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How can culture affect identity
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The Damm Family In evaluation and recollection of Mary Ellen Mark’s photograph of The Damm Family in Their Car, Los Angeles, 1987, Mark captures the everyday struggle of the homeless community in the United States. Mark’s picture tells the story of the Damm family, whom are lounging in their chipped paint car, unkempt, with looks of tiredness and despair. Mark urges people viewing the photograph to better understand homelessness and allows people to put themselves into The Damm family’s shoes. Mark allows people to view homelessness in a very raw light by creating pathos, the family’s gaze, and the background. Mark utilizes pathos in her own photograph by capturing the sadness and despair displayed by the Damm family. The combination of the
Since homeless people are not new to the United States we already have this stigma towards them along with drug users. One of the challenges that Bourgois and Schonberg have to face is practicing cultural relativism. As easy as it may be for them they must not pass judgment on the Edgewater Homeless because everything that they do is relative to the ...
Social issues are difficult to write about because they are simplistic and problematic. Johnson doesn’t say the homeless issue in Los Angeles is good or bad. The story describes the characters leaning more towards bad, but never directly states this. Johnson explores the characters reactions to the issue. From this story, we learn it is easier for this particular family and society to ignore an issue rather than address it.
“Untouchables” by Jonathan Kozol goes on a journey to discover the mistreatment of homeless Americans. The story is very well detailed in explaining how society does not accept these individuals and how they are literally “untouchable.” Kozol shows characters and tells stories of how they life got affected by homelessness and the treatment that came along with it. The author also explains how easy it is to be prune to homelessness by making one little mistake. Not only does Kozol show society thoughts about the homeless are bad, but he also shows the homeless people thoughts of how society responds to them being “low class.” In Jonathan Kozol’s short story “Untouchables,” he exhibits this by explaining how they are misunderstood, stereotyped,
Mark Peterson’s 1994 photograph, Image of Homelessness, compares the everyday life of the working class to the forgotten life of the lowest class in society. In the image, the viewer can see a troubled homeless man wrapped in a cocoon of standard manipulated 12in by 12in cardboard boxes and yarn. The yarn is what is keeping the man and box tied to the red bench. This bench has chipped paint and is right in front of a black fence. Underneath the bench is dirt and debris from the dead fall leaves. The center focal point is the homeless man on the bench. He is the focal point because he is the greatest outsider known to man. Behind this man is vibrant life. There is pulsating people crossing the clean street, signs of life from all the advertising on store windows, families walking and blurred cars filled with
A suburban life is a paradise full of shopping, colorful gardens, and well-groomed homes. Despite all these benefits, a suburban life is an isolated life. People living in suburbs are rarely exposed to miseries in society. One of these conflicts is homelessness. When living in an environment surrounded by homes, individuals often have difficulty imagining not being able to sleep in a warm bed, eat a proper meal or even receive necessary medical attention. This grim situation is depicted in the writings of Jeannette Walls. In the autobiography The Glass Castle, Jeannette Walls accurately portrays homelessness by explaining its causes, its impact upon daily life, and its effect on victimized families.
This photo had global ramifications, and as what is arguably the most famous cover photo in journalism, it opened the world’s eyes to the soul and struggle of the afghan people during a time of war and suppression. The young girl is the center of the frame. Her eyes are the main focus of the image, speaking to the audience about the horrific things she has been through during the soviet occupation. Her eyes are the primary center of the photo, dim green on the outside and blurring internal to a light hazel. Something is past her eyes; her intense soul appears to pierce through to your own. Her eyes look where it counts into your extremely center, requesting understanding. Those eyes are a cry for help to let everyone know what the Soviet Union did to her people. Her innocence, although damaged, can still be seen peaking through her bright eyes. A green foundation complements her green eyes. Her dark hair is brushed far from her eyes with just a solitary strand falling over her cleared out eye. Her skin is tanned from spending her days in the sun and is marginally grimy. The lighting is low and delicate, strengthening and bringing on her eyes to pop. The sun is behind the camera shedding her face for the most part in the light. The left half of her face is faintly darker than the rest, making one accept that the sun was to one side. The green working behind her serves as an edge that matches the external edge of her green eyes, adding to their
...on the homeless community. I previously held preconceived notions that the homeless consisted of people who were either unable to connect and form relationships with others or didn’t desire to do so. Yet, I observed most everyone greeting one another and reminiscing with those who have been absent from the community for a while, as well as, expressing concern for those missing. I recognized that the homeless may live in a non-traditional way, but they have established their own communities and are successful in forming and maintaining cohesive relationships.
Although most people know what homelessness is and it occurs in most societies, it is important to define because the forces of displacement vary greatly, along with the arrangement and meaning of the resulting transient state. The Stewart B McKinney Homeless Assistance Act of 1987 defined a homeless person as “an individual who lacks a fixed, regular, and adequate night-time residence or a person who resides in a shelter, welfare hotel, transitional program or place not ordinarily used as a regular sleeping accommodation, such as streets, cars, movie theaters, abandoned buildings, etc.” Resent surveys conducted in the U.S. have confirmed that the homeless population in America is extremely diverse and includes representatives from all segments of society, including: the old and young, men and women, single people and families, city dwellers and rural residents, whites and people of color, employed and unemployed, able workers and people with serious health problems. The diversity among people that are homeless reflects how difficult it is to generalize the causes of homelessness and the needs of homeless people. Robert Rosenheck M.D., the author of Special Populations of Homeless Americans, explains the importance of studying homelessness based on subgroups, “each subgroup [of homeless people] has unique service needs and identifying these needs is critical for program planning and design.” Despite these diversities, homelessness is a devastating situation for all that experience it. Not only have homeless people lost their dwelling, but they have also lost their safety, privacy, control, and domestic comfort.
Poverty and homelessness are often, intertwined with the idea of gross mentality. illness and innate evil. In urban areas all across the United States, just like that of Seattle. in Sherman Alexie’s New Yorker piece, What You Pawn I Will Redeem, the downtrodden. are stereotyped as vicious addicts who would rob a child of its last penny if it meant a bottle of whiskey.
Statistically, over 670,000 Americans are homeless with a growing number. 48 million people go to bed hungry every night. Although we do provide shelters and opportunities in America, millions of people are homeless worldwide. Even on a more minor level there are still hundreds homeless within hometowns. Everyday we encounter the homeless whether by seeing them holding their personal signs at stoplights, confronts with beggars, or viewing them from afar under bridges. In her essay titled “On Compassion”, writer Barbara Ascher uses rhetorical techniques detailing some of her personal homeless experiences within the city life, Asher does effectively use logos, pathos,
Individuals often have their own perceptions and definitions of homelessness. These perceptions generally are over exaggerated. Over exaggerated definitions of what homelessness looks like can be explained by movies, TV shows, internet, and ev...
She starts by bringing a pessimistic view to photographs of nature, by describing what may or may not lie just outside the boundaries of the picture. Mockingly she leads the reader to assume that there are no real nature photos left in the world, but rather only digitaly enhanced photos of nature wit...
The Image of Homelessness, captured by Mark Peterson in 1994, shows two perspectives of how people live their lives. In the center of the photograph you see a short, black, rounded fence, no higher than the old, brown bench placed in front of it. On the bench is a temporary shelter made of cardboard boxes, tied down with strings. To the right of the fence is a thin, sick looking tree with trash and dead leaves surrounding the base of the tree. In the bottom left corner of the photo is a box placed under the bench and reads: “Handle with Care,” which is ironic as the living conditions show a complete lack of care. Above the fence, stretching across the top of the photo, the sun shines on the blurred Burger King
Right from the moment Louise Mallard hears of her husband's death, Kate Chopin dives into a her vivid use of imagery. “When the storm of grief has spent itself” introduces a weather oriented theme (para.3). This imagery depicts a violent and dark setting that denotes death and grief. Her reaction to her husband's death ideally what society would expect. Her acute reaction instantly shows that she is an emotional, demonstrative woman. Even tho...
These authors want us also to see the little girl as the main focus point of the picture and see the amount of pain she is showing us emotionally.