The Complexity Of Iago In Othello

704 Words2 Pages

Of all of Shakespeare 's villainous characters, Iago is one of the most unforgettable ones. The deception he constantly shows throughout the play, confirms the complexities of Iago’s character that he is not simply a man seeking vengeance. Shakespeare scholar Harold Bloom argues that Iago is an artist of evil. In the same way that some people enjoy writing songs or filming movies, Iago enjoys ruining people 's lives(Bloom). Iago conducts his evil acts with a sense of artistry in the sense he appreciates the cleverness of every particular step he takes in his scheme for vengeance. While the perceived reason for deceiving Othello is that he has been passed over for promotion to lieutenant, Iago’s motivations are never clearly expressed and …show more content…

The basic motivation of Iago is hate. Wounded pride, a feeling of personal injustice, and jealous suspicion merge into his passion of hate for Othello. From the beginning of the play, this motive is predicated as the basic action which follows. Rodergio says to Iago: “Thou told’st me thou didst hold him in thy hate” ( ) Iago answers: “Despise me, if I do not.”() "Till I am even 'd with him, wife for wife, Or failing so, yet that I put the Moor At least into a jealousy so strong That judgment [reason] cannot cure" ( ). In the same …show more content…

He is also convinced that Desdemona is secretly in love with Cassio, and thus the wicked manipulations are prompted by genuine sexual jealousy. Shakespeare removes this motive, mentions Othello 's promotion of Cassio over Iago, and leaves only a few passing references to possible sexual jealousy. Iago alludes twice to his suspicions that both Othello and Cassio may have slept with his wife: "I do suspect the lusty Moor / Hath leaped into my seat" (2.1.295-6); and only parenthetically, "(For I fear Cassio with my nightcap too)" (2.1.307). When Iago first refers to the rumor about Othello and his wife, however, he adds oddly, "I know not if it be true, / But I, for mere suspicion in that kind, / Will do, as if for surety" (1.3.379-381). In an article titled "Psychoanalysis after September 11" (2002), Jonathan Lear refers to Iago as a representation of such motiveless maliciousness. Iago embodies, Lear argued, a hatred that cannot be rationalized, an evil not based on reasons. Lear drew a distinction between jealousy and envy; while the jealous Othello attacks because he believes he has lost the good object or been betrayed by it, the envy that Iago represents "attacks the good because it is good." In these two different events, Iago expresses his suspicion of Othello’s honesty when previously he loathes Othello because of his honesty. Iago seems to come to the conclusion that is impossible for Othello to cheat him because

Open Document