Zombies have been around since George A. Romero first introduced them in the movie Night of the Living Dead in 1968. However, over the past decade, the American public’s interest in zombies has skyrocketed, especially in media culture. Since the year 2000, over one-hundred and fifty zombie movies have hit the screens of the American people. Furthermore, countless zombie themed video games, books, comics, and television shows have also entered into American society. There are even zombie themed 5k races, parades, and events of all kinds surfacing across American cities. Surprisingly, “Even the U.S. Centers for Disease Control and Prevention have gotten into the act. In May 2011, the CDC posted a small item on its blog about what to do if the dead should rise from the grave to feast upon the entrails of the living. Within two hours, it had gone viral; the CDC's Web server crashed from the surge in traffic,” (Drezner). America is, no doubt, experiencing a zombie craze, but the big question remaining is “why?” Why is the undead taking over our lives, and why have so many other areas of American culture been so eager to jump on this frightening bandwagon? What is it about our culture that stimulates our interest in zombies?
George A. Romero, the director of Night of the Living Dead accidently created the zombie genre that we are familiar with today. Night of the Living Dead reshaped the entire genre with its bitter realism. Romero established verisimilitude unintentionally by focusing on how people react to crisis. The first zombie movies relied on semi-terrifying dress codes (of their time) and the conventional diegetic scream of a female. Whereas Romero’s film is an interpretation of humankind’s collapse. Romero drew inspiration from the infamous Vietnam War spiralling at the time and the American civil war. The verisimilitude lies within the human condition in dire times, like war. Therefore, in the Night of the Living Dead the zombie/ghoul stands as a symbol for the enemy contriving those dire times. This consequently makes the genre actually terrifying because representations have altered. Zombies are no longer an otherworldly or scientific monster e.g. White Zombie but a
Zombies were born of Caribbean and bayou voodoo. They weren’t undead and flesh seeking, as society knows them today. They were people who were highly suggestible and didn’t think for themselves, being controlled by the voodoo practitioner. These stories quite often involved dark magic and rituals. In reality, it was a mix of herbs that caused the suggestible state. This fear is understandable as the government of the time grew increasingly powerful and every other system began to collapse during the Great Depression. The only way to survive would to be entirely subjected to Uncle Sam’s will.
Brains. Must have brains. There are a lot of far-fetched scenes that horror movies have filled in our heads over the years. Many elements of fiction have created varying degrees of panic, more so since the emergence of the false “Based on a True Story” label. There is one terrifying creature once thought to be fictitious that has recently gained popularity in the media as well as news channels around the world. A situation that would have negative global effects far worse than any other natural disaster previously experienced. But just what is this violent biological phenomenon that has people taking a second look at our understanding of pathogens and the effects of chemicals on biological organisms, you may ask. The simple answer is the very real possibility of a zombie outbreak. Zombies are a misunderstood being. The definition that used to be applied is that of a once living being revived from a posthumous state with a nasty appetite for flesh. However, the new definition of zombie is that which is being evaluated as an eminent fear. Zombies are widely accepted, currently, as a being that has been subjected to a biological change that incites rage, neurological defects and an enormous appetite for meat. Many factors contribute to zombies being considered a realistic threat to life as we know it; including but not limited to chemical products consumed by humans as well as viral infections with effects not previously researched in depth. Biotechnology is our best defense against our closest neighbors.
Though fictional, this novel illustrates the fear surrounding disease, viruses, and contamination and how if uncontrollable, could lead to a global spread that could jeopardize the human race. Traveling internationally, World War Z represents a zombie epidemic that brings forth infection, which can be considered an unconscious actor during this time of confusion and destruction. Scientifically, fear is defined as a natural response found in almost all organisms that revolve around the emotions and feelings induced by perceived threats and danger. Max Brooks illustrates the societal interaction with fear, “Fear of aging, fear of loneliness, fear of poverty, fear of failure. Fear is the most basic emotion we have. Fear is primal. Fear sells. That was my mantra. ‘Fear sells.’” (Brooks 55). The fear of a zombie virus spreading in fact just produces more fear into the mind of the individual. Through research and scientific advancements, fears and anxieties have been proven to put an individual more at risk of developing health issues. How ironic, right? Our fears and anxieties surrounding diseases and the spread of them cause our society to be more susceptible to obtain and contract more health related problems. The fight against the zombie metaphor within World War Z gives the reader a purpose for finding a way to hold
The idea of a zombie is made up and it comes from nzambi, the Kongo word for the spirit of a dead person. In states such as Louisiana, or the Creole culture they believe zombies represent a person who has dies and brought back to life with no speech. Kings psychological argument on how we have an urge to watch horror movies because it helps to re-establish our feelings and feel natural again. Klusterman’s sociological essay helped us see the comparison of zombies and humans in real life. In conclusion zombies are not real, they are make believe but help bring a sense of normality to
Realistic shows that depict the horrifying life of surviving a disease prone society, such as: The Walking Dead (a popular television series on AMC), have citizens convinced that the pragmatic story telling of Hollywood’s finest is palpable. While, citizens have a healthy fear for the undead, there remains a high demand on the entertainment industry to provide more zombie folklore. Without delay authors, entertainers, and the like have developed a large zombie pop culture that surrounds books, movies, blogs, televisions series, fan fiction forums, and even realistic online groups geared toward preparing for such an event. With the growing alarm for the seemingly viable coming of the zombie apocalypse, it is no wonder Daigle came to his conclusion.
Xenophobia presented in The Walking Dead is a “fuse between our fears of infectious disease and our fear of the other,” as said by Paul Stoller in his article Epidemics, Xenophobia and the “Other” Fear Factor, but the zombies in The Walking Dead, represents our fears of infectious disease more than the fear of the others because in the end of the fourth chapter, Rick the main protagonist states that they are “The Walking Dead,” meaning he sees the zombies as the same as them and that they are no different than the zombies themselves. The main characters in the graphic novel and tv show also allow others like Tyreese, Jesus and Abraham to join their community and group throughout their journey, therefore Xenophobia in The Walking Dead is not enforced entirely and the pessimistic view for the text is incorrect causing the appropriate way to read The Walking Dead is
Not so surprisingly, zombie apocalypse tales combine multiple subplots other than the horror genre. However, perhaps the most compelling aspect of any zombie media (other than the creatures themselves), are the relationships formed between the characters. Despite this specific brand of horror genre often times revolving around desolate cities or abandoned towns, there is a surprising amount of socialization that occurs. Combined with the pressure of mass hysteria and the need to form alliances, fellow survivors can quickly become the strongest companions. The encouraging prospect of zombie apocalypse tales is that while the main characters may come from completely different backgrounds, they are able to eventually form alliances and rely on
Max Brooks explains in his article ‘’The Movies That Rose From The Grave’’ [2006], that zombies and the supernatural forces have impacted and have become popular in the world today. The first main idea that Brooks points out is the way society has changed the meaning and glimpse for the supernatural creatures like zombies causing them to become increasingly popular. To support this zombie movies have changed from darkness and mystery to violent and bloodier scenes therefore making them more prevailing. The second main idea that is discussed by Brooks is how the media has helped to increase the popularity of zombies, vampires, ghosts. Highlighted by the author particularity both ‘’resident evil,