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Sonnet 73 critical analysis
Sonnet 73 critical analysis
Critical appreciation of sonnet no 73
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In Shakespeare’s (Sonnet 73) “That time of year thou mayst in me behold”, the focus is on the narrator’s anxiety of growing old and his impending death. Each quatrain expresses this in a distinctive way, associating the narrator's stage of life with a variety of analogies showing how time passes in nature. There is a marked reduction of time from seasons to days to minutes. As the length of time decreases, the speed in which the narrator approaches death increases. In the end, death is imminent and it is obvious to the narrator while becoming obvious to his audience and the reader.
In the first quatrain (Q1), the narrator relates himself to the season of autumn transpiring quickly into winter, the time of year when the leaves of the trees change from green, to red and yellow and then begin to lose them. John Hurley explains Q1 as “a fine analogy, [of] a man in the winter of his life, clearly winter, for the leaves are few and those which remain are yellow”.(Hurley 1) The narrator is painting a portrait of himself as an old man, but a lover nonetheless. The fact that he is a lover is depicted by the use of a more intimate word thou rather than you in the opening line. As the narrator further paints himself as the leafless tree with shaking boughs that are now empty, but once held many singing birds, Shakespeare is making an intellectual appeal for the reader to see the narrator is in the winter of his life and that death is near.
In quatrain two (Q2) the narrator shortens his time left from seasons to days. Being in the twilight of his life, the narrator is still facing death and still complaining "In me thou seest the twilight of such day / As after sunset fadeth in the west,".(lines 5-6) Once again there is an analogy between l...
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...hard). The order of images used, also dictated by “pathos”, ranges from the year, as depicted by the seasons; to the day, as shown by the sun setting; to the fire burning and reminding readers that aging and death are a part of life. The fact is that death is imminent as it relates to the end of all cycles: the dying year, the dying day, the dying fire, the dying human. This is emphasized and repeated in such a manner that the audience and the reader can easily perceive.
Works Cited
Frank, Berhard. "Shakespeare's Sonnet 73." The Explicator 62.1 (2003): 3+. Literature Resources from Gale. Web. 10 Apr. 2011.
Hurley, John. Shakespeare as Teacher. 1998. ERIC. EBSCO. Web. 10 Apr. 2011.
Shakespeare, William. “That time of year thou mayst in me behold.” The Bedford Introduction to Literature. Ed. Michael Meyer. 9th ed. Boston: Bedford/St. Martin’s, 2011. 1344. Print
The timeline carries on chronologically, the intense imagery exaggerated to allow the poem to mimic childlike mannerisms. This, subjectively, lets the reader experience the adventure through the young speaker’s eyes. The personification of “sunset”, (5) “shutters”, (8) “shadows”, (19) and “lamplights” (10) makes the world appear alive and allows nothing to be a passing detail, very akin to a child’s imagination. The sunset, alive as it may seem, ordinarily depicts a euphemism for death, similar to the image of the “shutters closing like the eyelids”
The sun has been an endless source of inspiration, both physical and spiritual, throughout the ages. For its light, warmth, and the essential role it has played in the maintenance of the fragile balance of life on earth, the sun has been honored and celebrated in most of the world's religions. While the regeneration of light is constant, the relative length of time between the rising and setting of the sun is affected by the changing of the seasons. Hippocrates postulated centuries ago that these changing patterns of light and dark might cause mood changes (9). Seasonal downward mood changes of late fall and winter have been the subject of many sorrowful turn-of-the-century poems of lost love and empty souls. For some, however, “the relationship between darkness and despair is more than metaphoric (6).
... the end of the poem until “the rose tree’s thread of scent draws thin and snaps upon the air”, terminating life and dictating the start of another season.
Throughout the poem I attempted to remain true to Shakespeare’s sonnet by way of word choice, while adding my own twist. My poem alternates between the more archaic (but arguably more beautiful) "thou" and the more modern "you". This is done to tie my poem, written in the present, to Shakespeare’s work of the past.
Dutton, R., & Howard, J.E. (2003). A Companion to Shakespeare’s Works.(p. 9) Maiden, MA: Blackwell Pub.
Clark, W. G. and Wright, W. Aldis , ed. The Complete Works of William Shakespeare. Vol. 1. New York: Nelson-Doubleday
William Shakespeare 's 'Sonnet 73 ' highlights the continuous anxiety; of speaker the due to the inevitability of old age. Through various poetic techniques Shakespeare underlines that the deterioration of time is arbitrary; and it therefore naturally decays beauty and life. However there is a sense that he expresses love as a stronger force which overcomes the constant decline of youth and time. This is strongly represented by the use of seasonal imagery. Similarly, John Donne utilizes formal aspects in 'A Valediction Forbidding Mourning ' to convey the same view of the strong force of love. Unlike, Shakespeare 's constant reflection on deterioration; Donne presents arguments to reassure his lover that their love can overcome all aspects.
Granville Barker's Prefaces to Shakespeare: A Midsummer Nights Dream: The Winter's Tale: The Tempest. Granville Barker. Heinemann, 1994.
Another metaphor in this sonnet is the comparison of death to nightfall, "In me thou seest the twilight of such day" (568). He continues, "Which by and by black night doth take away, death's second self, that seals up all rest" (568). Shakespeare perfectly describes death as the fading of a bright day to a dark black night.
Sonnet 73 by William Shakespeare is widely read and studied. But what is Shakespeare trying to say? Though it seems there will not be a simple answer, for a better understanding of Shakespeare's Sonnet 73, this essay offers an explication of the sonnet from The Norton Anthology of English Literature:
Sonnet 71 is one of 154 sonnets written by William Shakespeare, and although it may rank fairly low on the popularity scale, it clearly demonstrates a pessimistic and morbid tone. With the use of metaphors, personification, and imagery this sonnet focuses on the poet’s feelings about his death and how the young should mourn him after he has died. Throughout the sonnet, there appears to be a continual movement of mourning, and with a profound beauty that can only come from Shakespeare. Shakespeare appeals to our emotional sense of “feeling” with imagery words like vile, dead, be forgot, and decay, and we gain a better understanding of the message and feelings dictated by the speaker.
The simplified argument is an attempt by Shakespeare to persuade his subject to produce an heir. and therefore retain his beauty through his child, to avoid wasting. such a beautiful image. The opening quatrain through use of imagery focuses on the devastating effect that time has on beauty. The opening line deals with time in terms of the seasons, specifically winter.
Roger Allersand and Rob Minkoff directed the animated Disney movie, The Lion King. The particular song I will be discussing, “Circle of Life,” composed by Elton John and scored by Hans Zimmer, plays at the very beginning of the movie and serves as the introduction of Simba to the animal kingdom as well as to the viewing audience. The scene starts out with a sunrise and then cuts to numerous different camera shots of animals from all over the animal kingdom including rhinos, meerkats, cheetahs and others. They appear as if they are all heading towards the same location, which is then shown as a plateau that is being over looked by a mountain ledge. The focus then moves to baby Simba who is being prepared for an introduction to the rest of the kingdom. Simba is then thrust towards the heavens, which leads to the other animals celebrating wildly, and then the scene ends. Throughout this paper, I will show that the texture of the music, through the use of different musical techniques, is essential in creating the particular setting and mood of this scene.
There are several death related motifs present in the poem. For instance, the poem opens with a passage from Dante’s Inferno, foreshadowing the theme of death in the poem. The speaker says “I know the voices dying with a dying fall.” He also references Lazarus from the Bible, who was raised from the dead, further developing the death motif. The speaker also seems to be looking back on life, referring to past experiences and his aging, as if he believes his death is imminent. He seems to have an obsession with hiding his age. According to the Psychoanalytic Criticism Chapter, the greater our fear of something is, the greater our obsession becomes (24). The speaker's fear of death has lead him to wear clothes that are fashionable for young people, such as rolling his trousers, and goes to great lengths to cover his age in other ways, such as parting his hair behind to cover a bald spot. The last stanza of the poem has a rather depressing and sad ending, a result of fear of
The fourteen line sonnet is constructed by three quatrains and one couplet. With the organization of the poem, Shakespeare accomplishes to work out a different idea in each of the three quatrains as he writes the sonnet to lend itself naturally. Each of the quatrain contains a pair of images that create one universal idea in the quatrain. The poem is written in a iambic pentameter with a rhyme scheme of ABAB CDCD EFEF GG. Giving the poem a smooth rhyming transition from stanza to