The First Scene in The Merchant of Venice by Sherlock Holmes
Shylock's first scene in The Merchant of Venice is important because it sets the tone for the audience's view of him throughout the play. I have never seen the play performed, but it has been my experience that an audience will form an opinion of a character upon first seeing them. There are many different ways of portraying Shylock in his first scene. I will be focussing on portraying Shylock as a villain. I understand that his role is villainous, but various actors and directors have actually portrayed him differently. I like to think of my way, as the way Shakespeare himself would have done it.
During a production of Merchant the audience will see Shylock before they hear him, so I will start with his appearance. Shylock first appears in Act 1, Scene 3. He needs to be an old man stricken in years, but only in the face. It should be a little wrinkled, and his hair ought to be gray. It is important that in his first scene Shylock stands up straight and appears strong and confident. Shylock shall lose this confidence and posture by the end of my production, but for this scene he must be on the verge of arrogance. He should be outfitted in a Jewish garbadine, a garment of rich material but a dull shade and it must fit him well. This will give the appearance that he is rich, but not trying to brag about it. It is important to note here that Bassanio must appear in mild dress. He should not depict a commoner, but at the same time not be wearing anything flashy, this will add to the grandeur of Shylock's clothing. I would also have Shylock and Bassanio walk about the rear of the stage and appear to be speaking to each other. That way the audience will be able to begin forming their opinion before hearing Shylock speak.
As the pair comes forward on the stage, the audience will then be able to hear what it is they are talking about. Shylock's first line is as equally important as his appearance is. "Three thousand ducats, well?" (The Complete Works of William Shakespeare, ed. Bevington, 1.3.1) should be said in a manner that portrays a love of money.
Committing deceptive deeds not only hurt others, but also the ones who deceive. The Merchant of Venice, by William Shakespeare, is a romantic-comedy play about a Christian merchant named Antonio who agrees to a bond that a Jewish moneylender named Shylock, his enemy, creates to help his best friend Bassanio see Portia, an heiress whom he is in love with. Shylock warns Antonio that if he forfeits the bond, by not repaying him three thousand ducats, he must allow him to remove a pound of his flesh. Throughout the play, deceptive behaviour causes the moral values of individuals to decline. First, this is seen through wealth as it pertains to the desire to have what is valuable. Second, moral values decline when people deceive the family members that they encounter. Finally, deceiving others through love leads to a decline of moral values. In the play, The Merchant of Venice, deception, as seen through wealth, family encounters, and love, causes the moral
In Act 1 Scene 3, we are first introduced to Shylock, we see him as
Everyone who reads The Merchant of Venice must bear in mind that it is, like any other literary work, a creation of a skillful writer, rising a case that can be a subject for many interpretations and not necessarily revealing a specific view of its writer, however it aims to convey a certain moral to the readers. Therefore, the character of shylock, being stereotyped or not, with its controversy is a tool manipulated to convey a moral message: when people live in a society that is open to cultural diversity and that values the contributions of all society members – regardless of cultural and ethnic backgrounds, race, life styles, and beliefs – they will be one step closer to living in a civil society. Works Cited 1) Encyclopaedia Britannica, the definition of "Anti-Semitism". 2) E. E. Stoll, Shylock (an essay in Shakespeare Studies, 1927). 3) John Palmer, Comic Characters of Shakespeare, Shylock. 4) John Palmer, Comic Characters of Shakespeare, Shylock.
We frequently see the intent of greed and selfishness covered up by the words and face of virtue. Such exploit is displayed by the exceptionally stingy Shylock, an unpopular Jew who makes his living through the practice of usury. When confronted about his unsympathetic trade, he resorts to citing scripture, thus comparing his selfish trade with the actions of holy men (I, iii, 73-87). Antonio, a well respected and honorable merchant, sees right through the falsehood of the justification and asks Shylock, "Was this inserted to make interest good? Or is your gold and silver ewes and rams?" (I, iii, 91-92). The response from Shylock to the question reveals a glimpse of his true meaning. "I cannot tell; I make it breed as fast" (I, iii, 93-94) is a rather boastful reply of his wealth than a righteous rationalization. To which Antonio can only turn to his friend and say "The devil can site Scripture for his purpose. An evil soul producing holy witness is like a villain with a smiling cheek" (I, iii, 95-97).
The Character of Shylock in Merchant of Venice Few characters created by Shakespeare embodies pure evil like the character of Shylock in The Merchant of Venice. Shylock is a usurer and a malevolent, blood-thirsty old man consumed with plotting the downfall of his enemies. He is a malignant, vengeful character, consumed with venomous malice1; a picture of callous, unmitigated villainy, deaf to every appeal of humanity2. Shylock is the antagonist opposite the naive, essentially good Antonio, the protagonist; who must defend himself against the "devil" Shylock. The evil he represents is one of the reasons Shakespeare chose to characterize Shylock as a Jew, as Jews of his time were seen as the children of the Devil, the crucifiers of Christ and stubborn rejecters of God's wisdom and Christianity.
The Merchant of Venice is a play that deals with an assortment of issues that range from politics to racial views of the Jewish people. An embodiment of these two issues can be best attributed to the character of Shylock. In a 2004 production of The Merchant of Venice, by Michael Radford, we see the character of Shylock is portrayed in a different light than that of Shakespeare's 1594 villainous Jew. Both productions pose a series of questions in comparison. An understanding of the era that these plays were written in and the audience’s perception of the production attribute greatly to a true analysis. Another aspect of these productions asks who Shylock was to Shakespeare and who he has developed into for Al Pacino and Michael Radford.
We are left with the impression that Shylock is highly intelligent and extremely good at his job using all the information he has at his disposal. disposal before agreeing to loan money. He is true to his religion. faith in spite of all the racist abuse he has received. Perhaps Because of this abuse, he is bitter and anxious to avenge himself for past wrongs, real or imagined.
The way that Shylock is portrayed in the play is also a good indication of the feelings towards him. Shylock is portrayed as miserly and selfish. This is shown by his attitude towards his daughter Jessica especially when he finds out that has stolen his money.
As the director, I would show shylock emotion through the use of body language by walking up and down smiling in the court. A court full of Christian as shylock enters the court room. The Christian would react to him by throwing paper balls; boo win him calling him name and all sort of bad stuff. And why, because the room is full of Christians and shylock is the only Jew there. In Venice Jews are hated because there’s Anti-Semitism show in Venice.
At the end of The Merchant of Venice, Shylock has been both a victim and a villain. He is a victim of his religion, and a victim of his greed and overwhelming need for revenge. Shylock is definitely the most villainous character in the play, and only a few elements can show him as a victim overall, even then, his victimisation only seems to be a consequence of his own actions. His daughter running away, because of her treatment, and apparent lack of love. The taking of his assets, because he would show no mercy towards Antonio. The final conclusion must be that Shylock is unreasonable, spiteful, heinous, greedy - and a villain.
Being a Jew in Christian dominated Venice, Shylock is persecuted by society. He is the victim of popular Christian prejudice, which scorns his religion and restricts his means of employment. He is left with no choice but to be a moneylender and earn his money from collecting interest. To the Christians, collecting interest was against their teaching. This is one of the reasons for the Christians hatred.
In "The Merchant of Venice", the Jewish moneylender, Shylock (full character analysis here) seems to fit the stereotype common in Shakespeare’s time of the greedy and unfeeling Jew. Although we are not told ab...
Shylock is a wealthy Jew who invests money into shipments and trades. When Shylock’s enemy, Antonio, requests a loan of 3000 ducats, “Shylock adopts this Christian model of "kind" lending in his bond with Antonio as a means for lawful revenge.” Shylock’s agreement is that if the ducats are not returned, Antonio must repay his loan in human flesh. This is a way for Shylock to either make money or kill a Christian, either will satisfy him. Lee describes Shylock’s feelings towards Christians, “Indeed, although Shylock will neither "eat," "drink," nor "pray" with the Christians, he is willing to "buy" and "sell" with them.” This is where Shakespeare first introduces the devil inside Shylock. Had Antonio been a Jew, there would not have been a payment of flesh. Shylock’s hatred propels the story from start to finish. His hatred causes him to lose his daughter, drives Portia to use her money and wit to save Antonio, and why he ends up losing
...es vivid and distinctive characters both are nice and evil, but we have to look upon not merely goodness on good persons and evilness on evil persons. Shakespeare through the character of Shylock repines for the Jews who suffer from national and religious discrimination, manifesting his bourgeoisie humanitarian standpoint.
At the end of The Merchant of Venice, Shylock has been both a victim and a villain. He is a victim of his religion, and a victim of his greed and overwhelming need for revenge. Shylock is definitely the most villainous character in the play, and only a few elements can show him as a victim overall, even then, his victimisation only seems to be a consequence of his own actions. His daughter running away, because of her treatment, and apparent lack of love. The taking of his assets, because he would show no mercy towards Antonio. The final conclusion must be that Shylock is unreasonable, spiteful, heinous, greedy - and a villain.