The Effect of Editing and Sound Features on Audience Response in The Usual Suspects 'The Usual Suspects' was directed by Brian Singer and released in 1995. Singer has directed several films including 'X-Men' and (earlier) 'Public Access''. Although Public Access was his first film it did not receive significant recognition, which is why the explosive success of The Usual |Suspects established him as something of a maverick. This film is predominantly a crime thriller which examines the mystery of a sinister crime-lord (Keyser Soze) and an explosion on a boat. This analysis will examine the concluding sequence of the film with particular focus on the use of editing and sound. After Detective Kujan has finished his forceful, yet sympathetic interrogation, Kint leaves the office. At this point the camera is subjective; it is on Kujan's side. This serves to accentuate Kujan's powerful demeanor in contrast to the pitiful Kint. The sound here is only diegetic, as Kint leaves he looks reproachfully at Kujan and says "Fuckin' cops" in a pathetic, broken voice. The audience feels pity for Verbal, as they have throughout the film. Not only is he physically crippled, he also appears to be weak-minded making him (in the eyes of the other criminals) the least important and least useful of the 'Usual Suspects'. Kujan watches Verbal leave and then the camera cuts to the other side of the door where it slowly zooms out from the office with Kujan stood in the doorway. The slow pace of the editing implies a sense of calm during this scene, suggesting to the audience that the film is about to end. The scene changes back to the hospital. ... ... middle of paper ... ...ctive ending as it provokes many different responses in the audience. The montage sequence is particularly effective, as a variety of different editing and sound techniques are used to provoke a strong audience response. Such as when Kint is first leaving the editing is slow-paced and casual, lulling the unsuspecting audience into a false belief of the film coming to a rather anti-climactic end. However, this is turned on its head as the editing gets faster and faster during and after the montage sequence, amplifying the shock of the truth. Sound is also used very effectively. The voiceovers from earlier in the film which are used in the montage not only draws the viewer's attention to previous statements made in the film, but the overlapping also helps to promote the feeling of bewilderment and shock at the discovery.
One could righteously make the argument that films today have advanced in numerous aspects in terms of the audio quality, cinematography, and not to mention the advances in editing. Based off of that argument, one could claim that the filming process is in fact at its epic peak; with advanced green screen technology and the use of computerized editing, films today have completely evolved from the early versions of motion pictures. With these advances, directors like Kelly are more able now, than ever before, to include better audio, visual and cinematic effects to better enhance their films and portray a deeper and more emotional feeling to the piece at work. In regards to the “Head over Heels” montage in the film, Kelly was able to accurately and systematically show what was going on around Donnie’s school without a word of scripted di...
This, however, demonstrates a fundamental difference between 'Fight Club' and 'One Flew over the Cuckoo's Nest': the 1990's society 'no longer breeds a contempt for the virtues of individualism [...] on the contrary, totalitarianism now resides in a thorough dislike for all things social, public, and collective,' as Henry Giroux wrote. The positivity of Fight Club may lie primarily in that it is an unsanctioned, underground, counterculture collective.
poster typically has the white cowboy large, presented front and center, with the antagonists and co-stars all behind him. An iconic western, The Good, The Bad, and the Ugly, has a poster picturing the white cowboy alone. Clint Eastwood stands there tall, stoic, and singular. Typical of most other westerns, the white cowboy is the center of attention. Here, however, there are two non-white figures presented: Bart, the Black cowboy, and a large Native American chief. This movie poster has the same style as other westerns with the color and layout, but is unique in the fact that a black man is presented where a white man would normally be dominating. Once again, this makes a statement about racial improvements. Previously having a black man at
to the film early on but makes the viewer want to make sense of what
Some films are made for mind-numbing entertainment, some are made to make you cry, and some are made to think, to question, Missrepresentation is one of the later films. The movie makes you question society and even yourself and what you view as the norm in media. I enjoyed the film overall. I believe the message the film was trying to portray was message that needs to be said and heard. Watching the film made me realize how so many things I just accept in the media that harm women and perpetuate rape culture and misogyny. Missrepresentation is a film that made me think and connect its message with what we are learning in class and my own life.
And the genre of the film is horror or thriller and it is about a great white shark that hunts in the seas of Amity Island. The film is set around the 4th of July in New Jersey. It may be set 4th of July because is their independence day or their freedom from Great Britain. It may be set on the 4th of July because this day is very important or significant for the whole of America. It is celebrated around the whole of America in various ways to celebrate the American tradition. This also creates tension because if people get killed on this day or maybe Christmas it has a greater effect because often people are unaware or not expecting something like this to happen on a day like that.
In conclusion, I have demonstrated how Coppola exploits a wide array of sound and editing to create suspense, intensity, and anxiety in the sequence to affect the audience’s emotions, using diegetic ambient sound effects, non-diegetic music, voice over and four editing types. With this sequence, Coppola has shown the savagery of war and our complicity in this violence as an audience.
...successful collaboration of sound, colour, camera positioning and lighting are instrumental in portraying these themes. The techniques used heighten the suspense, drama and mood of each scene and enhance the film in order to convey to the spectator the intended messages.
“The Help” is a white mock feel good movie, which seems to feature amnesia of racial conflicts in the South as its primary theme (Stockett, 2009). Author Natasha McLaughlin suggests that ‘The Help’ focuses upon the home and the relationship between African-American domestics and the laws of Jim Crow’s neglected ‘other half’: Jane Crow (McLaughlin, 2014). The American Civil Rights Movement mainly accommodates the public with a view concentrated upon a male dominant perspective but appreciations to Stockett and her moving interpretation of the relationship of Caucasian housewives and their African-American maids the public gets a rare white-washed version of events dealing with the civil rights movement going on within the interior of the households
Montage is from the beginning of the twenties characterized as a process of synthesis, building something new and in terms of the physical planes also something quite simple. Most montage’s films were created as a dialectical process, where initially from a two meanings of consecutive shots form a third meaning.
The Importance of Being Earnest film produced in 2002 compares to the original version reveal different changes. The change modify the motion which the author would like to transmit in the original document. The important changes are the modification of some stage of direction. The actors changed some stages of direction and created their own. The second change is skipping of some sequences. The actor of the film choose to ignore some sequences which were in the original version. Moreover, the actors added some stages which were not in the preview version. The other point is the incapacity of transmitting all the motion which we can perceive in the reading. Finally, the actors did not show enthusiasm in their performance as we can feel it in
In the film The Host, it portrays what a society without problems or feelings would be like. For example, the people do not lie, steal, or kill. Although, along with this, people can no longer grow any sort of feelings. Everything that makes humanity is stolen. To movie’s social commentary is it takes away everything that represents humanity the good and the bad.
In the film adaption of Brokeback Mountain, Ang Lee, with the help of Larry McMurtry and Diana Ossana, expands certain scenes in the screenplay in order to shed more light into the lives of the two main characters. Lee directly parallels the Thanksgiving dinner scenes of Jack and Ennis to contrast each character’s status in their lives outside of Brokeback Mountain while also using these family scenes as a reminder of Jack and Ennis’ other lives. These Thanksgiving scenes represent a shift in power; Ennis is no longer the calm and composed one with a handle on his life—Jack is now the one who is starting to feel more secure in his life. By juxtaposing the two scenes, Lee illustrates the strong friction of Jack and Ennis’ realities following the sudden shift in their relationship after Jack drives over after hearing about Ennis’ divorce. Because Annie Proulx focuses on Ennis’ life and his regrets, we are unable to understand Jack’s side of the story. The film, however, is able to expand on the idea that the divide between dreams and reality drives Jack and Ennis apart over time; in these Thanksgiving dinner scenes we see the inevitable change and consequences of their distinct beliefs.
As an audience we are manipulated from the moment a film begins. In this essay I wish to explore how The Conversation’s use of sound design has directly controlled our perceptions and emotional responses as well as how it can change the meaning of the image. I would also like to discover how the soundtrack guides the audience’s attention with the use of diegetic and nondiegetic sounds.
Therefore, it is possible to notice how the cinematography, the mise-en-scene and the editing are used to resemble the peculiarities of the space in which the actions are taking place. For instance, the first part is characterized by long pan or tilt shots, the camera is steady but still manages to follow the characters actions. The editing points to the linear occurring of the events. Also, the characters and the objects are usually methodically placed in the scene. All of the elements are used to convey the rigid organization, efficiency and control typical of the military environment. On the other hand, in the second part, there are usually shorter shots and steadicam shots. The camera is free to investigate the space of action. Here, the editing is used to create a dynamic perception of the events. In this way Kubrick is able to bring in the spectators’ minds the chaotic reality of the war. Moreover, colors become another tool to communicate to the audience this sort of split within the film. In fact, after Pyle’s death the viewer can notice how those metallic and cold colors, that are present at the beginning of the film, shift into wormer colors. It is actually through Pyle’s suicide that the the spectator gets this switch. In that scene the dark red blood stains, and ideologically violates, the cold white tiles of the bathroom. This film is also different on