In the setting of Kate Chopin's The Awakening, most women have little independence and are expected to be selfless, subservient, child bearing wives. Adèle Ratignolle, the ideal “mother woman” is respected and well loved by society, but she is unable to express herself and is shackled by society's expectations. Mademoiselle Reisz, on the other hand, maintains her independence and freedom to express herself, but at the price of society's acceptance. Throughout her awakening, Edna realizes that in the context of her time, she cannot be respected by society like Adèle Ratignolle, while respecting herself like Mademoiselle Reisz.
In The Awakening, women are considered their husband's possession, and are expected to balance the duties of motherhood with their social duties, which entails protecting the family's reputation. Léonce Pontellier, Edna's husband, views her as his possession. When she comes home from the beach sunburned, he looks at her “as one looks at a valuable piece of personal property that has suffered some damage” (Chopin 3). Because Léonce views his wife as a piece of property instead of a person, he is very unsympathetic towards her desires. When Edna declares that she wants to move out, Léonce responds angrily, arguing that it is the “utmost folly for a woman at the head of a household, and the mother of children” to spend time on herself which “could be better employed contriving for the comfort of her family” (Chopin 76). Léonce is incredulous that Edna could even consider thinking of herself before her family, since it is such a dramatic shift from the protocol of the time. It is nearly inconceivable for society to be structured any other way. It is not only assumed, but expected, that women will be the care...
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... running off, yet after her newly found awakening, she is unable to revert back to being a subservient mother at the cost of her independence. Edna's decision to commit suicide preserves not only her children, but also her reputation and her independence in a society devoid of options for women desiring both.
Edna's decision to commit suicide is the best choice amid a lack of viable options available to women at the time. Society left no practical options for women who refused to conform to its ideals. Women were not supposed to be independent, single or artistic. The fact that Edna had to commit suicide to preserve her independence and reputation is not a commentary on her, but rather the repressive, sexist society that offered women no other legitimate choices.
Works Cited
Chopin, Kate. The Awakening. New York: Barnes & Noble, 2003. Print.
Throughout Kate Chopin’s novel The Awakening, the main protagonist Edna Pontellier, ventures through a journey of self-discovery and reinvention. Mrs.Pontellier is a mother and wife who begins to crave more from life, than her assigned societal roles. She encounters two opposite versions of herself, that leads her to question who she is and who she aims to be. Mrs. Pontellier’s journey depicts the struggle of overcoming the scrutiny women face, when denying the ideals set for them to abide. Most importantly the end of the novel depicts Mrs.Pontellier as committing suicide, as a result of her ongoing internal
Edna’s recognition of herself as an individual as opposed to a submissive housewife is controversial because it’s unorthodox. When she commits suicide, it’s because she cannot satisfy her desire to be an individual while society scorns her for not following the traditional expectations of women. Edna commits suicide because she has no other option. She wouldn’t be fulfilled by continuing to be a wife and a mother and returning to the lifestyle that she led before her self-discovery.
Social expectations of women affected Edna and other individuals in Kate Chopin’s novel The Awakening. The protagonist, Edna Pontellier, struggles throughout the novel in order to become independent and avoid her roles as mother and housewife in American Victorian society in 1899. This was because women during the 19th century were limited by what society demanded of them, to be the ideal housewives who would take care of their families. However, Edna tries to overcome these obstacles by exploring other options, such as having secret relationships with Robert and Arobin. Although Edna seeks to be independent throughout the novel, in the end she has been awakened but has not achieved independence.
When Edna felt dissatisfied with the life she is given, she pursues other ways in which to live more fully. She attempts painting and enters into an affair with another man. As her desire for freedom grows, she moves out of her husband’s house and tries to live life as she sees fit. She lives a life reflecting her new philosophies towards life, philosophies that are in conflict with that of society. The oppression by man caused Edna to have a social awakening, illuminating the meaning of the novel.
In The Awakening, the male characters attempt to exert control over the character of Edna. None of the men understand her need for independence. Edna thinks she will find true love with Robert but realizes that he will never understand her needs to be an independent woman. Edna's father and husband control her and they feel she has a specific duty as a woman. Alcee Arobin, also attempts to control Edna in his own way. Edna knows she wants freedom. She realizes this at the beginning of the book. "Mrs. Pontellier was beginning to realize her position in the universe as a human being, and to recognize her relations as an individual to the world within and about her (Pg. 642). Throughout The Awakening she is trying to gain that independence that she wants so bad.
The Awakening sheds light on the desire among many women to be independent. Throughout the novel Edna conducts herself in a way that was disavowed by many and comes to the realization that her gender prevented her from pursuing what she believed would be an enjoyable life. As the story progresses Edna continues to trade her family obligations for her own personal pleasures. This behavior would not have been accepted and many even criticize the novel for even speaking about such activities. Kate Chopin essentially wrote about everything a women couldn’t do. Moreover, it also highlights the point that a man is able to do everything Edna did, but without the same
When Kate Chopin's "The Awakening" was published at the end of the 19th Century, many reviewers took issue with what they perceived to be the author's defiance of Victorian proprieties, but it is this very defiance with which has been responsible for the revival in the interest of the novel today. This factor is borne out by Chopin's own words throughout her Preface -- where she indicates that women were not recipients of equal treatment. (Chopin, Preface ) Edna takes her own life at the book's end, not because of remorse over having committed adultery but because she can no longer struggle against the social conventions which deny her fulfillment as a person and as a woman. Like Kate Chopin herself, Edna is an artist and a woman of sensitivity who believes that her identity as a woman involves more than being a wife and mother. It is this very type of independent thinking which was viewed as heretical in a society which sought to deny women any meaningful participation.
In the book, The Awakening, Kate Chopin addresses a common struggles woman face in society through the main character Edna Pontellier during the 1800s. Edna Pontellier is an American woman infused with charm and grace. Edna’s charm could not escape her. She moved gracefully among the crowds and appeared self-contained. Edna learned to master her feeling by not showing outward and spoken feelings of affections, either in herself or in others. This type of behavior appears common in society and understood within Edna’s the marriage relationship with her husband. However, one summer while vacationing at the Grand Isle, the reserved manner Edna always enveloped began to loosen a little and her soul began to awaken.
...k 345). Edna was not strong enough to fly above prejudice of her society, causing her to spiral down towards her death, but finally gaining the freedom she desired.
It’s 1899; the Industrial Revolution is beginning to emerge and women are gradually wanting to feel as equal as their male counterparts and wanting a say on things. It wasn’t considered normal for women to defy what society expected of them. You were supposed to do as you were told from any man and be the perfect wife and mother to your children. There is always that one person who is brave enough to go against this and “march to the beat of their own drum”. How can someone be themselves if they are following someone else’s rules? How does one go about retaining their integrity with the pressures of society’s expectations? These questions correlate to Kate Chopin’s novel, The Awakening. Throughout the novel, Kate Chopin illustrates Edna Pontellier’s quest for identity and independence through having an affair with two other men, neither of which are her husband. Edna’s outlook on life changes drastically while staying in Grand Isle. She used to obey the rules of society but the oppressiveness of it is too much for her which eventually leads her rebel. When one rebels, they must go through sacrifice so they can live life the way they intend it to be for them. She sacrifices relationships and eventually ends her journey with her final awakening in the ocean. In The Awakening, Edna Pontellier demonstrates the unconventional woman and proves that the perspective that society holds of women is stifling, which prompts a woman to sacrifice herself in order to retain her integrity.
As the novel starts out Edna is a housewife to her husband, Mr. Pontellier, and is not necessarily unhappy or depressed but knows something is missing. Her husband does not treat her well. "...looking at his wife as one looks at a valuable piece of personal property which has suffered some damage." She is nothing but a piece of property to him; he has no true feelings for her and wants her for the sole purpose of withholding his reputation. "He reproached his wife with her inattention, her habitual neglect of the children. If it was not a mother's place to look after children, whose on earth was it?" Mr. Pontellier constantly brings her down for his own satisfaction not caring at all how if affects Edna.
In The Awakening, Kate Chopin depicts the varying definitions of women and their role through her three major female characters, Edna Pontellier, Madamoiselle Reisz and Madame Ratignolle. In the late 1800s, the role of women was strictly being caretakers for both their children and husbands. Edna Pontellier attempts to fit into society’s expectations by marrying Léonce Pontellier and raising two children, yet she struggles with feelings of oppression as she suffers through her unwanted role. Mademoiselle Reisz, a talented musician, is unmarried and childless, rejecting all of society’s ideals. Edna’s friend, Madame Ratignolle, greatly contrasts the two as she represents the model Louisiana women. However, while Edna, Madamoiselle Reisz and Madame Ratignolle each depict a different idea of woman’s role in society, none of these three women reach their full individual potential.
...tionship she had until she was left with literally no reason to live. Throughout the novella, she breaks social conventions, which damages her reputation and her relationships with her friends, husband, and children. Through Edna’s thoughts and actions, numerous gender issues and expectations are displayed within The Awakening because she serves as a direct representation of feminist ideals, social changes, and a revolution to come.
Critics of Kate Chopin's The Awakening tend to read the novel as the dramatization of a woman's struggle to achieve selfhood--a struggle doomed failure either because the patriarchal conventions of her society restrict freedom, or because the ideal of selfhood that she pursue is a masculine defined one that allows for none of the physical and undeniable claims which maternity makes upon women. Ultimately. in both views, Edna Pontellier ends her life because she cannot have it both ways: given her time, place, and notion of self, she cannot be a mother and have a self. (Simons)
As Edna nears the end of the novel, she has reached full self-realization and independence through these three forms of expression. Her despair comes in the fact the she has surpassed each of her teachers, leaving her in a free, but lonely world. Edna is convinced her awakening, though liberating, has only led to essential solitude and chooses the ultimate isolation of death.