Everything is everything in the world of short stories. Steinbeck's The Chrysanthemums is full of thick rhetoric that raises questions and stirs the mind and imagination. Everything from the title, to the last line needs to be thought about more than once. The story isn't just about a farmer's wife who likes pretty flowers. Not in the least! The Chrysanthemums is a story about how Elisa Allen is forced to a life that she feels is trapping her. The story is set in the early twentieth century and these times don't allow for just any woman to leave her ordinary, socially and politically correct life. Feminism is a large part of the story, and main character Elisa Allen's language, actions, and even the way she is described play a large part of the role of feminism. There is dialogue, the setting, and plenty of objects to interpret atop Elisa Allen alone.
The chrysanthemums themselves are an integral part of how we look at Elisa Allen. The chrysanthemum is a symbol of Elisa herself. Elisa is a strong woman who feels she can do almost anything. ."..I do have a gift with things, all right," she says on page 285 of 40 Short Stories. Much like Elisa in the story, the chrysanthemum is strong, but delicate. Every year the chryanthemums are cut low to the ground before they bloom. Elisa Allen also gets cut down in the story with the salesman/tinker scenario. She is given a little pitch about how nice her flowers are and asked if he[the salesman] could take some to one of his customers. Elisa took great pride in helping the traveling salesman with her speeches about proper care, how to get them growing strong and having "planters' hands." She even gave the man a flower pot and a few samples to take to the woman who "got nearly every...
... middle of paper ...
...tay down and avoid another humiliation. She is going to get back up and "fight like a man."
The use of the word "strong" is also a contributer to the overall theme of the story. The whole story is trying to show how women are equal to men. Steinbeck had to drill the word into our heads to get us believing that. When the story was written, feminism was not a thriving idea and Steinbeck was trying to show people how women were equally as "strong" as men. If the deliberate over-use of "strong" weren't enough, Steinbeck tries to show us through the description of the main character.
Rugged and handsome is the way Steinbeck gives away his main character Elisa. She is tough and can do her jobs just as well if not better than a man. Is that not what the practice of feminism is? Her power and eagerness is exaggerated to give the reader the feeling of masculinity.
Among them are only four women of all ages: the Grandma, the Mother and her two daughters, the pregnant Rose of Sharon and the young Ruthie. Appearing in Chapter Eight, the mother, who is referred to as “Ma”, holds a decisive role in Steinbeck’s novel. She is, along with her son Tom (the main character of the book), present from the early stage of the story until its very end. We will attempt to trace back her emotional journey (I) as well as to analyze its universal aspects and to deliver an overall impression on the book (II). Steinbeck describes Ma as a strong woman, physically “heavy, thick with childbearing and work” (Chap.8).
While Boyle describes Mrs. Ames as elegant, gentle, and quiet, Steinbeck gives to Elisa more strength. Her face was “lean and strong”, and her figure looked “blocked and heavy in her gardening costume”. Both women find their own ways to cover lack of happiness in their everyday lives. The astronomer’s wife is managing the house finding the silliest things to keep her busy: “…from the removal of the spot left there from dinner on the astronomer’s vest to the severe trashing of the mayonnaise for lunch”. Elisa spends her days in garden raising chrysanthemums “bigger than anybody around here.” The fact that these two women did not have any children can mislead us to the conclusion that they were both trying to satisfy the instincts they were probably having at the age of thirty-five. While this is the case with Elisa, the astronomer’s wife had different problem: the lack of communication with her husband and incapability to understand the world he was in.
“Women can change better’n a man,” …“Women got all her life in her arms. Man got it in his head”(423) and with these quotes, Steinbeck is suggesting that women are just as capable as men when the going gets tough. He suggests that families could work just as well with a female head of the household. The men of this story used to provide the necessities to live, but now, in time of great need, the women pull through and tip the power scale in their favor.
Steinbeck's strong and somewhat manly description of Elisa while working in the garden, gives the distinct impression that she is not as weak as a stereotypical housewife would be. He writes that "Her face was lean and strong and her eyes were as clear as water. Her figure looked blocked and heavy in her gardening costume, a man's black hat pulled low down over her eyes, clodhopper shoes, a figured print dress almost completely covered by a big corduroy apron with four big pockets to hold the snips, the trowel and scratcher, the seeds and the knife she worked with." As evidenced by this excerpt you can see that she has covered up her hair with a "man's hat" and has thrown an apron over her dress in attempts to cover up her femininity. This apron also takes on a similar role as a man's tool belt as he works the land. This initial description lends to the notion that Elisa wants to be stronger as a woman, to stand beyond the stereotype of a housewife. Other phrases used by Steinbeck further the above points. The author mentions that her face was "handsome," her work with the scissors was "over-powerful," and her fingers "destroyed such pests." This description shows an inner strength that Elisa possesses; yet she is unable to bring this out. She also hints to the reader that she would like to take on more masculine responsibilities after her husband Henry comments on the size and beauty of her chrysanthemums. He says that he wishes she'd work out in the orchard and "raise some apples that big." She reacts to this by saying "Maybe I could do it too. I've got a gift with things, all right. My mother had it. She could stick anything in the ground and make it grow.” All of these de...
Elisa Allen is a thirty-five-year-old woman who lives on a ranch in the Salinas Valley with her husband Henry. She is "lean and strong," and wears shapeless, functional clothes (Steinbeck 203). The couple has no children, no pets, no near neighbors, and Henry is busy doing chores on the ranch throughout the day. Elisa fills her hours by vigorously cleaning the ''hard-swept looking little house, with hard-polished windows,'' and by tending her flower garden (204). She has ''a gift'' for growing things, especially her chrysanthemums, and she is proud of it (204).
The short story "The Chrysanthemums" gives insight into the life of its author. John Steinbeck was born on February 27, 1902, in Salinas, California. The locale of the story is of key resemblance to the Salinas in which Steinbeck was born and bread. "Salinas was a typical American small town, [differing] only in location and a few distinctive features" (McCarthy 3). The protagonist of this story, Elisa Allen, also resembles Steinbeck's first wife. "Steinbeck probably based the character of Elisa Allen on his own first wife, Carol Henning Steinbeck. Like Elisa, Carol was a woman of considerable talent and energy who wore 'masculine clothes' and was 'strong, large-boned' and 'handsome rather than pretty'" (Hughes 23). Similar to the time frame in which Steinbeck lived, the theme of the story comes across as being male dominant and the rustic setting allows us to visualize this.
Although Frankenstein by Mary Shelley is not technically a feminist novel, Shelley ever so subtly makes a strong case for the plight of women in a patriarchal society. Speaking from the male point of view, Shelley is able to depict everything that is wrong with society from subservient stereotypes, interpretation of procreation and the demeaning treatment of women as objects. While staying true to the gender roles in the time period, it becomes apparent that not only are men held to a different standard than women, but they are also undeserving. Rather than force her controversial observations down her readers' throats, she stealthily crafts the novel leaving one with a newfound respect and value of women and their role in society.
This frustration is evident when Elisa is first introduced. Her figure is described as "blocked and heavy" because she is wearing heavy gloves, heavy shoes, a "man's black hat," and a big apron that hides her printed dress (Steinbeck 330). Her home has the masculine qualities of being "hard-swept" and hard-polished" (Steinbeck 330). Elisa is bored with her husband and with her life (McMahan 455). Obviously, Elisa is unhappy with the traditional female role and is attempti...
Shelly’s Frankenstein is easily regarded as one of the world’s finest pieces of literature. A reason why it’s in a class of its own is because of the strong feminist undertones present throughout the work. All of Shelly’s female characters come across as inferior to the males; this character portrayal was accurate to the time period when the novel was written, in which this did happen to be the case. An example of this would be how Shelly described Elizabeth, “Who’s hair was the brightest living gold, and despite the poverty of her clothing, seemed to set a crown of distinction on her head,” when the Victor’s mother came across her (Shelly 20). Right from the start of the novel Elizabeth is presented as weak. Victor later stated when his mother brought Elizabeth home that she was “A possession of my own” (Shelly 21). Not only is Elizabeth presented as weak, but also an item to be used however the Frankenstein family wants. And that want was for Elizabeth to become Victor’s wife, “Till dead she was to be” Victor’s only (Shelly 21). She is showed to the reader as feeble, in a powerless position, and overall incapable of supporting her-self without others; at the mercy of men (Feminism and Frankenstein). Putting fe...
In this short the Chrysanthemums, written by John stein beck. The author tells a character who is in need of love. Stein back reflects the charazteratiom of Elisa in the story because he shows us how Elisa character changes threw out the story. The traits of Elisa’s show us that Elisa is strong and want affection and resorts to the chrysanthemums as a way to show herself.
Steinbeck is very successful in creating sympathy throughout her character change and he presents her in this way to prove that the majority of women went through similar situations. This leads us to sympathise with all people society deems to be ‘inferior’ and we can even apply this lesson to today’s society.
All of this insight and analysis of the meaning behind Elisa's chrysanthemums is what opens up the undisclosed doors of this story. If one did not look further into the story, it would seem as if the author was providing a bunch of unnecessary pieces of information about a specific day in the life of Elisa Allen. The chrysanthemums, being the key to the story, give a more in-depth understanding of this woman's life and her struggles that would otherwise not be acknowledged.
Women and men fear the thought of an empowered woman and the thought of feminism. Women fear that will be punished by men if they stand against them and fear that being a feminist will make them cruel and lonely. Men fear that women will one day rise and surpass them. But it is with these women that great change can come. Being a feminist does not require a person to hate men nor does it isolate a person from the rest of the world. In both texts we witnessed that there are people who reinforce conventional views of gender roles and those who challenge them. The life is a feminist is challenging but much more rewarding at the same time.
...symbolism. Ibsen and Steinbeck both convey their disapproving opinions of feminism through these two works. Both authors wanted woman to be treated as equals with men, whereas the society they lived in was a patriarchy where “men are the center, [and] women are the margin” (Skredsvig). While both characters were faced with similar struggles as a result of the male dominated society, each character responded very differently. To their downfall, most women of the time probably would have responded as Elisa did and would have lived their lives in virtual servitude, while very few women would have responded as Nora did to stand up against their domineering husband. Thankfully, those few strong women, with the help from anti-feministic citizens like Ibsen and Steinbeck, did stand up for themselves and helped pioneer a more equal male-female society that endures today.
Elisa is at her strongest and most proud in the garden and becomes weak when placed in feminine positions such as going out to dinner with her husband. Steinbeck carefully narrates this woman’s frequent shifts between femininity and masculinity over a short period of time. In the opening of the story, Elisa is emasculated by the description of her clothing. She wears "a man’s black hat pulled low down over her eyes, clodhopper shoes, a figure print dress almost completely covered by a big corduroy apron." (paragraph 5).