Feminism and all branches of feminism have a number of common goals. These goals include the analysis of gender inequalities and the effects of other systems of oppression such as race and class. In most cases, the analysis is intersectional, recognizing how each system can be inclusive to other systems resulting in different levels of oppression. In the case of a woman, who is black and lesbian, versus a woman, who is white and lesbian, there are different levels of oppression. Although together these two women experience gender inequalities with men and sexuality inequalities with heterosexuals, they still have different experiences with race inequalities and in that way are oppressed differently. The point of feminism would be to show that as a group, whichever group or should I say groups one may fall into, you experience privilege or you don’t, more or less. Care must be taken when using such a description of the term feminism because its many branches have many distinct characteristics of their own. Black feminism, western feminism, post colonial feminism, multicultural feminism, radical feminism, and social feminism were developed at different points in history and had main focuses that may or may not have been beneficial to the cause or successful in any way.
Liberal and social feminism both began to emerge around the same time in pursuit of an analysis of those differences in legal rights received among men and women as well as those social differences that resulted in the roles that women have been taught to assume. Around the late 1700’s, the concern for rights such as property ownership, child custody, ability to sue for divorce, admission into colleges and universities, and employment opportunities that...
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Hooks, Bell. “Black Women: Shaping Feminist Theory” Feminism and ‘Race’ Bhavani, Kum Kum, ed. Oxford University Press, 2001`
Kimmel, Michael S. “From ‘ Conscience and Common Sense’ to ‘Feminism for Men’” Feminism and Men: Reconstructing Gender Relations. Schacht, Steven and Ewing, D, eds. New York University Press 1998
Messner, Michael A. “Radical Feminist and Socialist Feminist Men’s Movements in the United States” Feminism and Men: Reconstructing Gender Relations. Schacht, Steven and Ewing, D, eds. New York University Press 1998
Spelman, Elizabeth V. “Gender & Race: The Ampersand Problem in Feminist Thought” Feminism and ‘Race’ Bhavani, Kum Kum, ed. Oxford University Press, 2001
Wollstonecraft, Mary. “From A Vindication of the Rights of Woman” Feminist Theory: A Reader. Guy-Sheftall, Beverly, ed. South End Press, 1984
... due to a long relationship of trade, alliance, and kinship with the French as well as the promise of "war honors" (Calloway, 2012, p. 174). In 1757, the British troops at Fort William Henry on Lake George surrendered to the French. This victory was short lived as most of the French's Indian allies attacked the surrendered fort because they felt betrayed by the terms of surrender. The native peoples unleashed a slaughter, which included scalps and captives (Calloway, 2012, p. 174). The Indians were severing ties with the French and the British war effort was increasing with vigor. The Native Americans began to side with the British not knowing what this would bring, which was more freedom and land stripped away from them.
William Shakespeare has yet again created a world of good and evil. In his work Othello, the ideals and principles of this world are just like any other with a twist brought upon by two characters, Othello and Iago. These two characters along with many others employ the central idea of what good and evil entails. However, neither Othello nor Iago possess just one of these traits. Othello is not just the pure perfect guy he is perceived to be and Iago is not just the evil vindictive character he is believed to be but rather both of these men are far more interesting than that. They both have the necessary qualities that get them through life and potentially threaten their lives. Through their actions and interactions with the other characters that they really are is shown.
The complications that accompany body image have long been an issue in society. Body image is the sense of how an individual views his or her own body as compared to others in society, or what is considered to be the ideal body image. There are many different factors that effect ones body image, but a major influence is the media. The media has long been associated with eating disorders such as anorexia nervosa and bulimia. Anorexia nervosa is an eating disorder where an individual participates in self-starvation, and bulimia is an eating disorder where an individual will eat as much as he or she wishes and then purges the previously eaten food. These are two destructive eating disorders that are associated with a negative body image. This comes to question, does media have an influence on creating a negative body image, which may inherently lead to eating disorders like anorexia nervosa and bulimia? Anorexia nervosa and bulimia affect various age groups but is extremely common in adolescence and emerging adulthood. During this stage in an individual’s lifespan there is a lot going on with ones psychological development as well as body. How an adolescent views his or her body image be highly impacted by how the media portrays what the ideal body image is. According to Berger (2015), “as might be expected from a developmental perspective, healthy eating begins with childhood habits and family routines” (p.415). If proper eating habits are not implemented negative body image and eating disorders that are associated with media becomes further predominant in adolescence and emerging adulthood.
In Othello, Iago is Shakespeare’s most malicious character and serves as a vehicle to these two themes. Iago despises Othello; he has a strong will to destroy Othello’s life, yet the motive behind his plan goes unexplained. Iago is a great manipulator of the tongue and lies to everyone in order to advance his plan; however, every character in the play considers Iago an honest character, and Othello even associates Iago with light and eyesight. Othello continuously asks Iago to explain or make something clearer. Until the very end, Iago appears to be honest and helpful to the other characters, but underneath this seemingly harmless façade, Iago is a demon with the strongest will; he will stop at nothing until he ruins Othello’s life. Iago uses a positive appearance to enact his
In Henrik Ibsen’s A Doll House, a drama written in the midst of an 1879, middle-class, suburban Europe, he boldly depicts a female protagonist. In a culture with concern for fulfilling, or more so portraying a socially acceptable image, Nora faces the restraints of being a doll in her own house and a little helpless bird. She has been said to be the most complex character of drama, and rightfully so, the pressure of strict Victorian values is the spark that ignites the play's central conflicts. Controversy is soon to arise when any social-norm is challenged, which Nora will eventually do. She evolves throughout the play, from submissive housewife to liberated woman. It seems as though what took women in America almost a century to accomplish, Nora does in a three-day drama. Ibsen challenges the stereotypical roles of men and women in a societally-pleasing marriage. He leads his readers through the journey of a woman with emerging strength and self-respect. Nora plays the typical housewife, but reveals many more dimensions that a typical woman would never portray in such a setting.
In modern society there is more and more digital editing without the knowledge of consumers. Currently there are various reasons for why women develop negative body image, low-self-esteem and eating disorders. According to Naomi Wolf in her novel “Beauty Myth”, one of the many reasons women obtain concerns with their bodies is due to the universal images of young female bodies presented through advertisements in fashion magazines. Advertisements in magazines are altering and shaping the desires of men and women. Magazines sell viewers images of beautiful, skinny, flawless confident young women. When people are constantly antagonized with the magazine industry’s ideal of “perfect beauty” the viewer’s then, subconsciously believe these images to be true and begin to form biases about what they themselves should look like and what other people must also look like. People who view magazines get mislead by advertisers because they are unaware that all the images displayed are digitally altered through Photoshop and airbrushing. Today’s magazines are formed completely on false ideals of flawless beauty and unattainable body images, to prevent women and men from falling victim to the magazine’s deceitful images we as a society need to become aware and educate ourselves.
In Shakespeare’s play Othello there is a main character named Iago. In this play, Iago is the instigator. From the very beginning the readers can see that he is single minded and determined. Iago portrays an act of being persuasive and helpful to the other characters in the play, yet as the audience we see his hatred, selfishness, and jealousy. He succeeds in fooling the other characters with his “loyalty” and “honesty” and this is what makes him one of Shakespeare’s greatest villains.
Henrik Ibsen’s A Doll’s House is a three-act play significant for its attitude toward marriage norms. In the drama, Ibsen explores idealism between the wife Nora and her husband Helmer. Nora’s and Helmer’s idealism forces the pair to see themselves and each other starring in various idealist scenarios of female sacrifice and heroic male rescue. As a play, the scenes are act out on stage. The staging of a house reveals the dramaturgical aspects and dynamics of the play. The presence of the house is significant to the depiction of women on stage. The action of the play traces Nora’s relationship to the house. Ibsen’s play focuses on the aspect of the expected idealism of the wife and husband, and how the domestic abode can hinder freedom.
The enforcement of specific gender roles by societal standards in 19th century married life proved to be suffocating. Women were objects to perform those duties for which their gender was thought to have been created: to remain complacent, readily accept any chore and complete it “gracefully” (Ibsen 213). Contrarily, men were the absolute monarchs over their respective homes and all that dwelled within. In Henrik Ibsen’s play, A Doll’s House, Nora is subjected to moral degradation through her familial role, the consistent patronization of her husband and her own assumed subordinance. Ibsen belittles the role of the housewife through means of stage direction, diminutive pet names and through Nora’s interaction with her morally ultimate husband, Torvald. Nora parades the façade of being naïve and frivolous, deteriorating her character from being a seemingly ignorant child-wife to a desperate woman in order to preserve her illusion of the security of home and ironically her own sanity. A Doll’s House ‘s depiction of the entrapment of the average 19th century housewife and the societal pressures placed upon her displays a woman’s gradual descent into madness. Ibsen illustrates this descent through Torvald’s progressive infantilization of Nora and the pressure on Nora to adhere to societal norms. Nora is a woman pressured by 19th century societal standards and their oppressive nature result in the gradual degradation of her character that destroys all semblances of family and identity.Nora’s role in her family is initially portrayed as being background, often “laughing quietly and happily to herself” (Ibsen 148) because of her isolation in not only space, but also person. Ibsen’s character rarely ventures from the main set of the drawi...
Shakespeare Othello was an act of many evil traits, including betrayal, manipulation and jealousy. Evil can be described as an act of someone who causes grievance, destruction, or impairment for one owns satisfaction; Iago, unquestionably, fits the description. Othello represented these traits through character, Iago, as he reveals his true nature of evil by diminishing people lives and becoming the downfall of many people around him. “Hell and night/ Must bring this monstrous birth to the world’s light” (I, iii, 394-396). Though Iago may not have a purpose of participating in many of his act of evil, he presents it as a self-obsessed driven supremacy. He plots to destroy Othello and to gain dominance by observing each weakness from Othello, and takes advantage of it. He uses his aid of human nature to help with his evil schemes and plots throughout the play. Because he identified Othello’s weaknesses and was able to use verbal persuasion to not only gain Othello’s trust, but to also use that as a benefit to what he wanted to accomplish. It is great importan...
Throughout history, women have been oppressed and seen as subservient to men. Gender differences denied women the right to education, among many factors that men had. Women lived their lives to be wives and mothers while men went to school, held careers, interests passions and individual lives outside of the homes women so rarely left. Mary Wollstonecraft expressed her abhorrence for this injustice in A Vindication of the Rights of Woman. Later in the same year of 1792, Anna Barbauld responded by attacking Wollstonecraft with her “The Rights of Woman.” Both women present a clear, though opposing argument allowing the reader further insight of the oppression plaguing women in the late eighteenth century.
Feminism has made a major change in not just women’s lives but in the world. Throughout the world, women have always been considered “second class citizens” yet as the years have passed, proven facts show that women are capable of working just as good as men and even do more duties at the same time. In the early centuries most women weren’t able to get any type of credit without a male cosigner and in certain countries their husbands had complete control not only for their property but for their earnings as well. Men created a false public sentiment by giving to the world a different code of morals for men and women, by which delinquencies which exclude women from society, are not only tolerated, but deemed of little account in man. Women
Commack (2014) draws comparisons between radical, conservative, and liberal feminisms, clearly explaining the differences in thought that allow for the distinctiveness of each approach (p.38-39). Although radical and conservative feminisms share an assumption of essentialist and biological differences between men and women, radical feminists focus and value almost entirely on women and their traits, while conservative feminists tend to value perceived ‘male’ traits (Commack, 2014, p.38). Evans (1995) disagrees slightly with Commack’s argument though, arguing that early radical feminist theory was more egalitarian and saw both sexes as “marred by society: by patriarchy and by capitalism,” and was less likely to blame men for the oppression of women (p.64). Commack (2014) states that radical feminism emerged in response to a liberal feminist approach and some of the criticisms that had emerged regarding it (p. 37). While a liberal feminist approach may call for administrative reform within society, a radical feminist framework calls for “transformation or major structural change” which may be necessary when the amount of inequality within society is considered
In today’s world, social inequality seems to be so apparent that the issue cannot escape anyone’s radar. The ways men and women are treated in their society have become so different and possibly full of prejudiced intentions that feminism emerged to establish and protect what women truly deserve in our society. But in the midst of all the movements and agendas of the feminists, one group of people are left vulnerable to the struggles and rejections they have to face yet unable to protest due to society’s expectations of them being strong, confident, and dependable. This group consists of the other half of the human population, men. It is not always easy, as it may seem to be, to live as a man.
Throughout history men and women have been put into the rigidly defined roles of feminism and masculism. This box that society has created has push back the true people and presented us with the societal image of what men and women should be. This is gender stereotyping. Through these stereotypes a feminist movement and a masculine movement have arisen to try to break those stereotypes.