The Dichotomy Of Gretchen in Faust by Johann Goethe

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In the play "Faust" by Johann Goethe, Gretchen's character envelops extreme aspects of Virgin Mary and of Eve. Mary acts as the symbol of the mother of mankind, the pure woman who makes men's salvation possible. She has no evil in her at all. In contrast, Eve is the archetypal figure of the fallen woman, the cause of man's suffering and damnation. She symbolizes death, destruction, and human depravity. Eve is the antithesis of Mary; together the two archetypes correspond to the two sides of Gretchen's character. When Gretchen is first introduced in the play, she appears to be the ideal of innocence and purity. When Faust tries to talk to her on the street, she refuses. "I'm not a lady, am not fair; I can go home without your care." (2607) A properly brought up young woman would never allow herself to be picked up on the street. It is her naiveté that attracts Faust most of all. "I've never seen [Gretchen's] equal anywhere! So virtuous, modest, through and through!" (2610-1) Even Mephistopheles acknowledges her virtue. He calls her an "innocent, sweet dear!" (3007). Goethe further identifies Gretchen as a saint when Gretchen's bedroom becomes a shrine to Faust. Faust uses religious language to describe the room. "Welcome, sweet light, which weaves through this sanctuary. Seize my heart, you sweet pain of love, you that live languishing on the dew of hope! How the feeling of stillness breathes out order and contentment all around. In this poverty, what fullness! In this prison, what holiness!" (2687-94) Just from being in her room, he feels spiritual sacredness, often associated with shrines of saints. He imagines her bed as a "father's throne"(2696) with "a flock of children clinging swarmed" (2697) around it, thus associating Gretchen with maternity. A large part of Faust's attraction to Gretchen is the image of a virgin mother he sees in her, the ideal of feminine purity. Gretchen's strong religious background further strengthens her saintly image. The prayer in the Ramparts scene is an example of her religious training. "Oh, bend Thou, Mother of Sorrows; send Thou a look of pity on my pain." (3587-9) Gretchen looks on the world from a religious perspective. She wants to make Faust's actions consistent with her religious upbringing. "How do you feel about religion? … But without desire [you revere the Holy Sacraments], alas! It's long since you confessed or went to mass!" (3415-23) Gretchen can sense Mephistopheles is devil.

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