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Disney princess portrayal
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This dichotomy was not emplaced to serve Indigenous woman, but to serve colonizers, modern “white man” and their quest of pleasure and ownership. During the time of colonization, the ‘Indian Princess’ played a key role. It helped the idea of converting Aboriginal ‘savages’ into the civilized English way of life.#1 (Isinamowin,1992, p.18) An opportunity to take an Aboriginal woman away from her people, on the behalf of colonizers. Thus, pleasing European males. Although, this notion is pretty outdated, this belief is still imposed today. #2 (Anderson, 2016, p.81) Disney, for an example and their movie Pocahontas, which pictures the main lead falling in love with a European explorer, who she saves from her people. Thus, leaving her ‘community’
Disney movie “Pocahontas” and John Smiths “The General History of Virginia” there were many differences, other than things someone could compare. The two versions had different thoughts and views on the accounts of Pocahontas, the Native Americans, and John Smith. The way Disney portrayed Pocahontas had more of a view of mending enemies, compromises being made between two parties, and that there is more to life than materialistic things. On the other hand, John Smith’s account of what happened was way different than Disney’s version of what happened. For example, John Smith describes his journey to Virginia as a long journey, filled with Hunger, with a majority of the people who attended the voyage with john smith ended up dying. At the end, with him and others being captured by Native Americans who reside on that land. Although, no one knows the actual events that took place during this time.
Sixteen years after premiering as Disney’s thirty-third animated film, Pocahontas still incites excitement and wonder within those who wish for nothing more than to be a Disney princess. As Disney’s most notable attempt at political correctness, Pocahontas was created to entertain while attempting to maintain authenticity in regards to historical accuracy and in its fairness of depicting Native American culture. Jacquelyn Kilpatrick, the author of “Disney’s ‘Politically Correct’ Pocahontas”, feels the movie not only failed at being historically accurate but that it fell far short of being politically correct. The article, which appeared in the Fall, 1995 issue of Cineaste, contends the Disney production was duty bound in preserving the integrity of the Pocahontas legend and being both multiculturally and socially inoffensive. However, if being politically correct and constantly factual within any version of media made for entertainment were the standard, we would be left with documentaries and non-fiction. Artistic license allows for a literal account of events to become an engaging, accessible production.
In this proposal our team seeks to explore the injustices within the Indian Act. To achieve this our proposed research will examine the target population being the aboriginal woman. The paper will further explore the oppressions faced by the aboriginal women within the Indian Act. In conclusion, this proposal will sum up the negative impact that the Indian Act had on aboriginal women and how it continues to oppress this population within the Canadian National discourse.
There is a belief that before European Contact Indigenous women had a huge role of leadership and responsibilities along with the men. After European Contact Indigenous women had very minimal rights. Men were considered their social, legal and political masters if you will. If a women had an argument or suggestion to discuss with the tribe or council she must discuss the issue through her husband, for her husband to later mention the issue. To this day this affects Indigenous women with trying to get their views back to what it once was. European contact resulted in Indigenous women not having the equality that they had before. Indigenous women are working hard with protesting and trying to win their equality
Do Rozario, Rebecca-Anne C. "The Princess and the Magic Kingdom: Beyond Nostalgia, the Function of the Disney Princess." Women's Studies in Communication, vol. 27, no. 1, Spring2004, pp. 34-59. EBSCOhost, search.ebscohost.com/login.aspx?direct=true&AuthType=cookie,ip,url,custuid&custid=magn0117&db=a9h&AN=13143218&site=eds-live. This work analyzes the popularity of Disney’s princesses. Their merchandise, theme parks, animations and ice shows are what they are known for. The reader also gets a deeper understanding of the princesses’ relationships to be loved ones and other characters.
Hope Edelman’s “The Myth of Co-Parenting: How It Was Supposed To Be. How It Was”, Edelman struggles to break the stereotype that has been placed on her by society, of her being the stay at home mom, while her husband remains the sole supporter. Peggy Orenstein’s “Cinderella and Princess Culture” fears a similar stereotype that has been placed on her daughter for her to be very feminine and dependent, which has been placed on young girls by the highly demanding princess culture. Both authors are very outspoken feminists and both believed that women should be more independent and be encouraged to make their own choices. Edelman is currently living in what one can assume is a “Feminist’s Nightmare”, she has been unintentionally degraded by her
Her book focuses on the myriads of issues and struggles that Indigenous men and women have faced and will continue to face because of colonialism. During her speech, Palmater addressed the grave effects of the cultural assimilation that permeated in Indigenous communities, particularly the Indian Residential School System and the Indian Act, which has been extensively discussed in both lectures and readings. Such policies were created by European settlers to institutionalize colonialism and maintain the social and cultural hierarchy that established Aboriginals as the inferior group. Palmater also discussed that according to news reports, an Aboriginal baby from Manitoba is taken away every single day by the government and is put in social care (CTVNews.ca Staff, 2015). This echoes Andrea Smith’s argument in “Heteropatriarchy and the Three Pillars of White Supremacy: Rethinking Women of Color Organizing” that colonialism continues to affect Aboriginals through genocide (2006, p. 68). Although such actions by the government are not physical acts of genocide, where 90% of Aboriginal population was annihilated, it is this modern day cultural assimilation that succeeded the Indigenous Residential School System and the Indian Act embodies colonialism and genocide (Larkin, November 4,
Disney is a brand synonymous with magic and fairytales – their princesses play a huge role in that mysticism. In the debate considering which one is the best, we can examine the message of the corresponding film, the princess’s aesthetic, and the audience’s reception to their film. In comparing the princesses: Belle, Moana, Elsa, and Mulan, all post-modern Disney princesses – Moana is the best.
Everybody knows the classic Disney Princess films. They always starts with a beautiful, helpless princess who needs a handsome prince to ride in on his noble stead to save her life with true love’s kiss. Disney imparts this ideology that true love is the means to finding eternal happiness. It becomes the focus of the movies and is engraved in the minds of the audience. This story line can be seen in many classic Disney movies, such as, Beauty and the Beast, Snow White and Cinderella just to name a few. Disney Princess films encourage an expectation for relationships that is unrealistic, causing young girls to grow up idolizing Disney Princesses and longing to be saved by a handsome prince and live happily ever
Disney princesses are fun for all ages, but their target audience is young children and “as children grow and develop, they can be easily influenced by what they see and hear”. Therefore, what they see and hear in Disney movies leaves an impression on them. The first princess, Snow White, was created in a time where each gender and race had a specific role in society. Recently, many believe that Disney has come a long way in regards to gender and race since Snow White, as several multi-cultural protagonists have been introduced subsequently, and gender roles do not appear to be as stereotypical as they once were. However, many of the apparent innocent messages about race and gender in these movies, can be exposed as otherwise. Despite their mask of progression, Disney princesses still have the potential to corrupt the minds of young children through sexism and racism.
As Tartar notes, fairy tales “adap[t] to a culture and [are] shaped by its social practices” (xiv). As American culture began to change, the fairy tales produced by Disney studios began to change and adapt to changing American sensibilities. The main focus of this shift is the role that women play in the fairy tales. While many of Disney’s early fairy tale movies have female characters, they are fairly passive. They achieve their happily-ever-after as a reward for good behavior in the face of adversity. The prevalence of this in the early tales occurs for two reasons. First, the women’s behavior serves as a guide to the American people who, too, are facing the adversity of the Great Depression and then war. Second, the women’s behavior mirrors the expected behavior of women in society at that time. As women fight for and achieve what they want out of life, the female protagonists in the Disney fairy tales mirror that action. As a result, the female protagonists’ behavior serves a different purpose in these later fairy tale films. The behavioral shifts serve to “endow us with the power to reconstruct our lives” (Tartar xii). They are “fictional stories that provide a truth applicable in the real world as a moral” by embracing the growing importance of equality for women found in modern American (Zipes, “The Cultural Evolution of Storytelling 10).
What do you want to be when you grow up? When I was five years old my dream was to grow up and become one of the Disney princesses. As Princess Aurora said, “They say if you dream a thing more than once, it is sure to come true”. Unfortunately, I grew up and did not become a Disney princess, however, they still played a big role in my childhood as they do with most young girls. There are many controversies about the effects Disney princesses have on young girls, so should they be exposed to one of Disney’s most iconic images when they are so vulnerable?
My childhood was just like every other kid growing up in the 20th century. It revolved around the Disney story’s that were filled with magic and dreams. From Cinderella to Sleeping Beauty, my beloved children 's stories seem to stereotype women and be controlled by male characters. At a young age, this showed me that women are not as useful as men are. These stories set the foundation of what it means to be a boy or a girl. The ratio of men to women as main characters was so outstanding it led me to question how these stories affected how I view males and females.
Many people love to see and read fairy tales and never give it a second thought to where they originated from. Or some people do not even know that their favorite disney princess movie really was not created by Walt Disney himself. A lot of the time, a lot of movies, books, etc., are taken from stories that were written long ago and twisted to satisfy the person creating a new version of a tale. Like many famous tales, Rapunzel first originated or was written in 1812 by the Grimm Brothers. The Grimm brothers were inspired by earlier tales similar to Rapunzel, but the story plot was the first of its kind. Rapunzel has been made into hit movies, tv shows, tales, poems, name anything, it has been done. There are four versions of Rapunzel that
Beautiful, strong, loving, caring, pride, leader, respected...beautiful. Oh wait I said that, but it’s not said enough. I hope you remembered the words I mentioned above, if you can’t- well I will summaries it for you in its simplest form…WOMAN.