The Clown Doll: An Urban Legend
When my friends and I were younger, we loved to tell each other scary stories late at night at sleepovers. This memory resurfaced this past February as three friends and I exchanged tales late one night while on a trip in New Jersey. All of the stories were entertaining, but this purportedly “true” urban legend remained in my mind long after the other accounts. “The Clown Doll” was told by a twenty-year old, Christian female University biology major. She was born and raised in Pittsburg, PA, which is where she heard the story and where the story itself is set. As soon as she had all of our complete attention, she began the legend as follows:
Well, back in high school, one of my best friends told me this story. It’s true because it happened to one of her close friends that went to a different high school in my hometown. This actually happened. This girl always babysat for this certain family in a nice, medium sized suburban neighborhood. The family had two kids; the little girl was six and the boy was eight. They lived in a nice, two story house. But there was something weird about the family. They loved dolls. They had a huge collection of dolls. Kind of weird, but you know. And so they had dolls displayed in cases and dolls sitting out.
One night, the parents go out to a dinner party, and this girl comes to baby-sit the children. She takes care of the kids, feeds them dinner, plays with them, and then puts them to bed upstairs. After that, she comes back downstairs and sits on the couch in the living room to start watching TV. But the whole doll thing is really creeping her out. She just doesn’t like the way they are sitting there and seem to be looking at her. But th...
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...y proposition. People want to be able to feel safe in the comfort of their own homes, and be able to protect their own families. Tellers of the Clown Doll tale seeks to instill chills in their audiences by interrupting this idealized vision of security. Another fear that is made evident in this story is the apprehension and dread that accompanies thoughts of the taboo. The Clown Doll manifests our society’s fear of things or people that are different, such as little people or the mentally or physically handicapped. Those with mental illness are unknown, taboo, and frightening to our society. There are many examples of mentally ill people being the center of movies about serial killers or stories in which we “normal” people cannot control the actions of those with mental illnesses. People afflicted with these diseases are normally kept away from everyday society
“A Doll House.” Literature: A Portable Anthology. Ed. Janet E. Gardner, Beverly Lawn, Jack Ridl, and Peter Schakel. Third edition. New York: Bedford/St. Martin’s, 2013. 850-908. Print.
Anonymous. “The Clown Doll: An Urban Legend.” University of Maryland Legends Collection. Accessed 4/01/06. http://www.wam.umd.edu/~dschloss/Legends/clown.htm.
However, local and national news also produces negativity towards mental illness by “portraying people with mental illness as threats to themselves and to others” (Anaya 4). In the past two years, the news features stories such as a man who has schizophrenia, running on a shooting spree then killing himself; or a mother with depression who murders her children, then kills herself (Anaya 4). Anaya explains that television programs use mental illness as a headline to grab the attention of views and ultimately implies to respond with fear (5). Highlighting that mental illnesses are the reason for the evil in society, hurting those who suffer with mental illnesses. Therefore, the population begin to believe mental illness is bad, so do the people who suffer with mental
People with mental illness are usually thought to be psychotic, crazy, pathetic or even dishonest in the way such that they can use their illness to provoke sympathy and get away with certain things the rest of us can’t (Byrne, 2000, p. 2). These negative stereotypes further enhance the idea that people with mental illnesses are not like us and should be avoided. While it is true some of the more extreme mental illnesses can cause harm to others, most of these disorders are not dangerous to the rest of us, and the people that suffer from them are regular
Most people gather what they know about mental illnesses from television and film. Unfortunately these media portrayals are inaccurate and create stigma. They depict people suffering from mental illnesses as different, dangerous and laughable. Characters are often addicted to drugs or alcohol, are violent, dangerous, or out of control. Horror film characters like Norman Bates in Psycho, Jack Torrance in the Shining, or Hannibal Lecter in Silence of the Lambs associate the typical 'psycho- killer' with people who suffer from a mental illness. But dramas and horror films are not the only film genres that create stigma. Comedies like What About Bob and many others not only stigmatize, they also make fun of mental illnesses and the people who suffer from them. This paper will discuss how the film Me, Myself & Irene is an inaccurate, offensive and stigmatizing portrayal of an individual suffering from schizophrenia. It also discusses what can be done to counteract the stigma created by these types of films.
Ibsen, Henrik. A Doll's House. Ed. Stanley Appelbaum. New York : Dover Publications, INC. , 1879.
A child wakes up from a nightmare and goes to her parents’ room. They’re watching the movie It. The little girl walks in as the clown is baring his sharp teeth. Understandably, the girl is traumatized. She develops a lifelong fear of clowns.
With a firm belief that people are all mentally ill, Stephen King, a well-known horror novelist, composes his essay, titled “Why We Crave Horror Movies,” to elaborate on the popular appeal of these types of films. Within the essay, King studies the human race and claims that all of mankind needs to release their insanity. With many years of experience in the field of horror, he believes that horror films lets individuals release the bad that lives within themselves in a safe and socially acceptable way. He starts by addressing the basic reasoning of why men and women alike willingly buy a ticket to see a horror movie before deeply analyzing why horror movies are so alluring. King states that the public goes to see horror movies for three reasons:
The Southern Ohio Lunatic Asylum, a sanatorium in which a melting pot of the state’s criminally insane, daft and demented were housed, was later effectively named the Dayton State Hospital, ultimately named 10 Wilmington Place, which completely “derails” past notions of the previous named building, and has now become a retirement home for the elderly. “It must be remembered that popular thinking at this time had by no means entirely removed from “insanity” its ancient association with demons, spirits sin and similar mythical phenomena. Neither was it generally considered in the category of illness and hence the afflicted were viewed with an admixture of curiosity, shame and guilt” (INSIDE D.S.H 2). The author is conveying that there was a misconception toward the afflicted that they were not only insane but also demonically possessed, hence the obscurity of the patients due to curiosity and shame by the community. In such films as House on Haunted Hill in which certain archaic medical experiments were performed on patients that once were housed there; as a challenge a group of people were offered money to spend the night in a house thought to be haunted by former patients years ago. This movie concept is in accordance with the author’s statement about popular thinking and public views.
This was effective because by stating that “we’re all mentally ill” (King 414) right off the bat readers will be compelled to continue reading. He might have offended some readers by questioning their mental state but this is inconsequential because it is easier to change a reader’s feelings if they actually read the piece which is what his opening statement insures. His introduction commands attention and requires a strong logical argument to back up this claim. King also does this effectively. As a published writer King knows how to manipulate words and phrases to use in a way that fits his purposes. It was by this skill that he was able to normalize fears and horror movies to transition into his thesis. King gives three reasons for why it is such popular genre to watch, “to show that we can, that we are not afraid…” (414), “to re-establish our feelings of essential normality” (414), and “to have fun” (414). He normalized the phenomenon and logically explained each of these claims. Another effective part of his essay was to establish cause and effect. King illustrated what happens when we submit to our insanity or when we control our emotion by sharing an anecdote about children and the reinforcement they receive from parents and society. He even goes to explain which actions will elicits positive reinforcement and likewise which prompts negative
...ing horror movies. Stephen King’s “Why We Crave Horror Movies” is a well written essay with convincing analogies, comparisons, and urban humor. With the use of logos, ethos and pathos in unison he easily wins his argument persuading his audience to believe his thesis, convincing normal people they are mentally ill. Kings argument convinces his readers not only that mental illness lies within us all, but that without horror movies we wouldn’t have a way to fix our mental state. If sanity is being normal, and insanity is madness, then how is it that being normal is watching insanity repeatedly?
“Everybody feels like an outcast because the world is so large and every fingerprint is so vastly different from one another and yet all these standards and beliefs, and dogmatic systems of judgment and ranking in almost all the societies of the world” -Ezra Miller. All around us, cliches and standards are seen throughout culture. This is because judgment is a constant challenge in today's society. If one dress, acts or plays out of the considered normal, then those people are put into rankings and are distanced from everyone else. In today’s world, the experience of being an outcast is universal.
"Realism and the Significance of A Doll's House." Wikispaces.com. Ed. Tangient LLC. Wikispaces, 2011. Web. 8 Apr. 2011. .
Ibsen, H. (1992). A doll's house. (Dover thrift ed., pp. 1-80). New York: Dover Publications Inc.
The literary work, A Doll’s House, was written by Henrik Ibsen and has been a historical work of literature since the late 1800’s. There are many themes through out the story that impose the different ideals of the 1870’s. Many of the characters reflect the time period through the positions they hold, the activities they do, as well as how they behave and act. Torvald Helmer and his wife Nora traditionally represent the upper-middle class in the way they present themselves, what types of activities they engage in, as well as what they do as an everyday task.