During the 20th century, racism was a prevalent issue throughout the country. It often caused social tensions between people of different races living in the same community, resulting in violence and disruptions. In the film Do the Right Thing, the director, Spike Lee, portrayed racism accurately by addressing the discrimination against black people. Throughout the film, characters were transformed, stereotypes were broken, and the audience knew more information than the characters in the movie. Lee’s theme was to show people that blacks should “fight the power,” or superiority, caused by racial supremacy of white people by establishing a balance of power, fighting the stereotypes, and uniting together against the white people.
Enough is a 2002 thriller directed by Michael Apted and written by Nicholas Kazan. This film is very similar to the Stephen King’s 1995 film adaptation of Dolores Claiborne directed by Taylor Hackford. The protagonists in both these films find themselves trapped in abusive relationships and turn to drastic means to protect themselves and their daughters. In the film Enough, Slim runs away with her daughter from her abusive husband to protect her life whereas, Dolores, in Dolores Claiborne is trapped in her little small town with her husband who is abusive to her and is now sexually abusing their daughter. These women find themselves in these abusive relationships and become empowered to take control of their lives. The writers skillfully use literary elements in these films to convey this message.
The 1989 film Do the Right Thing displays a story about racial tension in a predominantly African-American neighborhood. Spike Lee not only directed and produced this film but he was also the main character, Mookie. In spite of maintaining these three jobs, Lee incorporated cinematic techniques that allowed his film to unlock controversial ideals for both Caucasian and African-American viewers. Through the use of camera elements Lee was able to display emotions and tone of the scene without using stating it directly. Lee exhibited film methods such as low-angle shots, close ups, slow motion and panning.
Sex, love, depression, guilt, trust, all are topics presented in this remarkably well written and performed drama. The Flick, a 2014 Pulitzer Prize winning drama by Annie Baker, serves to provide a social commentary which will leave the audience deep in thought well after the curtain closes. Emporia State Universities Production of this masterpiece was a masterpiece in itself, from the stunningly genuine portrayal of the characters of Avery and Rose, to the realism found within the set, every aspect of the production was superb.
The auteur theory is a view on filmmaking that consists of three equally important premises: technical competence, interior meaning, and personal signature of the director. Auteur is a French word for author. The auteur theory was developed by Andrew Sarris, a well-known American film critic. Technical competence of the Auteur deals with how the director films the movie in their own style. Personal signature includes recurring themes that are present within the director’s line of work with characteristics of style, which serve as a signature. The third and ultimate premise of the Auteur theory is the interior meaning which is basically the main theme behind the film.
poster typically has the white cowboy large, presented front and center, with the antagonists and co-stars all behind him. An iconic western, The Good, The Bad, and the Ugly, has a poster picturing the white cowboy alone. Clint Eastwood stands there tall, stoic, and singular. Typical of most other westerns, the white cowboy is the center of attention. Here, however, there are two non-white figures presented: Bart, the Black cowboy, and a large Native American chief. This movie poster has the same style as other westerns with the color and layout, but is unique in the fact that a black man is presented where a white man would normally be dominating. Once again, this makes a statement about racial improvements. Previously having a black man at
In “Do the Right Thing”, a scene occurs to where every one in Bed-Stuy becomes aggravated with each other and begin to state stereotypical phrases to one another. For example, Mookie begins to say remarks such as “Dago, wop, garlic-breath, guinea, pizza-slinging, spaghetti-bending, Vic Damone, Perry Como, Luciano Pavarotti, Sole Mio, non-singing motherfucker.” (Spike Lee) to Pino after tension grew in Sal’s restaurant and all over Bed-Stuy. This is parallel to the text “Revolt of the Cockroach People” because each group of ethnicity uses stereotypes on other groups based on their race or culture. Another scene from the film that shows racial tension between two groups is when Radio Raheem walks through the Spanish part of Bed-Stuy with Public Enemy’s “Fight The Power” blasting. This created some sort of a racial challenge between diverse group of individuals and the argument on whose music is louder in way to showcase their race pride. The prejudice in the film connects well with the requirement for racial uniformity in the novel, “The Revolt of the Cockroach People”. It seems as if every ethnicity group must be superior to the next. There is dependably an unrivaled and a substandard society. The peace between every race seems to be non-existent. In the film we see Pino, Buggin Out, Officer Long and the Spanish gathering of men do likewise, nothing for correspondence of all, only for themselves. As for Zeta Brown, he fights for the privilege of the Chicanos to have a voice while exhausting the requirements for different
Director and actor Spike Lee presents his "truth" about race relations in his movie Do the Right Thing. The film exhibits the spectacle of black discrimination and racial altercations. Through serious, angry, and loud sounds, Lee stays true to the ethnicity of his characters, all of which reflect their own individualism. Lee uses insulting diction and intense scenes to show how severe racism can lead to violence. The biases reflected through Do the Right Thing model those of today which has kept society in a constant feud for so long. In Oprah Winfrey's dynamic episode, "The Color of Fear", Mr. Mun Wah projects his strong opinion when he states, " . . . that racism is still going on today, that we've got to stop to hear the anguish and the pain that goes with that and then we'll survive." (3) People do not realize the severity of their own words. In the scenes of the movie that emphasize the shocking reality of failed interracial communication, racial stereotyping, trust or lack of trust, and acrimonious violence mirror the current concerns about race in America as reflected in "The Color Of Fear."
Analysis of the Movie Do the Right Thing by Spike Lee
The movie, Do the Right Thing, by Spike Lee is a hard
hitting drama that deals with violence and racism in today's
society. This film is set in a primarily black neighborhood in
close to the present time. Right in the center of this
neighborhood stands a pizza parlor that is owned and
operated by one of the most important characters in the
movie, Sal. In the beginning of the movie, Sal is shown
arriving to work with his two sons Pino and Vito. This gives
an appeal to Sal as a family man.
Do the Right Thing is a dramatic comedic film that was directed by Spike Lee. The movie was released in 1989. Lee served in three capacities for the film: writer, director and producer of the movie, Ernest Dickenson was the cinematographer and Barry Alexander Brown was the film’s editor. For this film, Lee garnered together some notable actors and actresses, including Ruby Dee and Ossie Davis, Rosie Perez, Samuel L. Jackson, John Tuturro and Martin Lawrence. The setting of the movie is in Bedford-Stuyvesant; which is a neighborhood in Brooklyn, New York. This particular neighborhood is made up of several ethnic groups that include African Americas, Italians, Koreans, and Puerto Ricans. The movie takes place on a particularly hot day during the summer time. The extreme heat causes tensions between the different races in the neighborhood. In this paper, I will attempt to show how mise-en-scène, camera work, editing, and sound are used to convey “explicit” and “implicit” meaning in one scene in Do the Right Thing.