The Cycle of Slavery in The Tempest
William Shakespeare’s The Tempest blends elements of adventure and intellectual inquiry. The plot of Shakespeare’s last work contains comedy, romance, and action enough to sustain the interest of his common audience. However, there lies beneath the eloquent language and exciting plot an intelligent political commentary. Shakespeare uses the setting of a virtually uninhabited island as an experimental testing ground for the institution of slavery. Shakespeare shows through his island experiment that subjugation, once instituted, seems to perpetuate itself. While the most automatic explanation of this cyclical nature of slavery would be to say that this political rule is continued by the subjugators, the surprising reality is that it is the victim of colonialism who continues the cycle of slavery. Caliban, the native "islander"(2.2.36), despises his condition as a slave. However, in his attempt to disrupt and overthrow the political order instituted on the island by Prospero, Caliban actually provides evidence of the power of slavery over both man and mind.
Caliban’s initial attempt to defy Prospero’s power via a verbal curse actually gives Prospero more authority as master in that the curse acknowledges the duke’s ultimate power. Caliban begins his speech with the vengeful request that all the evil "infections"(2.2.1) under the sun "fall"(2.2.2) upon the "tyrant"(2.2.160) Prospero. While Caliban wishes for Prospero to be so harmed by sickness, the slave does not have the power to make this happen. Instead, he must request that these evils "fall"(2.2.2) of their own accord upon Prospero. Caliban’s lack of authority because of his condition as a slave is immediately contrasted to that...
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...tly subjugate Trinculo. This brilliant strategic move on Caliban’s part further perpetuates the cycle of subjugation. Once again it is the victim of slavery who acts as the agent in establishing and perpetuating slavery.
In trying to benefit himself by breaking free of slavery, Caliban instead benefits the very practice he so despises. Slavery exerts its power in every aspect of Caliban’s life. In his speech, in his actions, in his thoughts, and even in his attempts to break free of slavery, Caliban cannot escape the powerful effects of subjugation. Caliban does not succeed in breaking the cycle of slavery. Its power and tendency to perpetuate itself are too great. Instead, the slave’s attempt to end his servitude actually propagates rather than abolishes the practice of slavery.
Works Cited:
Shakespeare, William. The Tempest. Mineloa, NY: Drover, 1999.
Over the course of this book, DeVries and Smith used many primary and secondary sources to back u...
...specially the island that they are inhabiting. Prospero can’t see that he has stolen any type of chance that he could be the ruler of the island. Soon enough, Caliban understands that Prospero sees him as someone to be ruled. Caliban eventually realizes that he has been cheated of ever becoming the ruler. As the consequence of his realization, Caliban turns harsh and savage-like, which only confirms Prospero’s view of him. Shakespeare brings out the harsh reality of what characters believe to be “the right way” in The Tempest. With Caliban, Shakespeare showed his audience how degrading it can be to be the person who will always be considered the “savage” even though they hadn’t had a chance to show their true potential.With Prospero, Shakespeare showed the readers that he was wronged in the beginning of the play, but his quest to prove them wrong, he wronged others.
Theißen, G. (2009). Saltational evolution: hopeful monsters are here to stay. Theory in Biosciences, 128(1), 43-51.
In Douglass’ book, he narrates his earliest accounts of being a slave. At a young age, he acknowledges that it was a masters’ prerequisite to “keep their slaves thus ignorant”, reporting he had no true account of his age, and was groomed to believe, “a want of information concerning my own was a source of unhappiness to me even during childhood” (25). This mindset was inbreeded in slaves to use ignorance as control and power. As a child, Douglass is separated from his mother. Thus, he comprehends this is implemented in slavery to disengage any mental, physical, and emotional bond within families and to benefit slave owners concern of uprooting slaves for trade. He illustrates the “norm” action and response of a slave to the master. To describe the typical dialogue, he states, “To all these complaints, no matter how unjust, the slave must answer never a word”, and in response “a slave must stand, listen, and tremble” (38). In the course of his narrative, he describes several excruciating acts of abuse on slaves. His first memory of this exploitation, the lashing of his Aunt Hester, he depicts as, “the blood-stained gate, the entrance to the hell of slavery” (29). Also, he gives accounts of owners’ self-deception tactics, injustices, and in effect, shaping characteristics of prejudice, jealousy, and dishonesty of slaves towards slaves. Likewise, connecting to the reader, slave...
Prospero recounts his tale of woe to Miranda of being expelled from his dukedom due to the greed of his brother and his brother conspiring with the king. Prospero states, “The King Of Naples, being an enemy / To me inveterate, hearkens my brother’s suit,” (1.2.145-146). The King of Naples recognized his power over Prospero due to his position and gave power to Antonio by furthering Antonio’s “suit”. Alonso did this not only to help his friend, but to make a subordinate out of Antonio. The power Alonso possessed by being the King of Naples enabled him to act on his greed and act immorally. Although Prospero knows how it feels to have a person of authority abuse that position, his power of Caliban becomes too much temptation and he treats Caliban terribly. In a fit of rage, while yelling at Caliban, Prospero exclaims, “Thou most lying slave / Who stripes may move, not kindness, I have used /thee/ Filth as thou art,” (1.2.412-416). Prospero is using rude language to Caliban with terms such as “filth as thou art” and calling him a liar, and even threatens to use physical violence. From his possession of power over Caliban, Prospero uses it to harm him and force him to do the chores for Prospero. Although Prospero did originally treat Caliban with kindness until Caliban attempted to force himself onto Miranda, he swung to the other extreme and is now getting revenge for it. Prospero uses his position of power and his magic to force Caliban under his will and subordinate him. The corruption caused by powers is exempt for morally just individuals such as Miranda. Miranda is able to make a new attachment due to her position of power rather than becoming isolated. She finds a husband in the person who was her subordinate, and does not abuse that position against him. Miranda is the purest and righteous
In the play, The Tempest by William Shakespeare, Prospero took control of Caliban and made him his servant. Prospero was able to do this because he viewed Caliban as an uncivilized being; Caliban was portrayed as a beast. Thus, Prospero was able to assume power over Caliban. It can be seen from Prospero’s speech that he thinks that Caliban is inferior to him when Prosper says, “I have used thee, Filth as thou art, with human care […]” (1.2.348-349). Prospero tries to justify enslaving Caliban, but all he really does is place Caliban into a category of bestial and uncivilized and as a result enslaves him.
Binge or excessive drinking is the most serious problem affecting social life, health, and education on college campuses today. Binge or excessive drinking by college students has become a social phenomena in which college students do not acknowledge the health risks that are involved with their excessive drinking habits. Furthermore college students do not know enough about alcohol in general and what exactly it does to the body or they do not pay attention to the information given to them. There needs to be a complete saturation on the campus and surrounding areas, including businesses and the media, expressing how excessive drinking is not attractive and not socially accepted.
The Tempest reflects Shakespeare's society through the relationship between characters, especially between Prospero and Caliban. Caliban, who was the previous king of the island, is taught how to be "civilized" by Prospero and his daughter Miranda. Then he is forced to be their servant. Caliban explains "Thou strok'st me and make much of me; wo...
In literature as in life, characters are multi-dimensional beings. They possess a wide variety of character traits that make them who they are. In the Tempest written by William Shakespeare, Prospero traits resemble those of the Europeans that came during the exploration of the Americas. Thus, Prospero’s treatment of Caliban is similar to the way Europeans treated the Native Americans.
Out of Great Britain spawned one of the worlds greatest economist economist, John Maynard Keynes. He was one of the most influential economist of the twentieth century. Keynes is remembered for starting a field of what became known as Keynesian economics. He wrote a book titled The General Theory of Employment, Interest and Money, where he outlined many of his ideas. Some of his ideas included aggregate demand and aggregate expenditure, as well as the multiplier effect which dealt with the overall economic activity. These ideas fall under Keynesian economics and are just parts of the new economic discipline John Keynes discovered.
Slavery occurs on a widespread basis in The Tempest. Occurrence of slavery to many of the characters, all in different ways, helps to provide the atmosphere for the play. The obvious slaves are not the only slaves, as Prospero has basically got everybody entranced when he wants, to do whatever he wants with them. He can also control the way that they think.
In her essay “Shakespeare's Tempest and the Discourse of Colonialism,” Deborah Willis argues that the play takes on a much more complex and complete identity concerning the aristocracy of colonialism, and she presents the idea that Caliban as the “other” (Willis, p.277) isn’t inherently wrong but rather misguided in readings. While her article brings up important issues concerning the reading of The Tempest, she ignores the vastness and all-consuming nature of colonialism. Her essay helped me to conclude that I perceive The Tempest as not only being solely about colonialism, but all of the issues featured in the play being tied back to colonialism, including those that Willis emphasizes aren’t as important or are ill-founded.
Particularly, the most unsafe college drinking, binge drinking should not happen in an environment of colleges so that students who live around the campus would feel more secure. Besides, college is a place to higher people’s education, not a place to meet up and party. It is important to always remind ourselves that binge drinking is a serious issue for the general population as a whole (including people who don’t drink) because it affects us
Caliban is subjugated to being Prospero’s servant and when the job is not prepared to Prospero’s standards, Prospero will torture Caliban with the magic he acquired. For instance, when Caliban took too much time coming out of his dwelling Prospero spoke, “Thou shalt have cramps,/Side stitches that shall pen thy breath up” (1.2.327-28). Caliban endures torture continuously throughout his life because of Prospero. He is punished for every little wrongdoing. A harsh treatment that causes Caliban to resent Prospero and hate him passionately (3.2.86-87). Caliban’s hatred ignites within and causes Caliban to become a villain himself. For example when he tries and rape Miranda in order to make more of himself. Due to the gruesome treatment given by Prospero, Caliban changes into a villainous man just as the person he despises. In short, Prospero reveals his villain character when he treats Caliban cruelly; a treatment unjustly
Prospero appears to be a ruthless tyrant that strikes fear into Caliban to make him work but further on in the text we learn that this is not the case. Caliban's foul-mouthed insults,