Fall Of The House Of Usher Research Paper

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Research Paper on "The Fall of the House of Usher" Edgar Allan Poe 's "The Fall of the House of Usher," was masterpiece of the most tragic love story ever told. The tale leads to unexpected tragic death for the Usher and their home. The Fall of the House of Usher had a mixed natural and superstitions, which proclaim, "Are we haunted in this world, or do we haunted ourselves?" (Howarth, L., William, Poe 's Tale, Pg. 9) While Leonard W. Engel 's "The Enclosure Motif in "The Fall of the House of Usher," which intensifies the surrounding of the house, twins, and narrator 's journey. (Engel, Pg. 182) As stated by I.M. Walker in "The Fall of the House of Usher": "A Rational …show more content…

Walker "The Fall of the House of Usher:" "A Rational Interpretation of Terror," has established the terror and madness on this story. (Walker, Pg. 191) According with Poe 's theory of the unity of a work of art, the sinister tarn which so appeals the narrator in the first scene, contributes actively to Usher 's destruction. (Walker, Pg. 193) This mold that settling into the foundation for years was symbolic sign of death. The letter, which the narrator receives, calling him to the House of Usher betrays Roderick 's derangement: ' The MS. gave evidence of nervous agitation. The writer spoke of acute bodily illness of a mental disorder which oppressed him. ' (Walker, Pg. 196) This disease has the ability to leave the skin as white as snow, the body decay, and aging the body at rapidly to death. And this superstitious fear is complicated by the existence of Madeline, his sister, a figure the narrator regards with the same unspeakable dread with which he regarded the house, for both house and sister represent Roderick ' own inherently flawed and detested physicality. (May, E., Charles, Pg. 70) Roderick Usher 's pride has consumed him to the point that he blames the narrator, house, and his sister for the agonized pain that inflicted upon his …show more content…

Kendall Jr. "Vampirism in "The Fall of the House of Usher," his terror arises not out the guilt of entombing her but out of waiting for the Vampire 's revenge. (Jr., Kendall, H. Lyle, Pg. 201) He must put an end to Madeline-the lore dictates that he must drive stake through her body in the grave-or suffer the eventually of wasting away, dying, and becoming a vampire himself. (Jr., Kendall, H. Lyle, Pg. 202) The paranormal has took over Roderick Usher 's mind to a point that this superstitions have come true and consume him. Madeline, back from the tomb, neither dead nor alive, is in the middle state of the unquiet spirit of the vampire, whose heart-beats are "heavy and horrible." (Allen Tate 's On Madeline Usher As A Vampire, Pg. 30) Her heart has went through terrible trauma that has brought pain and agony to her fragile corpse and soul. In falling prone upon her brother she takes the position of the vampire suffocating its victim in a sexual embrace. (Tate, Allen, Madeline Usher as a Vampire, Pg. 30) Her uncanny beauty this fills her brother with desire, which drives him to madness and he falls dead. He explains, "What he conceived to be nature of his malady...a constitutional and a family evil and one for which he despaired to find a remedy." He confesses that he is "bounden slave" to an "anomalous species" of terror. (Jr., Kendall, H. Lyle, Vampirism in "The Fall of the House of Usher") Roderick Usher has convinced his sister, Madeline

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