as it shows Hamlet’s full willingness to commit suicide and end Hamlet’s internal pain, if not for suicide being a sin under religion. The reason for Hamlet’s desire for death and his dis...
Camus’s The Stranger takes the reader on an emotionally stunted journey through a number of normally emotional moments in life including funerals, relationships, violence trials, and facing one’s one mortality. None of these things elicit strong emotion from Camus’s protagonist, Meursault, until he explodes in anger at the presumptuous chaplain in the moments before dawn on the day of his execution. In that moment, Meursault embraces the benign indifference of the universe and on the heels of his anger, feels the first real happiness of the story.
John Donne’s early works viewed women as tools for sexual pleasure, as seen in The Flea and The Sunne Rising. He was very sexist and objectified women as sexual beings. However, when he meets Anne, his work becomes more concentrated on the spiritual and emotional aspects of love. He views Anne as an equal and considers his experiences with her to be more romantic in a non-sensual way.
In both ‘The Sun Rising’ and ‘The Good Morrow’ Donne presents the experience of love, in a typical Metaphysical style, to engage his reader through sharing his own experiences. These poems show distinctive characteristics of Metaphysical poems which involve colloquial diction, drawing inventive imagery from unconventional sources, passionately analysing relationships and examining feelings. Donne presents the experience of love through conceits, Metaphysical wit, language techniques and imagery, in a confident tone using logical argument. The impact of Donne’s use of direct and idiomatic language shows the reader how he feels about a woman and ultimately love.
Several presidents came to power through a coup d’état. They know that without the loyalty of the military, their powers are ephemeral. Therefore, they spend a lot on presidential security brigades, and other elite troops, whose command is given to people close to the president. These units are composed of individuals from the same clan, the same ethnic group, or the same party. The army becomes not only a tool of conquest but also for keeping power, protecting regimes and not states, and generating corruption permeating all levels of command. Thus, more than half a century after independence, and with the exception of a handful of countries with actual military capabilities, almost no African army is able t...