First published in 1965, The Crying of Lot 49 is the second novel by American author Thomas Pynchon. The novel follows Oedipa Mass, a young Californian housewife, after she unexpectedly finds herself named the executrix of the estate of Californian real estate mogul, and ex-boyfriend, Pierce Inverarity. In reflecting on their history together, Oedipa recalls how her travels with Pierce helped her acknowledge, but not overcome, the poignant feeling that she was being held paralyzed and isolated from the world (and others) within a staid, middle-class existence by some invisible and nefarious external force. Moreover Oedipa struggles to understand why Pierce would name her the executor of his will considering her deep ignorance of finance, law, real estate, and who he was as a person (by virtue of her isolation). Despite these reservations, Oedipa accepts the dubious honor, traveling down into San Narciso, the Southern Californian city at the heart of Pierce’s extensive holdings. A series of improbable coincidences lead her to begin investigating a potential conspiracy centred on an underground communication network called The Tristero. As Oedipa delves deeper into the investigation she begins to question her own sanity. The mounting evidence affirming the Tristero’s existence, like the prevalent sightings of its emblem, a muted version of a post horn, is inextricably tied to Pierce’s estate holdings. Thus, Oedipa has to confront her growing sense paranoia that suggests the whole investigation is either a figment of her imagination, or (far worse) a manipulative ruse being imposed upon her by some unknown external entity (Pierce? The Tristero itself?). Pynchon uses Oedipa’s quest across San Narciso in search of the Tristero to artic...
Pynchon designed The Crying of Lot 49 so that there would be two levels of observation: that of the characters such as our own Oedipa Maas, whose world is limited to the text, and that of the reader, who looks at the world from outside it but who is also affected by his relationship to that world.3 Both the reader and the characters have the same problems observing the chaos around them. The protagonist in The Crying of Lot 49, Oedipa Mass, like Pynchon's audience, is forced to either involve herself in the deciphering of clues or not participate at all.4
...be in our heads. To be able to say to ourselves “The reality is in this head. Mine. I'm the projector at the planetarium, all the closed little universe visible in the circle of that stage is coming out of me”. However, the imagination is in this head. Mine. Reality is elsewhere, in the material world, but not in material itself, but in the way I communicate with the material world. In the end, it does not matter what came of the Crying of Lot 49, what happened to Oedipa. Reality is that her effort to be content fueled miscommunication. Entropy that led to disorder, chaos and disaster. The more I know about the case, the more I question reality. Knowledge is important, it is a crucial building block to effective communication. The misinterpretation of symbols or meanings of subjects like the tristero, like W.A.S.T.E. is highly dangerous. “Communication is key”.
The roles of the characters are particularly useful when comparing and contrasting Oedipus to Darker Face. Oedipus can be argued to be a sympathetic ruler of his people, "my heart must bear the strain of sorrow for all..." (4). He shows a strong desire to rid the land of its despair. Yet as the reader captures a more in-depth glimpse into Oedipus' soul, we find him to be a jealous, stubborn, "blind", guilty, and sinful man. Oedipus' character outwardly seems to want nothing more than to find the guilty persons involved in the murder of Laius, yet when given obvious clues he turns a blind eye, not wanting to know the truth behind the prophecy.
Life is filled with decisions. The path one decides to choose in life can be the altered because of others. Oedipus lives in a world based on the beliefs of oracles. Once the oracle states a prophecy, it is believed the Gods are never wrong. The Gods already had a plan for him that he could not change, no matter what path he chose. Oedipus is not to blame for his tragedy because he is the victim of prophecies. Nora did her best to be a good wife and mother. The problem arises when Nora realizes that her husband does not value her and breaks down her self-worth. Nora’s leaving is justified because she has lost self-worth by conditioning to others.
Oedipus’ pursuit for justice gives him the answers he was looking for but no the ones he wanted. He understands he must stop at no cost to find the killer and exile him, even if it is himself. He is successful in his search, but in the process realizes that all the terrible things that were foretold of his destiny came true. The significance of his findings is what destroys him and leaves him wanting to be
I came across this play several times from my freshman and senior year of high school and now my second year of college. I enjoyed the fact that Oedipus represents the average man, one who is trying to change his own fate; but the part I enjoyed the most from reading this piece from every session was the slow and gradual build-up to the truth, and the steady downfall of Oedipus 's psychological state to the point where he wants punishment for the atrocious actions he had committed. For example, I found myself cringing, but at the same time, amazed, when visually imagining the scene where he gouges his eyes out. Even though most people would show a bit of empathy for Oedipus, I felt no remorse for him. In my opinion, he deserved whatever punishment that was dealt to him since he committed two of the greatest taboos: murder and incest. One thing that I did not enjoyed about this piece is the style of classic English it was translated with because of the hassle of keeping track of what is going on in a specific scene. If there is a version with modern English, I think I would have enjoyed and understood the little details even more. Again, the important message of inescapable fate: the truth will always find a way to the surface no matter how hard you try to hide or deny it; the longer you run away from the truth, the more dire the consequence will be.
...nstant efforts were in vain because humans are not able to control their fate no matter what they do, if it is meant to be it is meant to be. What if king Laios and queen Jocasta instead of wanting to kill Oedipus when he was young would have instead kept him done to the fate of Oedipus? Would it have destroyed it or simply created an even worse that it was? No one will ever know but, it is still debated today.
Oedipus was a great king, he was good and every bad situation Oedipus tried to be humble and find good from everything he did even at first while the people of “Thebes beg their king, Oedipus, to lift the plague that threatens to destroy the city.” Oedipus sent Creon to find out more about the matter showed he was for the people and cared, yet fate always had a plan and ironically,. The Bad. Oedipus went to Thebes, and irony kicks in hard when he kills his father and marries his mother, thee exact thing he was running from his entire life. Oedipus went to great measures to expose, track down, and punish a killer who is in reality himself.
With that being said, this novel is on another level of righteousness. Oedipus was an innocent child who grew up to become a king who was filled with pride, soon