The Contributions of Blacks to the Arts
The Contibutions of Black Americans to the Arts
“… Without a continuous bond uniting men, without a continuous current of shared thought, … there could be no living worthy of being called human.” Richard Wright spoke these words in his autobiography Black Boy. He, as well as many other black Americans have displayed exmplemtory talent in the arts. As a matter of fact, blacks have contributed their talents to the arts, for many years, especially in the areas of painting, literature, and music.
Many people are unaware of the contributions black people have made to the art of painting. Painters such as Benny Andrews and Jacob Lawerence have expressed the pain and joys share through their paintings. Jacob Lawerence, whose styles range from expressionism to cubism, is famous for the painting Grand Performance. The painting show blacks coming together in the performing arts. On the other hand, Benny Andrews is an artist that conveys his meaning through allegory. He is, however, known for his contribution to the Black Emergency Cultural Coalition. He was one of the firsts to start this organization which protested against the underepresentation of black art.
Another art that blacks influenced is literature. For example, Richard Wright was one of the first writers to address and protest against the racism problem in America. In his book, Native Son, he shows how a black boy is driven to kill a white woman. He also wrote essays for a book written by former communists who were displeased with the party. Most of his works show the struggles of black Americans. Likewise, novelist Toni Morrison writes about the struggles of black females. She was awarded the Nobel Prize for literature and in the late 1980s, she was awarded the Pulitzer Prize for her book Beloved. This book shows the effects of slavery on a former slave after the war. Morrison is not the only woman to receive awards for work. Maya Angelou given many awards, including Grammys in 1994 and 1996. She received the one for the recording of her poem “On the Pulse of Morning” recited at President Clinton’s inauguration and one for “Phenomenal Woman.” She along with many others has shown explemary talent in literature.
Beginning as early as slavery, blacks have impacted music dearly. Jazz, a form of music stemming from gospel, is a form of expression. One famous jazz musician was the trumpet player Miles Davis.
That’s when I first gained an appreciation of the Harlem Renaissance, a time when African Americans rose to prominence in American culture. For the first time, they were taken seriously as artist, musicians, writers, athletes, and as political thinkers”(Kareem Abdul-Jabbar). African Americans writers during this time was capturing the beauty of black lives. Blacks were discovering many reasons to have pride in their race. Racial pride was helping them achieve equality in society. People were starting to write the way they wanted, instead of the ways whites wanted. Creating their
Benny Andrews was also inspired by the jazz clubs of Chicago and his work as a civilizing activist. He served as the Director of the Visual Art Program at the National Endowment for the Arts. Recognized for his collage works as well as carving, graphic, drawings, paintings, he is also a writer and critic and was a professor at Queens College in New York. Andrews is an outstanding designer, who is straightforward, but his powerful work is also unremarkable. He is also a writer and critic and was also a wonderful professor at Queens College in New York.
...ce was recognized for his talent. Despite the primitive look of Lawrence’s painting the gesture are read and reveals a set of principles inspired by African-Americans. Thus, the modernist aesthetic of his art shows the critical faith of a people oppressed and striving to get ahead. Therefore, elements of his work and themes like man’s struggle produce one of the United States most famous African-American Artist of all times Jacob Lawrence.
Throughout history, and even today, music has shaped America’s culture, society, and even politics. One of the most outstanding and enduring musical movement has been from African American artists, ranging from bebop to jazz to hip-hop to rap. During the 1920’s , jazz artists stepped into the limelight and began their impact on American and even world history. Louis Armstrong was one of the most influential leaders during the Harlem Renaissance and his jazz legacy and impact of American history is everlasting. A master of his craft, Armstrong and his music heavily influenced America’s white and black populations from the 1920’s and up until his death.
In order to add something to their lives, [black families] decorated their tenements and their homes in all of these colors. I've been asked, is anyone in my family artistically inclined? I've always felt ashamed of my response and I always said no, not realizing that my artistic sensibility came from this ambiance.... It's only in retrospect that I realized I was surrounded by art. You'd walk Seventh Avenue and took in the windows and you'd see all these colors in the depths of the depression. All these colors.
The standard argument against abortion claims that the fetus is a person and therefore has a right to life. Thomson shows why this standard argument against abortion is a somewhat inadequate account of the morality of abortion.
All types of music require musicians. In the H.R (Harlem Renaissance), there were many who contributed to this new style of music known as jazz. These musicians all have their own style and form. Each of these styles has in some way influenced the evolution of jazz. Louis “Sachmo” Armstrong is recognized as the most famous trumpet player of this time. His “hot bop” style was heard in places like the Cotton Club and the Apollo Theatre. Everyone from all over the country would come to see him. Armstrong recorded such works as I’m in the Mood for Love, and You Rascal you (http://library.thinkquest.org/26656/english/music.html). Another famous person during this era was Coleman Hawkins, a saxophone player. Hawkins is recognized as the first great saxophonists of Jazz. His most famous work was a piece named Body and Soul (http://library.thinkquest.org…). Hawkins has also recorded with artists such as Thelonious Monk and Duke Ellington. Other people such as Bessie Smith, Josephine Baker, Duke Ellington, and “Dizzie” Gillespie have also made many contributions to the development of Jazz.
The people of the black culture need a motivating force behind their community. They need a black aesthetic to motivate them and incline them to support the revolution. The black aesthetic itself will not be enough to motivate the people; they will need black art to help them understand what they are supporting. The art in the black culture needs an aesthetic to get the message across to its viewers and allow them to understand the meaning behind pieces of artwork. One of Ron Karenga’s points is how people need to respond positively to the artwork because it then shows that the artist got the main idea to the audience and helps to motivate them to support the revolution. In “Black Cultural Nationalism”, the author, Ron Karenga, argues that
Judith Jarvis Thomson, in "A Defense of Abortion", argues that even if we grant that fetuses have a fundamental right to life, in many cases the rights of the mother override the rights of a fetus. For the sake of argument, Thomson grants the initial contention that the fetus has a right to life at the moment of conception. However, Thomson explains, it is not self-evident that the fetus's right to life will always outweigh the mother's right to determine what goes on in her body. Thomson also contends that just because a woman voluntarily had intercourse, it does not follow that the fetus acquires special rights against the mother. Therefore, abortion is permissible even if the mother knows the risks of having sex. She makes her points with the following illustration. Imagine that you wake up one morning and find that you have been kidnapped, taken to a hospital, and a famous violist has been attached to your circulatory system. You are told that the violinist was ill and you were selected to be the host, in which the violinist will recover in nine months, but will die if disconnected from you before then. Clearly, Thomson argues, you are not morally required to continue being the host. In her essay she answers the question: what is the standard one has to have in order to be granted a right to life? She reflects on two prospects whether the right to life is being given the bare minimum to sustain life or ir the right to life is merely the right not to be killed. Thomson states that if the violinist has more of a right to life then you do, then someone should make you stay hooked up to the violinist with no exceptions. If not, then you should be free to go at a...
The African arts formed an essential platform for the promotion of the African American culture today. This culture could not have been created and maintained without the aspiring poets, artists, writers, and musicians that all played a role.
In the Judith Jarvis Thomson’s paper, “A Defense of Abortion”, the author argues that even though the fetus has a right to life, there are morally permissible reasons to have an abortion. Of course there are impermissible reasons to have an abortion, but she points out her reasoning why an abortion would be morally permissible. She believes that a woman should have control of her body and what is inside of her body. A person and a fetus’ right to life have a strong role in whether an abortion would be okay. Thomson continuously uses the story of a violinist to get the reader to understand her point of view.
In the article 'A Defense of Abortion' Judith Jarvis Thomson argues that abortion is morally permissible even if the fetus is considered a person. In this paper I will give a fairly detailed description of Thomson main arguments for abortion. In particular I will take a close look at her famous 'violinist' argument. Following will be objections to the argumentative story focused on the reasoning that one person's right to life outweighs another person's right to autonomy. Then appropriate responses to these objections. Concluding the paper I will argue that Thomson's 'violinist' argument supporting the idea of a mother's right to autonomy outweighing a fetus' right to life does not make abortion permissible.
Thomson’s argument is presented in three components. The first section deals with the now famous violinist thought experiment. This experiment presents a situation in which you wake up one morning and discover you have been kidnapped and hooked up to an ailing violinist so that his body would have the use of your kidneys for the next nine months. The intuitive and instinctive reaction to this situation is that you have no moral duty to remain hooked up to the violinist, and more, that he (or the people who kidnapped you) does not have the right to demand the use of your body for this period. From a deontological point of view, it can be seen that in a conflict between the right of life of the fetus and the right to bodily integrity of the mother, the mother’s rights will trump those of the fetus. Thomson distills this by saying “the right to life consists not in the right not to be killed, but rather in the right not to be killed unjustly”.
Now a days, many believe that jazz is not that important of music genre, but with our history, jazz plays a big role. “Jazz does not belong to one race or culture, but it is a gift that America has given to the world.”, quoted by Ahmad Alaadeen. Jazz in the 1920’s opened the eyes of whites and invited them into African American culture; it evolved Americans to where we are today since it brought a change to the music scene, an acceptance of African Americans, and a change of lifestyles.
Think of the last time you saw a painting that featured African Americans in it. Were they the main focus? Did the painting have only African Americans or did it include white Americans too? Now think about the artist, were they an African American? The average person who knows little to nothing about art most likely does not know any African American artists or does not know many artworks that involve only black people in a non-historical context. Kerry James Marshall’s exhibition Mastry is exactly that. It is made up of multiple artworks which only show black people in both historical and non-historical contexts. This exhibition helps to counter this issue of the lack of artworks where only black people are portrayed how white people would