The Death of Sin and the Sin of Satan
When discussing the fate of the fallen, be them angel or man, it is important to become acquainted with Sin and Death, the offspring of Satan. In Paradise Lost, Book 2, from lines 746 to 814, Milton offers what it is to sin and the price of sin with descriptive imagery through Sin’s words. Both Sin and Death embody and characterize their names as both allegories and personifications. With close inspection of the passage, the ideas of sin and death come to life and they live dark and tortuous lives. Milton uses Sin to describe their monstrous tale and further shows how Sin is sinful, but also how she too is fallen through the use of her language and figurative speech. Death is also described as a never
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Just as amour-clad Athena emerged from the crack in Zeus’ skull following a horrible headache, so did Sin emerge from Satan’s head. The use of this story is to further promote the idea of Sin as fallen since the pagan religions are much farther from God, and therefore association with these stories implies a distance from God and a disobedience. It could also be interpreted as the birth of Sin to be the true story and the birth of the false goddess was modeled after her instead, inspiring one of the stories of a deceptive religion. Sin also has a seductive nature since at first, after her birth “they recoiled afraid” (II.759), but after a little time “with attractive graces won” (II.762) and they became “enamoured” (II.765) with her. The language she uses in those lines are even seductive as she “pleased” (II.762) those in Heaven. As with many things seductive, they can first be seen as dangerous, but become attractive and captivating, just as Sin and the idea to disobey God captivated Satan and the other fallen angels. While Sin is seductive, and seduction can lead to sin, she also commits sin herself. Being born of the idea of disobeying God, she may naturally or inherently be vulnerable to the commitment of sin. Among her sins are that she sees God as an “almighty foe” (II.769) and includes herself as one of the rebels when she says “our part loss and rout” (II.770). Sin instead follows Satan and shines him in a …show more content…
If “Hell trembled at the hideous name” (II.788), he would have to be the most terrible creature anyone can imagine. Even though he is less human than Sin is, his description gives the impression that he is even more terrifying than the half-woman-half-serpent creature. Milton described him earlier through the eyes of Satan as being a “shadow” (II.669) and when he moved, again “Hell trembled as he strode” (II.676). The repetition between Satan’s observation of him, and Sin’s story of his birth both force the idea that Death in an immense terror. Sin’s “inbred enemy” (II.785), “son and foe” (II.804) and tormentor, Death is a never ending and inescapable terror. She “fled, but he pursued” (II.790) and when he raped her and impregnated her with the horrible beats that surround her with “ceaseless cry” (II. 795) that continually re-enter her womb to be born again as they tear their way back out of her. This is much like a foreshadowing to the punishment of painful childbearing God bestows on Eve in Book 10 after she has fallen. However, Sin’s torture is constant as she states, “That rest or intermission none I find” (II.802). The many uses of words such as “infinite” (II.797) and the repetition in “hourly conceived / And hourly born” (II796-797), Milton emphasizes the eternal punishment Sin must bear. It is important to note that Sin’s punishment of
At times he becomes torn with conflicting emotions. His inner debates and self-criticism reveal him as a dynamic being. Satan flows through his heroic story, allowing himself to be the anti-hero the story. The authors believes that Satan is created as “an example of the self deception and the deception of others which are incident to the surrender of reason to passion.”
The theme of the 'heroic' in John Milton's Paradise Lost is one that has often been the focus of critical debate, namely in the debate surrounding which character is the 'true' hero of the poem. Most critics of the subject have, however, noted that the difficultly in defining the 'hero' of Milton's work is mainly due to our “vague understanding of what constitutes heroism”1 and the fact that “the term itself is equivocal”2. The 'vague' terming of what heroism can be defined as it what draws critics to disagree with one another over the nature of heroism, as Charles Martindale points out that there are 'different models of heroic', many of which Milton employs in his epic poem. To incorporate these different 'models' of the heroic into his poem, Milton relates various elements of these models to his characters, allowing him to 'test' and 'revalidate' certain ideas and images of the heroic. For the most part, the models of the heroic fit broadly into two camps, which leads critics like John Steadman to identify the “conflict between secular and divine criteria of the heroic”3. Furthermore, within these two main models of heroism critics mostly attempt to define the characters of Satan, Adam and the Son of God, depending on their characteristics throughout the poem.
In Paradise Lost Book 9, Milton presents a twisted and amplified account of what happened at the fall according to biblical accounts. Albeit, there are similar overall themes such as temptation, desire for knowledge, rebellion, and blame, the overall tone of the story varies indefinitely. Paradise Lost Book 9 and the biblical account of Adam and Eve’s fall contain many of the same characters, and similar events take place, however they happen in contrasting ways and result in dissimilar things. Milton’s distorted version of the fall has major differences in the depiction of Satan and the portrayal of Adam and Eve’s characters, both of which have a wide range of implications.
Milton prompts the reader to understand God’s grace as the most almighty and powerful aspect within the first twenty-six lines. God is a powerful ruler who bestows blessings if his policies are followed and eternal damnation if not. The first two books of Paradise Lost portray Satan as a confused, resentful man who feels the need to rebel against God. Since Satan rebelled against God, he was banished from heaven and summoned into an eternal hell. While in hell, Satan gathered his fallen angels for a pep talk and exclaimed to them, “Farewell, happy fields, where joy forever dwell; in my choice to reign is worth ambition though in Hell” (Book 1, Line 1). In this exclamation Satan bids adieu to the pleasure and blissful surroundings of paradise and greets the gloom and dreadfulness that now surround him with open arms. The reader can conclude that Milton relays Satan’s speech as remorseful and full of regret at the penalty of his rebellious actions, but accepts what he has done and is ready to rule the underworld. The reader can also note one difference between Satan and God in this passage because unlike God, Satan chose to speak to all who follow him and wanted their feedback for his rebellious plans. Satan continues his speech by adding, “Receive thy new possessor. Not to be changed by place or time” (Book 1, Line 1). Satan is regulating his mental perception as he greets Hell. He portrays himself as equipped and ready for Hell to receive him as the leader. Like God, Satan brought his autonomous mentality, free of time or location, to Hell. As the new supreme leader of the underworld, with his independent mind, Satan boldly compares himself to God through the element of
In John Milton’s, The Paradise Lost, Milton’s representation of Satan makes us uncomfortable due to the recognition of his humanizing and relatable reaction to what happened to him. The reader expects Satan to be an evil, and malevolent figure who does evil acts because he loves it and there is no defense for it. While these aspects are prevalent in his character in the poem, Satan does not come across as a completely wicked person but instead, a victim. The representation of Satan has a personifying quality that any of us may have and do not want to admit. In book one, Milton’s portrayal of Satan makes us uneasy because we relate to his actions, which are ordinary human responses to similar situations. It is troubling to say that in this particular poem, Satan resembles humans. However, our human nature is to have an instant reflex to justify our actions without taking any responsibility, which resembles the way Satan justifies his mischievous acts in this poem. Most of the time, we would never think of Satan as a victim; yet, we find ourselves discovering our human nature in Satan’s rationalizations. So, what humanizes this monstrous figure? After thoroughly reading book one, there are many instances when Satan justifies what he has done to make sense of it. Satan believes that God deceived him because he did not know how much power he possessed. According to Satan, God did unjust things that justified his actions. Satan has a whole rationale that God had arbitrary power that caused Satan to become the way he is in the poem. This perception serves as Satan’s foundation on behalf of his justification, which we all can relate to because he does not take responsibility but pr...
Many arguments have been made that Dante’s Inferno glimmers through here and there in Milton’s Paradise Lost. While at first glance the two poems seem quite drastically different in their portrayal of Hell, but scholars have made arguments that influence from Dante shines through Milton’s work as well as arguments refuting these claims. All of these arguments have their own merit and while there are instances where a Dantean influence can be seen throughout Paradise Lost, Milton’s progression of evil and Satan are quite different from Dante. Dante’s influence on Milton is noted by many scholars and is very apparent in several instances throughout Paradise Lost, however, Milton shows a progression of evil through his own vision of Satan and creates a Hell that is less meticulously constructed than Dante’s and more open to interpretation.
We can see the poem deals with the entire story of man's fall from grace, including background for Satan's motives. In Paradise Lost, Eve was tricked by Satan, who assumed the form of a serpent, into eating from the Tree of Knowledge. Satan had whispered into her ear when she was asleep, and when he spoke to her later, he used his cunning to mislead her:
Milton’s Satan in Paradise Lost is a complex character meant to be the evil figure in the epic poem. Whenever possible Satan attempts to undermine God and the Son of God who is the true hero of the story. Throughout the story Milton tells the readers that Satan is an evil character, he is meant not to have any redeeming qualities, and to be shown completely as an unsympathetic figure. Satan’s greatest sins are pride and vanity in thinking he can overthrow God, and in the early part of the poem he is portrayed as selfish while in Heaven where all of God’s angels are loved and happy. Satan’s journey starts out as a fallen angel with great stature, has the ability to reason and argue, but by Book X the anguish and pain he goes through is more reason for him to follow an evil path instead. Even so, Milton uses literal and figurative imagery in the description of Satan’s character to manipulate the reader’s response to the possibility that Satan may actually be a heroic figure. As the plot of the story unfolds there are moments where the reader can identify with Satan’s desires and relate to his disappointments.
This epic simile portrays shockingly disgusting imagery of war and death, which are both consequences of eating the fruit of knowledge. Sin and Death, Satan’s daughter and son (who is also his Grandson) take full advantage of the Fall of Man and construct a bridge between Hell and Earth through Chaos, constructed of anything ‘Solid or slimy’. This allowed death, sin and disease to enter the world, similar to the great Greek Myth of Pandora’s box, where a woman named Pandora unleashed all the negative emotions from their captivity inside a box. Thus, showing both Milton’s classical influences and education at Christs College, Cambridge and how attitudes to women have remained constant through many centuries, from the period of the Ancient Greeks to the 1600s. Man’s disobedience would be the sole point of blame for all the wrongs in the world to Milton’s audience, not only was this a story but the events transpired. This was an easy way for the Church to explain the mass destruction caused by the Great Plague from 1665
Paradise Lost is an epic poem portraying John Milton’s theological standpoints. The theme is knowledge and the fall of man. Milton uses his poem to state some of his theological beliefs and his personal reflections. Milton wrote Paradise Lost in the 17th century but uses influence from classic poets. Milton’s epic is an extremely important piece of literature. The excerpt used in this commentary takes on the subjects of sin and the punishment with regards to the atonement from God’s point of view. Milton’s states many of his own theological opinions but wants the reader to know that God is justified in everything that he does, and also wants them to know that man has free will.
This is to be understood metaphorically, as the climax of their physical humiliation. It does not last, any more than their later mass metamorphosis into serpents, with which this is parallel. But it is a punishment, on the material level, for the material nature of their sin. If they regain their form in hell, that is because they regain free will.
Although Satan can never reconcile his two rivaling desires, his attempts for autonomy and recognition from God result in catastrophic circumstances, both for Satan and humanity. As previously established, Satan travels to Eden in order to tempt mankind. In order to do this, Satan persuades Sin and Death to allow him to pass through Hell’s gate. The immediate result of this is that Satan also releases Sin and Death who paved a path:
Although the epic poem centers around the story of the fall of man, it is interesting that Milton intertwines in this story the fall of Satan from heaven and the consequences it has not only for Satan himself, but for Adam, Eve, and the world as a whole. Milton allows the reader to see the fall from the point of view of Satan, God, as well as Adam and Eve. Because Milton gives insight into these characters feelings regarding the fall, it is no surprise that he uses “eternal providence” in conjunction with the stories of Satan, Adam, and Eve. The providence being described here is the knowledge of good and evil. However, ev...
In Milton's Paradise Lost, he writes the story of the fall of Satan, his followers, and mankind. Many critics often view Satan as the unlikely or tragic hero of the epic poem. Satan is, obviously, the main character throughout most of the poem, but not necessarily the hero. Satan's main purpose is to fight G-d, and try to be on the same level as Him. The important thing is to realize that Satan is sin, and being humans, who are all born into sin, we can easily relate to a sinful character. G-d is holy and perfect. This is something which we, being fallible humans, cannot begin to comprehend. Satan does, at the beginning, follow many of the attributes which coincide with Aristotle's definition of a tragic hero; however, after the first few Books, Satan looses his status as a tragic hero rather rapidly. Along with this, Satan's thoughts parallel the idea of "Evil, be thou my good," (p76, line 110) which is the opposite of what G-d intends.
Paradise Lost is one of the finest examples of the epic tradition in all of literature. In composing this extraordinary work, John Milton was, for the most part, following in the manner of epic poets of past centuries: Barbara Lewalski notes that Paradise Lost is an "epic whose closest structural affinities are to Virgil's Aeneid . . . "; she continues, however, to state that we now recognize as well the influence of epic traditions and the presence of epic features other than Virgilian. Among the poem's Homeric elements are its Iliadic subject, the death and woe resulting from an act of disobedience; the portrayal of Satan as an Archillean hero motivated by a sense of injured merit and also as an Odyssean hero of wiles and craft; the description of Satan's perilous Odyssey to find a new homeland; and the battle scenes in heaven. . . . The poem also incorporates a Hesiodic gigantomachy; numerous Ovidian metamorphoses; an Ariostan Paradise of Fools; [and] Spenserian allegorical figures (Sin and Death) . . . . (3)