We do not live in a post-racial America. Racism is a huge factor of which most careers are being affected in. There is a new way of casting actors now, which is colorblind casting. It is a practice of casting a role without considering an individuals ethnicity. However, that does not always work and can sometimes be looked in a bad way. It has plenty of controversy leading towards whether it work for people of color or not. A solution to this problem is obviously to make television media more diverse but, how so? Producers as well as directors need to consider color conscious casting and make an effort to have each individual ethnic group feel it is a diver and non-biased casting. This will not only make casting more equal but also, make the …show more content…
However, I came to the realization that it still tends to become biased. Marcus experienced having to decide who fit the perfect role, he told his co workers that a person of color he had chosen would be a perfect match. He was obviously angered but was convinced of how things were decided. They told him the person did not “Fit the target demographic of the brand.” Marcus claims, “For better or worse, advertisers, keen on securing any advantage they can to make their product stand out, target products to racial groups. This usually means hiring members of those groups to play the product’s consumers.” (Marcus). He also explains that this often occurs within films and plays. However, if a person of color did not fit the targeted demographic brand does that mean what they are selling to consumers is not good enough for those of a different racial group? There are many things to consider when it comes to colorblind casting. People agree with sometimes race matters for casting and it does matte if and only when it is a cultured role. An advertising company should acknowledge that a brand being sold should not identify itself by one social and ethnic group. Never the less, all ethnic group can fit any demographic brand; it only takes a good actor to fill in that spot not the persons
Minstrel shows were developed in the 1840's and reached its peak after the Civil War. They managed to remain popular into the early 1900s. The Minstrel shows were shows in which white performers would paint their faces black and act the role of an African American. This was called black facing. The minstrel show evolved from two types of entertainment popular in America before 1830: the impersonation of blacks given by white actors between acts of plays or during circuses, and the performances of black musicians who sang, with banjo accompaniment, in city streets. The 'father of American minstrelsy' was Thomas Dartmouth 'Daddy' Rice, who between 1828 and 1831 developed a song-and-dance routine in which he impersonated an old, crippled black slave, dubbed Jim Crow. Jim Crow was a fool who just spent his whole day slacking off, dancing the day away with an occasional mischievous prank such as stealing a watermelon from a farm. Most of the skits performed on the Minstrel shows symbolized the life of the African American plantations slaves. This routine achieved immediate popularity, and Rice performed it with great success in the United States and Britain, where he introduced it in 1836. Throughout the 1830s, up to the founding of the minstrel show proper, Rice had many imitators.
African American representation in the film industry has always been a topic for discussion. Whether talking about character types and roles, the actors being cast or not cast, and the lack of diversity in front of and behind the camera. ‘The contemporary status of race in mainstream American culture is intimately bound to the process of representation within and through the mass media.’ (Rocchio, 2000, p. 4). Any role that was to be played by an African American kept in with the dominant stereotypes of the time of production; incompetent, child like, hyper-sexualised or criminal.
Back in the 1800’s, when calculating the population, African Americans were counted as 3/5 of a person (Antonia, p2). One would think that in the past two hundred years people’s beliefs would have changed a little bit, but the general white public are stuck into believing the common stereotypes commonly portrayed in movies. In films and television shows blacks are almost always portrayed as murderers, robbers, rapists, pretty much anything negative, like American History X, for example. Two black men are shown breaking into a white man’s car. People see this, and in turn believe that all black men will try and steal their car; as stupid as it may seem, it is true, and as a result, film producers try to incorporate this into their films. Very rarely, if ever, is it possible to see a minority depicted as a hero-type figure. Every once in a while, there will be an independent film from a minority director, but as Schultz states in Lyon’s piece, “We [blacks] are still being ghettoized in Hollywood, a serious black project of any scope is as difficult to get marketed today as it was in the ‘70s.” By making a barrier to entry for minorities in the film industry, it’s almost as if America is trying to keep black films out of the popular media. At first glimpse, it may appear that minorities are very hard to be seen in the filming industry, when in reality, they are becoming more and more apparent in America’s mainstream media culture, particularly in action movies.
...writers of all races and every ethnicity could be shown this video to learn about stereotypes to avoid in their screenplays. Television and movie producers could benefit from hearing other producers such as Hal Kanter and David Wolper talk about their experiences with African-American representation in their shows.
...s that people like to watch other people who they can relate to, meaning people pay more attention when the person on screen is relatable. If this is the case this would mean that according to the statistics there is more Caucasian viewers than any other race thus, the money would go towards Caucasian representations etc. The first Disney African-American princess, Tiana was introduced in 2009 this made people believe that "the colour barrier is breaking down in Hollywood”. A majority of people may still see the thin line between Hollywood's "new" attitude toward race and their "old" attitude toward race. “The consolidation of a black presence in the movies and television did not signal the arrival of a post racial Hollywood any more than the election of Barack Obama in 2008 spelled the end of America’s 400-year-old racial drama.” Duke University Website (2007)
Many people in America like to think that racial stereotyping and racism is a thing of the past, but racial stereotyping is still prominent in America. Although racial stereotyping and racism significantly slowed down, it still remains a major factor in American society. In “The End of Post-Identity Television,” Aymar Jean Christian argues the fact that race is not a major factor in casting characters in a television series or a movie, he reveals that race is not relevant anymore. In Michael Omi’s “In Living Color: Race and American Culture,” he argues how racial stereotyping and racism still exist in America. The Cosby Show seeked to change racial stereotyping in television by portraying an upper-middle class African American family. The Cosby Show attempted to break barriers for African Americans in television and did so by paving the way for other major African American based sitcoms. “The End of Post-Identity
It’s a dark and rainy night. Our hero is hiding behind a wall with a revolver in hand. A crack of light, illuminates half of his face. He’s shaking nervously because he only has one bullet left. He turns the corner, and a sudden gunshot hits our hero. Who shot him? None other than his partner, who’s secretly in love with the very same dame that our hero fell for. You can consider this an example of a classic film noir ending. Film noir is a term used in cinema to describe a visually styled crime drama. Where did it come from? What are the key elements in a film noir? Why did this kind of cinema emerge when it did? What affect did it have in the film world? And finally, where is film noir now?
...g place for a long time now; blacks have went from not being banned from certain stages to dominating theater with actors and actresses such as Halle Berry and Denzel Washington. In modern day film, African-Americans have prevailed over all of the negative setbacks, and as the old Negro spiritual says, "We shall continue to overcome."
Although we have taken monumental strides in the past fifty years towards racial equality and diversity, it is still commonly argued that popular culture lacks some sort of racial representation. In the United States, the people who live here are vastly diverse when it comes to race and culture, yet in the media people of color get marginalized and stereotyped everyday in film, music, and etc.
...t could be done based on ethnicity. The history of America has an important effect as to why such limitations for African-Americans existed. With slavery and segregation African-Americans have been through a lot and being accepted was not always easy. It did not stop African-Americans from trying, but only made them work that much harder to gain their acceptance within the theatre. The establishments of various groups and movements inspired African-Americans to fight for what they wanted and they continue to do so today! The involvement of African-Americans within the theatre has changed overtime but has always existed. Their works became more publicized as the acceptance and African-Americans changed overtime throughout America. No matter the race or color of our skin all humans are capable of producing their own unique style of theatre and will continue to do so.
Often racial injustice goes unnoticed. Television tries to influence the mind of their viewers that blacks and whites get along by putting them on the screen to act as if interracial relationships has been accepted or existent. “At the movies these days, questions about racial injustice have been amicably resolved (Harper,1995). Demott stresses that the entertainment industry put forth much effort to persuade their audience that African Americans and Caucasians are interacting and forming friendships with one another that is ideal enough for them to die for one another. In the text, Demott states “A moment later he charges the black with being a racist--with not liking whites as much as the white man likes blacks--and the two talk frankly about their racial prejudices. Near the end of the film, the men have grown so close that each volunteer to die for the other” (Harper,1995). Film after film exposes a deeper connection amongst different races. In the text, Demott states “Day after day the nation 's corporate ministries of culture churn out images of racial harmony” (Harper, 1995). Time and time again movies and television shows bring forth characters to prove to the world that racial injustice has passed on and justice is now received. Though on-screen moments are noticed by many people in the world it does not mean that a writer/ director has done their
Those who deny the existence of the racism rooted into modern day Hollywood are far from reality. They may think that in the United States we are getting closer to equality when it comes to casting but we in fact are not. While there is the belief that America has progressed when it comes to social issues, the percentage of roles held by black actors in film and TV has dropped from 15 to 13 percent from the early 2000’s to 2011 (McClintock and Apello 2).
In society, we commonly find that the majority of representation in the media is dedicated to Caucasian demographic. Particularly in entertainment, we generally hardly ever see a person of color who is playing a complex leading character with depth and emotional development. We are often sassy friends, working staff, or just not shown at all. Allow me to now describe to you my passions and pleasures. What I have always wanted in life is to be an advocate of music. Specifically I want to be a choral music educator, but I also have a passion for musical theatre. Although I never plan to pursue a career in that area, I am very involved in it at my school as I’ve played many leading characters both musical and straight play. I’ve played roles that
Despite many progressive changes, racism is still a major issue. No one is born racist, racism is taught and it is taught in popular culture. Younger generations are exposed to racism through popular culture; one of the many mediums in which racial stereotypes are still supported. Matt Seitz, in his article, “The Offensive Movie Cliche That Won’t Die” claims that metaphorically, in popular culture cinema, African-Americans are mentors of a white hero, but beneath the surface, it is racially offensive towards these mentors because they are still considered servants of whites. Michael Omi, in “In Living Color: Race and American Culture” adds to the claim of Seitz that racial issues in our society brought on by the media and popular culture. He
Another factor that Silk (1997) explains is the reason behind production. Mainstream media was producing for audiences that were primarily white families, so they wanted their products to reflect the lives of those who consumed the media (p. 369). At this point in time film was used as an assimilation tactic, which is why white actors were used to play characters of all race (Smith,1997, p.369). By hiring white actors to play other races, producers believed that their target audience would be able to relate to characters. (Smith,1997,