The DJ Booth
Even while standing inside a DJ booth can be loud and obnoxious, the excitement of playing music and controlling a huge crowd sends and unexplainable feeling through your body.
When I first step into a DJ booth at Club Centers, located in the heart of Rochester, New York, my nerves start going crazy and butterflies hit my stomach so fast it feels like I have to puke. Just the sight of three turntables and an eight-channel mixer in front of my face is like sending a little kid into a candy store. While standing in front of my tables, I look to my right and I see my soundboard. This high-tech, silver plated sound machine stands about seven feet tall with about three hundred switches and knobs that control high pitches, low pitches, medium pitches and all of the digital effects. This soundboard is used when I put a shiny new record on one of the turntables. This will distort the sound quality of the song. The music sounds like a fire alarm, starting with a deep sound then rising to a high pitch screaming noise.
As I look to my left, you see my beautiful blonde light girl working my light board. While the music is playing really loud, she will hit certain buttons that will make multi-colored lasers go in different directions and make many different shapes. Also, while the music is jammin...
complicated than just flicking on a switch and pointing a light. “…lighting allows you to adjust and
It is a rare occurrence in today’s over-amplified, bass-kicking sound world to leave a concert feeling as if you actually heard the music. Over the Rhine provided one of those concerts on Thursday October 2nd at Birdys Bar and Grill in Indianapolis. My personal congratulations to the sound guy, who’s mixing allowed the audience to really hear all the different layers of music and different instrumentation really being played.
Steven Connor delves into the mixing and creating of sound by computerisation, as well as the habits of sound; it’s immersion, pathos and objectivity.
Have you ever wondered how a record player works? Probably not. After all, who still listens to records? Surprisingly enough, turntables are making a come back. With the recent surge of interest in hip hop music, popular attention has been turned towards the turntable, used by DJs to provide beats, loops and scratching for virtually all of today's hip hop groups.
For example, music is becoming more widely available to the general public with the introduction of mp3 players and the growth of the online music industry. The essay is concluded with my personal feelings towards the use of electronic technology within the live music industry, as well as the recording studio environment. This conclusion reveals that while the use of electronic technology has become crucial in the modern music market, it should not detract from the quality of live music produced. In this way, I feel that the use of electronic technology – namely drum machines and computerised backing tracks – have had a negative effect on the live music industry, because the majority of artists within the ‘pop’ genre now use computer-generated backing for live performances.
Djing is characterized as "the specialty of mixing, scratching, and making music by working with prerecorded (normally records) and making something new." Djing became an integral factor around an indistinguishable time from break dancing. As of now rappers began coming into the photo. As this happened, there turned into a need to deliver a more dull, beat-arranged foundation that individuals could rap over. With the requirement for more beats, DJ Kool Herc was the first to DJ with two turntables. It didn't take yearn for the DJ to end up noticeably a critical factor in the development of Hip-Hop. DJ's are viewed to keep the group celebrating for the duration of the night and on the move floor. The specialty of scratching resembles a marvel. A DJ can snatch any recorded sound and control it to state whatever they need it to state. DJ's brought into play another melodic instrument "the
On Sunday afternoon November 21, 1999, at 2:00 p.m.at 419th Concert Worldwide, 330th in New York, 218th in Carnegie Hall I attended a MidAmerica production that presented the New England Symphonic Ensemble. This concert contained several different compositions by large groups of musicians, including an orchestra band, and chorus. This concert was divided into three different parts. First there was the Vivaldi which was divided into 12 sections. Virginia-Gene Rittenhouse was the music director, Raymond Sprague was the conductor, Judith Von Housers Voice was the soprano, Mary Nessinger voice was the Mezzo soprano, and Elizabeth Hastings was the portative. There was a reprise in the first section Gloria which opened up the symphony.
Polyphonic, like the rest of Grupo, is led by a talented and educated team of managers, who have experience working in the music industry. Adding to their strengths, the company is supported by an experienced advisory board made up of music industry insiders with first-hand knowledge of how music companies operate and about the challenges they might face. Lastly, Polyphonic has created in HSS a valuable and scientifically proven product with unlimited potential that can serve across different market segments (discussed at length below). However, the company is not without its own challenges.
The concert I attended was the Jazz Showcase in Rudder Theatre on Monday June21, 2004 at 7:30 p.m.
Another aspect of the band room that lures people in is comedy. There is always something entertaining going on. Imagine a place where nobody is worried about what other people think. First impressions don’t matter in the band room. Everyone is free to be themselves, and when people are themselves it gets interesting.
Public Spaces provide unique experiences and contribute to the identity of a city. Found as places like plazas, parks, marketplaces, within buildings, lobbies and many more. Public spaces are important to our society and therefore face more arguments in design and construction compared to private spaces.
Peter Nicks and William Hirsch’s 2012 documentary film, The Waiting Room, follows the lives of patients, doctors, and staff in a hospital in California. The hospital is a safety net hospital meaning that it provides care to low-income, uninsured populations. The documentary examines the obstacles faced by people who live without healthcare in addition to showing the public what goes in a safety net hospital. The Waiting Room fits into the finger categories of government and politics and science and technology. The most relevant category is government and politics. Healthcare and insurance have played large roles in the government for years. In fact, ObamaCare, the president’s plan for health care reform was one of the root causes of the 2013 government shutdown. This draws attention to just how large and important the congressional healthcare debate truly is. The documentary also fits under the finger category of science and technology. The Waiting Room discusses the technological and scientific innovations found in today’s hospitals. Additionally, it references some of the new methods being used to treat diseases that are prevalent in society. This is particularly significant because these new technologies and treatment methods are being used to save lives every day. The implications of the Waiting Room and safety net hospitals are not limited to finger categories; they are evident in tens of thousands of hospitals throughout the world.
For this task the brief was to design the construction, soundproofing and acoustic treatment of a recording studio complex within a series of set constraints. The complex had to include a control room, living room, reception and bathroom, within an overall floor space of 15m x 15m. The main focus was to be on acoustic design with the use of scale drawings to make the studio clear and easy to understand. For this studio the idea was to design a space suitable for recording large ensemble groups such as orchestras and so the space was designed with this in mind when regarding the size, shape and layout of the space. Arguably two of the most important aspects when designing a studio complex are that the live and control rooms include a lot of natural light and that the communication between the artists and the studio team is free and easy. In the studio this has achieved this by creating a design similar to and inspired by ‘The Big Room’ at Real World Studios (Realworldstudios.com, 2013), where the ‘control room’ and ‘live room’ are actually all within the one space utilising the live end/dead end theory.
Development in computer technology has also made a big impression on music. Many things within these fields have enabled artists to connect with their fans in ways they couldn’t before, and on a lower budget. In this paper, the discussion will be about all of these topics, and about the factors that help transform the music industry into something altogether easier for new people to contribute to. History: Back in the early 1980’s, record labels controlled what people could hear through airplay, record distribution and manufacturing, and selective promotion of music based on their judgement of their audience.
All three shares the common goal of providing an entertainment for a wide variety of people through various means, mostly however, through music. A DJ's job is to combine all the...