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The Coquette
Eliza Wharton is bound by the rules of New England society in the late 1700s. She chooses to disobey the rules of the society she lives in. While she is not wholly responsible, Eliza Wharton is mostly responsible for her own demise.
When Eliza’s fiancé dies, she feels freed. Her first letter to Lucy expresses her pleasure at her new found freedom. Eliza claims she is not happy her fiancé is dead, but through out the letter, she sounds very happy. She was miserable being the nurse of a sickly man. Being trapped by her impending marriage to a sickly man was Eliza’s worst nightmare. She likes going to parties and socializing. Her first three letters to Lucy express her current happiness and enjoyment of her new freedom. She doesn’t want to be tethered down. Eliza was very angry when she was interrupted at a party by Mrs. Laiton offering her condolences; “I had rambled some way from the company, when I was followed by Mrs. Laiton to offer her condolence on the supposed loss, which I had sustained, in the death of Mr. Haly,” (Foster 809). Eliza’s very language suggests th...
In the beginning of the story, when Eliza was sick, she still wanted to get out of bed and work to help care for Patsy. This shows her love, because even though she is sick and can’t work, she still wants to work just to care for Patsy. Patsy, in turn, wanted to go to the stables to exercise some horses to earn money even though his mother was afraid the horses might kill him like his father died. In the text, it says,'"Nevah you min'," said Patsy with a choke in his voice. "I can do somep'n', an' we'll have anothah doctah." "La, listen at de chile; what kin you do?" "I'm goin' down to McCarthy's stable and see if I kin git some horses to exercise." A sad look came into Eliza's eyes as she said: "You'd bettah not go, Patsy; dem hosses'll kill you yit, des lak dey did yo' pappy."’ This shows that even though Patsy’s mother does not want him to go, he knows he needs to get the money for his mother so he can get a doctor for
Eliza's assaults against True Womanhood are violations of the virtues submissiveness and purity. When Eliza refuses to ignore the gallantry of Major Sanford in favor of the proposals of Reverend Boyer despite the warnings of her friends and mother, she disregards submissiveness in favor of her own fanc...
You could see the helpless and powerless state of women even as far back as the 18th century. The story also exposes the fundamental injustices meted out to women by confining them to a limited domestic sphere. The society dictates the identity and role of the woman; “every young woman is expected to marry a suitable spouse” (Foster 818), take care of her husband and children, while having no voice or rights of her own. Any relationships outside the spheres of marriage is being frowned at. But the man can do as he pleases, even if he is married. While Eliza had to move away from her family and friends because she was pregnant and could not stand the shame and had “become a reproach and disgrace to friends” (Foster 906), Sanford is allowed to continue living his life probably with another vulnerable young woman in the society. While Sanford gets away with his womanizing acts, Eliza is the one who is branded as loose, and termed a coquette; she was the one who lost her life, trying to conceal a pregnancy that was conceived by two people. An unidentified source has this to write about her: “But let no one reproach her memory. Her life has paid the forfeit of her folly. Let that suffice” (Foster
Edith Wharton, originally named “Edith Newbold Jones”(Cliff Notes), was born on “January 24, 1862 in New York City to George Frederic Jones and Lucretia Stevens Rhinelander Jones and died on August 11, 1937”(Cliff Notes). She was born into a wealthy family and was a “designer, short story writer and American novelist”(Cliff Notes). Wharton descended from the English and Dutch cultures. She had two siblings, one known as “Frederic Rhinelander Jones” (Cliff Notes) who was sixteen years older than her, and “Henry Edward Jones eleven years older”(Cliff Notes). While her brothers attended boarding school, Wharton became “raised as an only child in a brownstone mansion on West Twenty-third Street in New York City”(Cliff
Louise, the unfortunate spouse of Brently Mallard dies of a supposed “heart disease.” Upon the doctor’s diagnosis, it is the death of a “joy that kills.” This is a paradox of happiness resulting into a dreadful ending. Nevertheless, in reality it is actually the other way around. Of which, is the irony of Louise dying due to her suffering from a massive amount of depression knowing her husband is not dead, but alive. This is the prime example to show how women are unfairly treated. If it is logical enough for a wife to be this jovial about her husband’s mournful state of life then she must be in a marriage of never-ending nightmares. This shows how terribly the wife is being exploited due her gender in the relationship. As a result of a female being treated or perceived in such a manner, she will often times lose herself like the “girl
In the novel, Harriet Beecher Stowe introduces a housemaid slave, Eliza, who was promised her son would not be sold, however, when the poor economic conditions had hit her slave owners, they did not keep up with the promise of keeping Eliza’s son. One night she overheard them planning to sell her son, so Eliza escaped to help her son. “Eliza made her desperate retreat across the river just in the dusk of twilight. The gray mist of evening, rising slowly from the river, envelope...
He supposed the woman was happy. She was obviously too old to be a second-generation Walden Two inmate, and so had not been subtly forced to be unselfish and content. She willingly subscribed to the Code and accepted the rules that told her not to gossip, to refrain from gratitude, and not to admire her own flowers. She led a placid, comfortable life and he supposed that most elderly people, havin...
The epistolary novel challenges gender roles because in a society where the most accepted form of female writing was letters, the epistolary novel gives a new voice to women. The letters written by the characters especially the women go hand in hand with new republican virtues of society. Women were becoming more educated and their letters became more frequent. The epistolary form gives a sense of realism. It allows the reader to dive head first into the lives and problems of the characters, it is set up in a way where the reader ultimately knows more than the character does. This style of writing allows us to get the story from each character as an individual, which is important because if told from another character, events and emotions might get lost in translation or become skewed. Through reading Eliza’s letters, the audience can get a grasp of her personality, her morals, her humor, and her intentions. Eliza’s voice is strong and as she begins to decline her voice starts to dwindle and become muffled and eventually lost. Through being able to see how her voice gets lost, the reader can get a real sense of her decline as a character. Eliza begins to fade and other characters start to step into the light. Eliza’s letters are what makes her relatable and without these snippets from Eliza, the audience might not want to side with her. William Brown Hill’s preface to The Power of
...t, cruel, and even emotionless. However, this is far from true. Louise Mallard may have been relieved to hear about her husband’s death and she may have died of the disappointment at hearing he was actually alive, but she is only human. She desires freedom from oppression and freedom to be her own woman. She cares deeply for her husband, but he tied her down in a way that she did not like. The weight was far too much to bear, despite what feelings she held for Brently Mallard. She has a wide range of emotions, including the grief toward the death of Mr. Mallard. Mrs. Mallard’s thoughts and feelings are no different than those belonging to any other person.
Eliza is a slave on a plantation that raises her to be a “good” Christian. To Eliza, her masters
"It is impossible to conceive of a human creature more wholly desolate and forlorn than Eliza, when she turned her footsteps from Uncle Tom's cabin. Her husband's suffering and dangers, and the danger of her child, all blended in her mind, with a confused and stunning sense of the risk she was running, in leaving the only home she had ever known, and cutting loose from the protection of a friend whom she loved and revered. "
In her final letter to her mother, Eliza admits her wrong doings. She tells her mother she ignored all the things she was told. All their advice fell on her deaf ears. She explains that she had fallen victim to her own indiscretion. She had become the latest conquest of “a designing libertine,” (Foster 894). She knew about Sanford’s reputation, she knew his intentions, and she knew that he was married, yet she still started a relationship with him. And her blatant disregard for facts and common sense caused her unwed pregnancy and premature demise. Eliza Wharton had nobody to blame for her situation but herself. She ignored warnings, advice, common sense, and other options available to her. She chose her ill fated path and had to suffer the consequences.
In our departure and adieu, both Mrs. Whipple and Elisa cared about how the world perceived them. They were afraid if either of them peered into a crystal creek then they might see an unholy beast abhorred by man. While Elisa’s sympathy and compassion was pure, Mrs. Whipple only cared about her own ego. Mrs. Whipple even smoke ill of the doctor when it meant her ego was threatened. She didn’t want people to think her family was poor or suffering. Her desire was personal concern, while Elisa cared about the emotions of others.
...tedly, but instead the idea that she no longer will have her husbands will forcing her to have no self-assertion, which was common of that time. By the last 3 paragraphs of the story Louise has come to full realization of what is to come.
Eliza does not want to continue being part of the high society and has to stay under Higgins watch but wants to return to where she came from (Berst 100).