Kristiana Kahakauwila's, a local Hawaiian brought up in California, perspective view of Hawaii is not the one we visually outwardly recognize and perceive in a tourist brochure, but paints a vivid picture of a modern, cutting edge Hawai`i. The short story "This Is Paradise", the ironically titled debut story accumulation, by Kahakauwila, tell the story of a group narrative that enacts a bit like a Greek ensemble of voices: the local working class women of Waikiki, who proximately observe and verbally meddle and confront a careless, puerile youthful tourist, named Susan, who is attracted to the more foreboding side of the city's nightlife. In this designation story, Susan is quieted into innocent separated by her paradisiacal circumventions, lulled into poor, unsafe naïve culls. Kahakauwila closes her story on a dismal somber note, where the chorus, do to little too late of what would have been ideal, to the impairment of all. Stereotype, territorial, acceptance, and unity, delineates and depicts the circadian lives of Hawaiian native locals, and the relationships with the neglectful, candid tourists, all while investigating and exploring the pressure tension intrinsically in racial and class division, and the wide hole in recognition between the battle between the traditional Hawaiian societal culture and the cutting edge modern world infringing on its shores.
The article written by Alexis Celeste Bunten called “Sharing culture or selling out?” talks about the theory of “commodified persona” or the “self commodification” of a tourism worker in Sitka and how capitalism has influenced the way a tour guide is presented. Chapter eleven in Charles C. Mann’s book called “1491, New Revelations of the Americas before Columbus” is a slight summary of the second half of the book which talks about how similar Indians were more advanced than the colonists and that we should accept the fact that indigenous people and their societies have influenced American culture.
While walking down the beach, the white, warm sand mushes between your toes. The sun’s radiant rays beam off your glowing skin. The sound of waves crashing blocks out the external world. There is no other place like the gorgeous tropical islands of Hawaii. The wide range of flowers, cuisine, and wildlife makes it one of the most picturesque places on Earth. It also leads the United States with the highest racial minority rate making it the most diverse state. However, there are numerous hidden dangers of Hawaii, and not all ethnic groups get along causing sharp tensions across the island.
Gun control in Canada has been a controversial issue since it was imposed in 1892 by the Criminal Code. Many parties such as anti-gun-control lobbyists challenge stricter gun control while others believe in more strict laws for firearms. Historically, Canada has always had more rigid gun laws and regulation of weapons over the United States. Canadian firearm law is regulated by the federal government. In 1991, Bill C-17 promoted stricter guns laws and required individuals to obtain a criminal record check to acquire firearm However, in 1995 the Liberal government called for the registration for all firearms. Prior to 1892, any individual carrying a firearm without reasonable cause was imposed to six-month sentence. Since 2001, federal gun control legislation passed Bill C-68 which requires all gun owners to obtain a license to possess and acquire firearms. In 2005, roughly 16% of households in Canada possess some form of firearm. Due to the fact that homicide rates are dropping, gun laws disproportionately affect law-abiding citizens and gun control does not address the root causes of gun crimes, increased gun control in Canada not justifiable.
Sonia P. Juvik, James O. Juvik. Atlas of Hawaii. 3rd Edition. Hilo: University of Hawai'i Press, 1998.
Brown, DeSoto. "Beautiful, Romantic Hawaii: How the Fantasy Image Came to Be." The Journal of Decorative and Propaganda Arts. 20 (1994): 252-271.
Jovik, Sonia P. and James O. Jovik. (1997). “History.” Atlas of Hawaii. Honolulu: University of Hawaii Press, p.408.
Discussed and found in this paper, you will find, how I have appreciated you from the time I started staying with you. I have come to an understanding of you, Hawaii. I understand your self pride, physical traits, culture, and history. These keep my memories alive, that have brought back to life what it felt like to experience your underlying qualities first hand. You mysteriously carry messages and feelings around that make you stand out from everywhere else. “Oh Hawaii, how grateful I am to you”.
Hawaii is a top vacation destination by many tourists all over the world. When Hawaii comes to mind many people and different cultures imagine sandy beaches, warm, blue waters, lush green backdrops, Hula dancers in grass skirts with flowers in their hair and leis around their necks. These visual representations are iconic symbols of Hawaii and of what many have come to define as Hawaiian. These images and ideas painted by the visitor industry most often take place at the expense of the Hawaiians historic culture. These stereotypes conjured up by the tourist indus...
Hawaiian is unique among the fifty states, especially in regards to its native music form, which is still preformed, and captivates audiences even today. Hawaiian chanting, music, and dance are not only key parts of life on the island, but have also become cultural icons as well as profound symbols of nature and religion in Hawaii. Hawaii has a rich history, beginning with the early settlers from Polynesia who brought their traditions and religions to Hawaii. Over the years, the inhabitants took those traditions and adapted them to their new home, creating the definitive culture that, even with Western influences, still is a captivating force within the society.
Drawing on his experience as a past Bali tourist, Tom Hyland examines the way that Bali, also known as the ‘Island of the Gods’, has changed since his last visit. “Doing dumb things to an island we claim to love”, shows that home grown citizens along with tourist don’t respect the island, we so call “love”. Directing his piece towards native members of Bali, along with anyone around the globe looking to visit the island, Tom, tells the damaging effects and ways of life that Bali has come to, since the 1980s. Hyland corroborates that visitors are wiping out the goodness and morality out of Bali, thus resulting into making the island ‘a paradise lost, a sweet place gone sour’. Through his piece he aims to inform people that are in or around Bali,
By looking at my drawing you could see how much the park has developed. Since the park is pretty much a rain forest filled with plants, trees, flowers I couldn't really draw it all in. The parks beauty is what brings a lot of people to the park both locals and visitors. Also, in my drawing you can see a trail that goes through the valley, a waterfall and a swimming area where a lot of locals go to swim and even jump off the rocks and the trail bridge. This shows how we engage in the creative spirit. On the left side of my drawing of the now, you can see a botanical garden area, and little ponds and statue houses that displays the Hawaiian culture well. Then, to the right side of my drawing you can see the area where people would gather for celebrations, where local events are held, and just even a place to sit and have a picnic. With this one could see how the creative spirit links us
1997, our journey began as two complete strangers who happened to cross paths in the beautiful beaches of Hawaii. Just like every other adventure enthusiast, I rushed towards the beautiful beach to enjoy the beautiful scenery and the warm waters. The beach smells fresh, almost like a new ocean breeze air freshener. The sand is hot and looks like gold blended in with little white specks; it sparkles like the water running off the swimmers back and feels like walking on coals from a burning grill. The palm trees sway in the air from the gentle wind. From a far distance the ocean is a deep navy blue; waves come in like a bulldozer from all the wind. All you can hear is the waves of the ocean and the light breeze coming
There are things that you will see here that you just won’t find anywhere else. Nothing else matches the spirit and love the native Hawaiians and local residents have for the people that come to visit.
The idea of a backstage area where host populations continue meaningful traditions away from the front stage performances set up for the typical tourist audience has gained impressive rapport amongst the contemporary anthropologist society within the recent decades, and yet it still cannot provide a strong argument for tourism as a quest for the authentic self (Reisinger and Steiner 2006a:68). For this particular type of tourists, many of whom would not refer to themselves as part of what they call “mainstream tourists”, the quest for the authentic self through backstage tourism “leads to surface sociality and materiality to be deemed inauthentic” (Theodossopoulos 2013b:344). In believing themselves to be above falling into the commonly constructed tourist ploys after realizing the artificial presentation of the front stage tourism, those tourists rely on the archaic backstage display to connect with a romanticized authentic self. The approach to supposedly discovering the authentic self is almost synonymous to primitivist tourism, where “tourists seek out encounters with humans felt to incarnate a condition of extreme archaicness understood as the opposite of global modernity” (Stasch 2014:192). The typical primitivist or backstage visitor can without fail feel strong inclinations to, when encountering what social media has deemed pure and materially disconnected communities such as the Korowai people of West Papua, Indonesia, “describe themselves by their differences of approach relative to other travelers…and [understand the authenticity self as] an idea of a human other who is true to his individual spiritual constitution, and thus, is above all, not staging false appearances for what is in reality an underlying desire for material gain” (Stasch 2014:206-208). Such method for