The Complex Character of Iago of Othello
Iago can be clearly characterized as the villain in Shakespeare’s Othello. The notion of the "honest" Iago does at times appear not to be a misnomer. In this essay I shall attempt to explore the complexities contained within the character of Iago.
One of the most interesting questions that crops up is the one concerning Iago’s motives. What are his reasons to kill every major Venetian in Cyprus? Shakespeare seemingly sets the stage for Iago’s actions, giving him two distinct reasons to avenge Othello. The first is the fact that Othello promotes Cassio, an "arithmetician" to the rank of lieutenant and passes over Iago who is but a sergeant. Secondly, Iago is suspicious of his wife, Emilia and thinks she is sleeping with every other man but him—including Othello. There are other reasons that Iago talks about in his soliloquies—the primary one being jealousy or "the green-eyed monster." Iago resents the love that Othello and Desdemona share and also takes offence at the fact that Othello is older, yet he has a young and beautiful wife, power, and respect, all that Iago desires. However, all these reasons seem to be false and made-up just for the sake of being excuses for his malice or perhaps they seem to sum up a sense of paranoia.
Furthermore he uses these reasons to convince Roderigo to hate Othello. The real motive seems but a slip on Iago’s part w...
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Works Cited and Consulted
Bradley, A. C.. Shakespearean Tragedy. New York: Penguin, 1991.
Di Yanni, Robert. “Character Revealed Through Dialogue.” Readings on The Tragedies. Ed. Clarice Swisher. San Diego: Greenhaven Press, 1996. Reprint from Literature. N. p.: Random House, 1986.
Mack, Maynard. Everybody’s Shakespeare: Reflections Chiefly on the Tragedies. Lincoln, NB: University of Nebraska Press, 1993.
Shakespeare. Othello. The Longman Anthology of British Literature. Ed. Rossi. New York: Longman, 1999. 312-379.
Shakespeare, William. Othello. In The Electric Shakespeare. Princeton University. 1996.
http://www.eiu.edu/~multilit/studyabroad/othello/othello_all.html No line nos.
Bradstreet was a Puritan and was therefore raised with a simplistic view of the world. This, combined with the fact that she was a woman, carried over into her way of writing. Her writing style was not eloquent but plain, humble, and pleasant to read. Her poems dealt with topics such as faith, family, and adversity and were easy to understand. Bradstreet had great faith which she gained through the experiences she encountered in life.
A Shakespearean play always includes a typical villain character. He is boisterous, egotistical, sometimes witty, and all too eager to seek revenge. In William Shakespeare Othello, Iago is the well-liked, trusted, and brave ensign of the great Venetian general Othello, or so it appears. Iago actually possesses all of the typical villainous qualities, however Iago conducts himself with great composure, and by manipulating his counterparts, he makes people believe he is on their side. I find this characteristic to be a very intriguing one that is not easy to perform. It is perhaps Iago's villainous actions throughout this play that lead me to believe that he is the hero rather than the typical villain.
...e from her love to the world. Perhaps, she believed that in this love of her, she became God-like and God thus punishes her. Nevertheless, the presence of God in her poems is more than clear. Perhaps, it was due to religious beliefs that she though that it was wrong to feel too strong feelings to world and she considered herself to be a sinner who deserves punishment. Today, there are few followers of Bradstreet, but she, her ideas and her thoughts about sufferings still remain in modern books.
I wasn’t even outside but I could feel the warm glow the sun was projecting all across the campsite. It seemed as if the first three days were gloomy and dreary, but when the sun on the fourth day arose, it washed away the heartache I had felt. I headed out of the trailer and went straight to the river. I walked to the edge, where my feet barely touched the icy water, and I felt a sense of tranquility emanate from the river. I felt as if the whole place had transformed and was back to being the place I loved the most. That day, when we went out on the boat, I went wakeboarding for the first time without my grandma. While I was up on the board and cutting through the wake of the boat, it didn’t feel like the boat was the one pulling and guiding me, it felt like the river was pushing and leading me. It was always nice to receive the reassurance from my grandma after wakeboarding, but this time I received it from my surroundings. The trees that were already three times the size of me, seemed to stand even taller as I glided past them on the river. The sun encouraged me with its brightness and warmth, and the River revitalized me with its powerful currents. The next three days passed by with ease, I no longer needed to reminisce of what my trips used to be like. Instead, I could be present in the moment, surrounded by the beautiful natural
Bradley, A.C.. Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear and Macbeth. New York: Penguin Books, 1991.
As early as the first scene of the play Iago shows us strong motives for his actions. In this first scene we see Othello, a general of Venice, has made Cassio his new lieutant. Iago feels he truly deserves his promotion as he says "I know my price, I am worth more no worse a place."(l.i.12) Iago over here is confused why Othello has made such a stupid decision. Iago is a man with a tremendous ego who knows, sometimes overestimates, his worth. Roderigo, a Venetian gentleman, understands Iago when Iago said that he is "affined to love the Moor."(l.i.41-42) What Iago really means is "I follow him to serve my term upon him."(l.i.45) Iago wants to use Othello for his personal goals. We also must put ourselves into Iago's shoes. He is a man whose self-esteem and professional carrier have just been torn apart. Iago makes his actions of revenge toward Othello almost immediately by informing Brabantio, a Venetian senator and father of Desdemona, that "an old black ram (Othello) is tupping (his) white ewe (Desdemona)."(l.i.97)
Clark, W. G. and Wright, W. Aldis , ed. The Complete Works of William Shakespeare. Vol. 1. New York: Nelson-Doubleday
Iago is a man of jealousy, and he is proposing revenge against Cassio and Othello. " He claims both Cassio and Othello have seduced his wife, Emilia, a warm-hearted, simple woman. He proposes, as revenge of wife for wife, to put Othello into such a jealousy as judgement can cure" (Jorgensen 59). "We know therefore from the start why Iago hates Othello . . . " (Modern 3). Iago's hatred for the Moor is deep, and there is apparently reason. The Ten Commandments teach us to love thy neighbor and to not steal. It seems that Othello has in a sense broken both those rules, or at least that is what Iago wants us to believe. By trying to seduce Emilia he is not loving thy neighbor, and he is trying to steal Iago's wife. The Bible also says not to seek revenge, but to love thy enemy; therefore, Iago is going to also break some rules.
Cohen, Walter, J.E. Howard, K. Eisaman Maus. The Norton Shakespeare. Vol. 2 Stephen Greenblatt, General Editor. New York, London. 2008. ISBN 978-0-393-92991-1
Bradley, A.C.. Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear and Macbeth. New York: Penguin Books, 1991.
In "Elegy XIX [To His Mistress Going to Bed]," we are confronted with one of Donne's personalities. The poem begins abruptly: Come, Madam, come! All rest my powers defy;/ Until I labour, I in l abour lie. The reader is immediately thrust into the middle of a private scene in which Donne attempts to convince his lover to undress and come to bed. There is only one speaker in this poem, Donne, we do not hear the voice or a description of the feelings of another person, but she is always present. If Samuel Johnson was correct when he made the statement that "the metaphysical poets were men of learning, and to show their learning was their whole endeavour.
Bradstreet begins the poem by describing how she felt for her granddaughter, and this is seen in the way she describes Elizabeth as a "babe" and "flower." In phrases such as "my heart's too much content" and "the pleasure of mine eye," it is quite clear that she felt deeply for the little girl. It is obvious that a grandmother would be deeply saddened by the loss of her grandchild.
In Shakespeare’s Othello, Iago is the antagonist and villain who causes all the trouble and disorder. Othello is the protagonist, and is the main person Iago’s destruction and revenge is aimed towards. Othello is naïve and gives everybody his trust even though he may not know them or they haven’t earned his trust yet. He often refers to Iago has “Honest” Iago, which is a direct showing of irony because Iago is not honest at all (Shakespeare, I, iii. 289). Iago is so angry that Othello didn’t give him the promotion that was given to Cassio that he plans to seek revenge against Othello. He seeks his revenge against Othello by manipulating and lying to all of the people around him including his closest friend Roderigo, Cassio, Othello’s wife Desdemona and even his own wife Emilia. In the end, Iago’s lies and manipulation led to the deaths of Roderigo, Emilia, Othello and Desdemona. This isn’t the first time many of these individual characteristics have shown up in one of Shakespeare’s plays.
Iago has been excellent at saying the what is needed to get to people, he misleads them to get a reaction he wants out of them. He is clever with his words to avoid confrontation that can easily happen. “Othello 's confusion is the human experience of language. In other words, language itself, not the outside world, determines meaning” (Christofides 2). Iago uses his words against Othello to get him to do Iago’s doings. Iago has an eloquence with
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